"An obese and gouty parson (left) reclines in an arm-chair, inspecting through an eye-glass a sucking-pig which a buxom maidservant brings in on a dish. She shows it to the clerk, who sits beside the parson, with a paper: 'An Estimate of the Tythes of this Parish'. The latter sniffs at the pig's snout. Two dogs eagerly fawn on the maid. Through the doorway (right) a lean yokel sourly scratches his head, waiting for the verdict on his pig. The parson's swathed leg is supported on a stool; beside him are a bottle and glass, a crutch and chamber-pot. On the wall is a picture of a group of church spires, suggesting that he is a pluralist, though the room is bare and old-fashioned."--British Museum online catalogue
Description:
Title etched below image., For an earlier version of this design, see Lewis Walpole Library call no.: 786.00.00.06+., and Temporary local subject terms: Tighe pig -- Gout -- Wine bottles -- Wine glasses -- Pictures amplifying subject.
Publisher:
Pub. Jan. 1, 1790, by S.W. Fores, N. 3 Piccadilly
Subject (Topic):
Chairs, Clergy, Clerks, Crutches, Dogs, Farmers -, Interiors, Religious dwellings, Servants, and Swine
A pretty young girl with long hair under a huge mob cap sits on the knees of a fat clergyman who in turn sits astride a cart made from a cask of ale marked 'October'. One of the wheels of this cart is labelled "Cheshire"; the cart is being pulled by a sow whose three babies are suckling her. The clergyman is kissing the girl and holding a glass in his right hand. A devil stands on the back of the cask looking over the clergyman's head and the tip of his tail is in the glass. A signpost to the right reads "To the Bottom". A boar follows the cart at a distance. In the distant background on the left is a church
Description:
Title from item., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
1787 Published by Boyne & Walker, March 16 Gr. Turnstile
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[ca. 1800]
Call Number:
Drawings W87 no. 24 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A woman sits on her husband lap as she holds his head and kisses his lips. Her passion causes the husband to lose his balance as the chair tips on its back legs
Description:
Title from inscription below image in black ink in the artist's hand., Date suppled by cataloger., and For further information, consult library staff.
"A series of eight violent quarrels arranged in two rows, the words (not transcribed in full) etched above the heads of the speakers. [1] An old parson threatens his footman: "If you ever dare to say I am in a passion again I'll break every bone in your skin." [2] A man and wife on the point of blows. [3] A man thrashing a dog. [4] A woman at a tea-table flinging the contents of a cup in the face of a maidservant. [5] A woman beating a prostrate man with a pair of tongs. [6] A man dragging on a boot so as to thrust his heel through it, the shoe-maker saying: "You are so hasty master you wont give the Goods fair play." [7] Two men facing each other in argument. [8] A black servant expostulates with his master for knocking down a boy who lies on the ground: "Dear Massa you have almost killed young Master." One of a set, see British Museum Satires No. 8541, &c."--British Museum online catalogue
Description:
Title etched below image., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: Vol. 2, pl. 3., Temporary local Medical Library subject terms: Marriage and married life -- Cruelty to animals., 1 print : etching, hand-colored ; sheet 320 x 349 mm., Sheet trimmed within plate mark., and Imperfect? Numbering in upper right possibly trimmed or erased from sheet.
Publisher:
Pubd. March 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackvill [sic] Street
Subject (Topic):
Black people, Anger, Aggression, Animal welfare, Marriage, Spouses, Fighting, Quarreling, Dogs, Staffs (Sticks), Clergy, Servants, Tea services, and Boys
"A series of eight violent quarrels arranged in two rows, the words (not transcribed in full) etched above the heads of the speakers. [1] An old parson threatens his footman: "If you ever dare to say I am in a passion again I'll break every bone in your skin." [2] A man and wife on the point of blows. [3] A man thrashing a dog. [4] A woman at a tea-table flinging the contents of a cup in the face of a maidservant. [5] A woman beating a prostrate man with a pair of tongs. [6] A man dragging on a boot so as to thrust his heel through it, the shoe-maker saying: "You are so hasty master you wont give the Goods fair play." [7] Two men facing each other in argument. [8] A black servant expostulates with his master for knocking down a boy who lies on the ground: "Dear Massa you have almost killed young Master." One of a set, see British Museum Satires No. 8541, &c."--British Museum online catalogue
Description:
Title etched below image., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: Vol. 2, pl. 3., Temporary local Medical Library subject terms: Marriage and married life -- Cruelty to animals., Watermark: J. Whatman 1820., and Restrike.
Publisher:
Pubd. March 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackvill [sic] Street
Subject (Topic):
Black people, Anger, Aggression, Animal welfare, Marriage, Spouses, Fighting, Quarreling, Dogs, Staffs (Sticks), Clergy, Servants, Tea services, and Boys
In front of Humphrey's print shop window, a man sits on the pavement, having fallen backwards; his legs are splayed up, his wig is falling off, and coins spill from his pockets. The man's predicament is unobserved by four men studying the Gillray prints displayed in the shop window, each identifiable: a gentleman with a quizzing glass held to his eye; a military officer; a coachman; and a young dustman carrying a pair of skates under his arm, his nose eaten away by syphilis. From the cobblestone street a dog looks at the man. Through the shop door, two men, one an obese cleric, are shown examining a print
Alternative Title:
St. James's Street
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
England and London
Subject (Name):
Humphrey, Hannah, active 1774-1817.
Subject (Topic):
City & town life, Clergy, Coach drivers, Falling, Merchandise displays, Military officers, British, Older people, People associated with commercial & service activities, Prints, Syphilis, Stores & shops, Thermometers, Weather, Window displays, and Printing industry
Two vicars sit at a table in a sitting room; a painting on the wall behind them is labelled "View of the vicarage". One of the men is very fat and wears a night cap; he dozes in an arm chair, his foot on a sleeping dog at his feet, the "Oxford Journal" on the floor having apparently dropped from his hand. The other, a thinner man, pours two generous glasses of port from a full carafe, and observes to his companion "What is life without the enjoyment of a friend".
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Publisher:
Pubd. Sept. 10, 1799, by R. Akerman, No. 101 Strand
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.