Manuscript on paper of Iohannes de Sacrobosco (1000-1210), Tractatus de sphaera.
Description:
2-line plain initials alternately in red and blue at the beginning of the subdivisions of the text. They are placed almost entirely in the margin and are missing ff. 17v, 28r and 33r. Guide letters, written in the space reserved for the initials, are equally often missing. On f. 1r the Prologue opens with a 4-line foliate initial in red, green and blue with two flowers on a gold background and floral extensions in the inner margin, in Lombard style; in the lower margin of the same page a painted double-headed imperial eagle in black, its two heads with a golden crown and on its chest an oval shield with the coat of arms or, three bends azure., Binding: Original Italian, undecorated blue-stained leather over beech boards. Sewn on three double leather thongs. Remnants of three clasps attached to the front board (one at the upper, one at the lower and one at the right-hand side); thin brass engraved catches on the rear cover, decorated with a floweret and the Gothic majuscule “S”. The parchment pastedowns are now detached from the boards., Collection of Bernard M. Rosenthal, Berkeley (MS 149). Purchased from Rosenthal on the Edwin J. Beinecke Fund., Parchment end leaves., Script: Copied by one hand in Humanistica Cursiva Libraria/Currens, widely spaced. The first letter after an initial is in Capitalis., and Watermark: two crossed arrows, similar to Briquet 6269-6275, especially to Briquet 6271 (attested 1462). The whole group and its variants are attested in Northeastern Italy 1448-1495.
Subject (Name):
Sacro Bosco, Joannes de,--fl. 1230
Subject (Topic):
Astronomy, Medieval, Geometry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on goatskin parchment of 1) St Basil of Ancyra, De vera integritate virginitatis. Translated into Latin by Ambrogio Traversari between 1423-1424; 2) St John Chrysostom, Adversus oppugnatores vitae monasticae. Translated into Latin by Ambrogio Traversari in 1420
Description:
In Latin., Script: Copied by one scribe, writing in Humanistica Semitextualis with a few Gothic features., Pale red rubrics. Text undecorated, with the following exceptions: plain 2-4-line initials (Capitalis) in red or blue on pp. 1, 152, 155, 188; 5-line white vinestem initial integrated in a three-margins-left border in the same style on p. 3; the initial and border have been attributed by Albinia C. de la Mare to Giovanni d'Antonio Varnucci (1416-1457)., and Binding: 19th-20th centuries; brown morocco over cardboard. Both covers are blind-tooled with frames of fillets and four different flower tools. Five raised bands are on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Traversari, Ambrogio, 1386-1439.
Subject (Topic):
Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monastic and religious life
Dionysius, de Burgo Sancti Sepulchri, Bishop, d. 1342 Paris, Julius Valerius Maximus
Published / Created:
[between 1350 and 1400]
Call Number:
Marston MS 37
Image Count:
296
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of Valerius Maximus, Factorum et dictorum memorabilium libri novem. With Dedication to Giovanni Colonna of the commentary of Dionysius de Burgo Sancti Sepulchri; Commentary on Valerius Maximus by Dionysius de Burgo Sancti Sepulchri; Julius Paris, Epitome of Valerius Maximus.
Description:
Binding: Fifteenth century, Spain. Own parchment endleaves, one cut out in back. Original sewing on five tawed skin slit straps laid in channels on the outside of wooden boards and fastened. Yellow edges. The natural color, plain wound endbands are sewn through the spine lining on tawed skin cores which are laid in grooves on the outside of the boards. The spine is lined with vellum extending inside the boards between supports. Covered in red-brown goatskin blind-tooled with an X in an outer frame and crosses made of decorated circles in the divisions. Four fastenings, truncated diamonds at head and tail and shields at the fore edge, on the lower board. The clasp straps are attached with star-headed nails. Traces of five small round bosses on each board. Traces of incised inscription near the head of the lower board. Spine leather missing., In Latin., Large historiated initial, f. 5r, 17-line, mauve with white filigree and stylized foliage in red and green against gold ground, thickly edged in black. Initial filled with a half-length portrait in profile of a man in black robes and a black cap, probably Dionysius de Burgo Sancti Sepulchri. Foliage serifs, blue, red, mauve, and green with gold balls thickly edged in black extending into the upper and inner margins to form a partial border, which extends as stylized foliage scrolls, blue and purple into the lower margin. Gold balls partially or completely flaked. Numerous illuminated initials, 9- to 4-line, mauve with white highlights, filled with stylized foliage, green, red and blue on blue grounds with white filigree. Initials for the text against gold grounds, thickly edged in black; initials for commentary against blue ground with white filigree. Some initials with foliage serifs, pink, red and/or blue and gold balls thickly edged in black extending into margins. Pen and ink initials, 3-line, alternate blue and red with red and purple penwork. Headings in red. Plain initials touched with yellow., and Purchased from C. A. Stonehill in 1955 by Thomas E. Marston.
Subject (Name):
Valerius Maximus
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Manuscript on parchment (trimmed) of 1) Bible in the usual order with some prologues and later additions. 2) Index of Hebrew names generally attributed to Stephen Langton. 3) List of readings for year, beginning with the first Sunday in Advent through Monday after Easter. 4) Another list of readings from the first Sunday in Advent (f. 427r) through the 25th Sunday after Trinity, for the dedication of a church, for the sanctorale from Andrew through Cecilia, for the common of saints and for Trinity, Holy Spirit, Holy Cross, Virgin Mary, and the dead. and Manuscript on parchment (trimmed).
Description:
Binding: Nineteenth century. Red, straight-grained goatskin, gold-tooled., Collection of Cornelius Vanderbilt (MS 190); bequeathed to Yale in his memory by his daughter Gladys Moore Vanderbilt, Countess Laszlo Szechenyi in 1966., Rectangular pieces cut out of lower margin, ff. 266-69; no loss of text., Script: Written in small gothic textura; a few corrections added in a tiny neat cursive hand. Marginal notes in several cursive hands of 14th-15th centuries., and The historiated initials, 11- to 6-line (not including ascenders or descenders), are pink and blue, with dragons, against pink and blue grounds with gold dots and triplets of white dots. Initials for prologues 6- to 4-line (without ascenders or descenders), as above, filled with intertwining vines, blossoms, dragons, occasionally birds or fish; 4- to 1-line initials, red or blue with blue and red penwork. Headings, chapter numbers, red and blue alternating letters with blue and red penwork. Capitals stroked in red. Some rubrics missing.
Subject (Topic):
Bible.--Latin--Versions, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Manuscripts, Medieval--France--13th century, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (trimmed) of Book of Hours with Full calendar, in French
Description:
In Latin., Script: Written in batarde script., Miniatures and an extensive cycle of border vignettes by Jean and Jacquelin Montlucon who were active in Bourges between 1477 and 1492. The calendar pages are framed by gilt columns and entablatures in the antique manner with the occupations of the month and signs of the zodiac in the outer margin and a Creation cycle in the lower margin. Eleven half-page miniatures framed in magenta and gold with cusping at the top; fanciful architectural bases, surrounded by simulated grey-black marble with joined wings and foliage branches in gold. Twenty-three miniatures, 8-lines in height, in magenta and gold frames, each with a full border of flowers and acanthus, birds and grotesques on compartmented gold and white grounds. Text pages with full borders: columns in inner margin; panels with masks, shields, garlands, and wings in upper margin; flowers and acanthus, as above, in outer margin; and, in the lower margin, one of the fullest known cycles devoted to the wild man (sometimes extended to include outer margin as well). Other manuscripts from the same shop, the Monypenny Hours and Grenoble Bibliotheque Municipale MS 1011, also contain extensive cycles of wild-man imagery; the artists Jean and Jacquelin de Montlucon lived in Bourges in a house "at the sign of the Wild Man.", 5- and 4-line initials with leafy branches, gold with fruits, flowers, profile heads on pink or mauve grounds. 2- and 1-line initials, line-endings, and KL monograms in the same style. Rubrics in red. Calendar entries alternate red and blue. F. i verso added in 16th century: the arms of Gian Francesco di Montegnacco in a frame closely modelled on the decoration of the calendar pages., and Binding: Nineteenth century. Tan goatskin, gold-tooled with concentric frames, the central panel daubed with green and red. Red label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Ps.-Joachim da Fiore, Vaticinia Pontificum. With additional prophetic texts including a Sibylline tract entitled De imperatore; and a Version of the "Tripoli" prophecy, added by a late 15th- or early 16th-century hand, here recorded as a vision in a Cistercian monastery in 1346.
Description:
15 small miniatures, 12-line, within narrow ochre frames inserted into text column, one for each prophecy in art. 3, ff. 15r-22r. The miniatures depict a cycle of Popes and city scapes with emblematic attributes against pink, blue and ochre grounds with small white filigree designs along the edges. Numerous flourished initials, 2-line, alternate in red and blue with purple or red penwork designs. Headings in red. Paragraph marks alternate red and blue., Binding: Fifteenth century (?). Tacketed through a limp vellum (palimpsest?) wrapper to thick leather pads with a basket weave around the sewing threads. Contemporary title in ink, on front: "De imperatore." Backs of quires cut in for sewing., Binding: Place uncertain, s. xv [?]. Tacketed through a limp vellum (palimpsest?) wrapper to thick leather pads with a basket weave around the sewing threads., Contemporary title in ink, on front: "De imperatore., Purchased from L. C. Witten in 1959 by Thomas E. Marston., and Script: Arts. 2-4 written in neat gothic bookhand. Art. 1 in a less formal bookhand and art. 5 in a notarial hand with various flourishes.
Subject (Name):
Joachim,--of Fiore,--ca. 1132-1202
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Papacy--History, Prophecies--Early works to 1800, and Visions--Early works to 1800
Manuscript on parchment of Jacopo Zeno, Vita Caroli Zeni. With a dedicatory preface to Pope Pius II. This manuscript is of special importance because it contains the complete work
Description:
In Latin., Script: Written in humanistic script by Franciscus de Tianis of Pistoia., On f. 1r, a foliage border which includes hares, stork, vase, and arms of the Piccolomini family (argent, a cross azur with 5 crescents or; surmounted by keys in saltire argent and a papal tiara; supported by a pair of angels). Eleven elaborate initials, 11- to 7-line, in gold, red, blue, and green entwined with foliage. The style of decoration is decidedly Roman., and Binding: Eighteenth century. Brownish-red goatskin, gold-tooled; pale green and gold, Dutch gilt paper boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Zeno, Carlo, 1334-1418. and Zeno, Jacopo, 1417-1481.
Subject (Topic):
Biography, Crusades, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (with various watermarks), composed of five separate manuscripts bound together. Parts I and II were written in the 15th century and III-V in the 17th century. Part I: Vita di San Petronio. Part II: Tommaso Nacci Caffarini, Tractatus de stigmatibus extractus, the second part of the book De supplemento legende beate Katerine de senis. Part III: Federico Borromeo, Vita S. Caroli Borromei. Part IV: Pope Pius II, De morte eugenij Quarti creationeque et coronatione Niccolai V oratio. Part V: Thomas Obicinus, Motiuo Celeste diretto in questo segnato tempo
Description:
In Latin and Italian., Script: Part I: Round humanistic by a single scribe. Part II: Small neat round textura in a single hand. Part III: Written by one scribe in a calligraphic italic hand. Part IV: Written in italic hand by a single scribe. Part V: Written in a small italic hand by one scribe., Part I: Simple penwork initials in red or blue, some with penwork designs of the other color. Part II: Uninspired and badly rubbed historiated initial (Christ [?] displaying stigmata) on gold background with three gold dots, f. 19r; small decorative initials in red with black penwork designs, or blue with red. Paragraph marks in red or blue., The manuscript has been damaged and repaired extensively. Parts I and III: Waterstained and mended throughout. Part II: Folios have been trimmed with some loss of marginalia., and Binding: 18th-19th centuries. Vellum and paste paper case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petronius, Saint, Bishop of Bologna, d. ca. 445.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Papal documents, and Stigmatization
Manuscript on parchment of Plutarch, Vitae, translated into Latin by Leonardo Bruni
Description:
In Latin., Script: Written in an upright italic by a single scribe., Small, 4-line, white vine initials, one to commence each work, gold, infilled with pink and green with white dots, all on a blue ground; gold dots and hairsprays., and Binding: Eighteenth century. Green goatskin with red labels on spine. Delicately gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Plutarch.
Subject (Topic):
Biography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History