The arms of two gibbets extend symmetrically, high above a bonfire; between them is an equally high post supporting a board on which the title is etched. From one (right) dangles a realistic effigy of Napoleon (scarcely caricatured) in cocked hat, uniform, and Hessian boots. From the other hangs a ruffianly fellow holding a dark lantern. They face each other in profile
Description:
Title from ink annotation, centered at the top of the sheet within the design., Unsigned; attributed to Rowlandson., and Preliminary pencil sketch of a print published by R. Ackermann on 27 November 1813. Cf. No. 12103 in the Catalogue of prints and drawings in the British Museum, v. 9.
Subject (Name):
Fawkes, Guy, 1570-1606, Napoleon I, Emperor of the French, 1769-1821, and Pitt, William, 1759-1806
An old officer in uniform with a wrinkled face and carbuncles looks lustfully at a pretty young woman as they walk together on a path, his hand grasping hers
Description:
Title inscribed below image., Attributed to Rowlandson., and Date supplied by cataloger.
Subject (Topic):
Military uniforms, British, Lust, Older people, Young adults, and Women
Full-length portrait of a soldier, in profile to the left, a rifle with bayonet resting against his left shoulder
Description:
Title from inscription below image., Unsigned; attributed to Rowlandson., and Probably a study drawing for one of the plates from Loyal Volunteers of London & environs ..., published by R. Ackermann in 1799. For a similar study by Rowlandson for the same publication, see British Museum online catalogue, registration no.: 1871,0812.1666.
Title from dealer's description., Unsigned; attributed to Rowlandson., and Inscribed on verso: Names of the Ships taken by Lord Howe on 1st of June 1794, and brought into Portsmouth Harbour; Sans Pareille 84 Guns, L'America 74, Limpetue 84, Northumberland 84, Achille 76, La Vengeur 74.
Subject (Geographic):
Portsmouth (England)
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799.
Subject (Topic):
First of June, Battle of the, 1794, Harbors, Warships, British, French, Crowds, Cannons, Carriages & coaches, Peg legs, and Victories
A scene in a chamber with the end of canopy bed visible in the background, left. A woman in her undergarments, a candlestick in the foreground positioned suggestively between her legs, reaches out to cover her husband's one good eye as he walks through the front door; behind her, her lover escapes undetected with his clothes over his arm. Outside, through the open door, a servant can be seen leading a horse, with a barn across the yard. To the right of the door, a chamber pot sits on a ladder-back chair with a hat and a fiddle hanging off pegs on the wall above
Alternative Title:
Wife's dream
Description:
Title devised by cataloger., Signed by the artist in lower right., Date supplied by cataloger., and With an extensive inscription on verso, in an unidentified hand, that might represent the original idea for this drawing that was sent to Rowlandson: A woman being catched in her Bedchamber with her Paramour by her husband who had but one Eye. She ran to him, crying aloud that she dream he saw with both’ and therefore, I must know," added the artful Baggage "whether my Dream be fulfill’d - saying this she shut his good Eye which gave her Gallant an opportunity of slipping away unperceived by her husband.
A young woman presumably a prostitute, bare breasted and with a dejected look on her face, is being led up the steps of a building by a beadle or constable, her head bowed in shame. Her infant has been left in the arms of an older woman, stands at the base of the stairs ont he right. Another, older child, seated on a lower step in the foreground, looks up at the scene. The building has barred windows
Description:
Title from dealer's description., Signed by the artist in lower right: T. Rowlandson., and Date supplied by cataloger.