Whitby, Mary Anne Theresa, 1783-1850, printmaker, artist
Published / Created:
1828.
Call Number:
828.00.00.116
Image Count:
1
Resource Type:
still image
Abstract:
View of Cagliari in Sardinia, Italy
Description:
Title from text below image. and Produced by Whitby after her own drawing, and printed at her private amateur lithographic press on her Newlands estate, near Poole Bay in Hampshire.
Whitby, Mary Anne Theresa, 1783-1850, printmaker, artist
Published / Created:
[1828]
Call Number:
828.00.00.107
Image Count:
1
Resource Type:
still image
Abstract:
View of the hilltop town, Castelsardo in Sardinia, Italy
Alternative Title:
Castelsardo
Description:
Title from text below image., Produced by Whitby after her own drawing, and printed at her private amateur lithographic press on her Newlands estate, near Poole Bay in Hampshire., and Watermark: Fleur-de-lys with initials "JMM" below.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 45. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two young women standing at the corner of a customs' house with a sign lettered 'Qui si paga la gabella', one carrying a basket, in profile on the right, reaching out one arm to the other, who has a staff on the crook of her arm and her hands joined under her apron, both wearing hats slanted over their foreheads, gowns with laced bodices and fichus, with a dog in the right foreground and view of mountains behind to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Mounted on page 45 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 26.9 x 18.0 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs, 3d Feby. 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[30 April 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 5. Etchings by Henry William Bunbury, Esq. and after his designs. Page 43. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing on a mountain-top, looking away to left, her hands tucked under her apron, wearing a gown with a laced bodice, fichu and a soft hat, with a shaggy dog beside her to right and a little boy chasing a butterfly in front of her, with a church at the foot of mountains in the background to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Mounted on page 43 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 26.4 x 17.4 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs April 30th, 1772, by J. Bretherton, No. 134 New Bond Street
Cecchi, Giovanni Battista, 1748 or 1749-approximately 1815, printmaker
Published / Created:
[between 1770 and 1790?]
Call Number:
770.00.00.191
Image Count:
1
Resource Type:
still image
Abstract:
Self-portrait of the artist, perhaps in his studio, sitting in front of a desk. A miniature hangs on a small easel beside him; sculpted heads and hands, as well as a painting, hang on the walls behind him. Another sculpted head lies on the floor in the foreground
Alternative Title:
Giuseppe Macpherson Pitt
Description:
Title engraved on a separate sheet mounted below image., Printmaker Giovanni Battista Cecchi and intermediate draftsman Carlo Bozzolini identified in the Hamburger Kunsthalle online catalogue., This print was apparently part of the "Serie di ritratti de' pittori che se stessi di dipinsero esistenti nella R. Galleria di Toscana," which has been dated 1770-1790. See Hamburger Kunsthalle online catalogue., Engraved border is also printed on a separate sheet and mounted around the sheets with the image and title; for another impression with the exact same arrangement of sheets, see: Hamburger Kunsthalle, Kupferstichkabinett, Inv. Nr. 57533. For an impression lacking these additional sheets, see: National Portrait Gallery, London, NPG D10968., and Sheets trimmed within plate marks.
Publisher:
publisher not identified
Subject (Name):
Macpherson, Giuseppe or Joseph or James, 1720-1792,
Subject (Topic):
Artists, Artists' studios, Sculpture, and Miniatures (Paintings)
Whitby, Mary Anne Theresa, 1783-1850, printmaker, artist
Published / Created:
1826.
Call Number:
826.00.00.92
Image Count:
1
Resource Type:
still image
Abstract:
View of the remains of the Roman Temple of Serapis, also known as The Serapeum, just north of Pozzuoli, Italy
Description:
Title from text below image. and Produced by Whitby after her own drawing, and printed at her private amateur lithographic press on her Newlands estate, near Poole Bay in Hampshire.
Whitby, Mary Anne Theresa, 1783-1850, printmaker, artist
Published / Created:
[1826]
Call Number:
829.00.00.115
Image Count:
1
Resource Type:
still image
Abstract:
View of tomb of the Plauzia family, near Tivoli, Italy
Description:
Title from text below image. and Produced by Whitby after her own drawing, and printed at her private amateur lithographic press on her Newlands estate, near Poole Bay in Hampshire.
Publisher:
privately printed
Subject (Geographic):
Italy and Tivoli.
Subject (Name):
Mausoleo dei Plauzi (Tivoli, Italy)
Subject (Topic):
Bridges, Tombs & sepulchral monuments, Rivers, and Ruins
A volume of etchings by three daughters of art collector John Ingram 1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli whose own etchings were in manner of Rembrandt and whose influence can be seen in the sisters' etchings. The style of the various impressions is very similar and were apparently made within a fairly short period if the dated prints are an accurate indication; some of the prints bound in first are dated February 1816 and then March 1816. This dating seems to be confirmed by a contemporary inscription on the front free endpaper: "These are the works of the Miss Ingrams' from their first lesson, 18..." Only five of the prints are unsigned; several prints in multiple impressions or two or more states, using brown and black inks and various stocks of paper, a few bearing a British watermark and date of 1814. Some of the prints have been mounted, but most have been printed directly on contiguous leaves forming the signatures of the volume
Alternative Title:
Etchings, gradations
Description:
Title devised by cataloger., Date of album based on internal evidence of some dated etchings, all '1816'., Also with inscription on front pastedown: Minnie Snowden, with John Johnson's kind regards and good wishes, Jan. 4, 1906., Bound in contemporary half calf, front cover detached and first leaves loose., and Three-quarter leather with marbled boards. Front board and first signature detached. Pages slip-stiched; decision to leave as is. Do not rebind. For further information, consult library staff.