A collection of 69 prints, mostly mezzotints issued Carington Bowles and those reissued by Bowles and Carver, as well as some prints issued by Robert Sayers. Also tipped in are a collection of the illustrations from the 4th edition of Thomas Bridges' A burlesque translation of Homer (London, 1797).
Alternative Title:
Facetious
Description:
Title from title page in mss., Bound in red morocco with marble boards with spine title: Facetious., Title page handwritten in mss with collection spelled "colletion"., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
A collection of prints and one drawing (tentatively attributed to Samuel Collings), mostly portraits of Samuel Johnson and James Boswell, mounted in Walpole's copy of James Boswell's The journal of a tour to the Hebrides, with Samuel Johnson (London : Henry Baldwin, for Charles Dilly, 1785).
Description:
Title devised by cataloger., Also bound in are three prints described in the Catalogue of prints and drawings in the British Museum; these are cataloged separately., and Original boards with new back but old hand-lettered label, uncut. With Horace Walpole's bookplate (BP2 later state) on half-title page. Large Strawberry Hill fleuron. Press-mark R.10, but apparently moved from the Round Tower to the Library in the Offices. Not in Walpole's Manuscript Catalogue of 1763. Bookplate of the Earl of Orford (1813-94), imitated from Horace Walpole's, and bookplate of John A. Spoor. Also with bookplate "AHA".
Subject (Name):
Johnson, Samuel, 1709-1784,, Boswell, James, 1740-1795,, Boufflers, Marie Charlotte Hippolyte, countess of, 1725-1800,, Macpherson, James, 1736-1796,, and Boswell, James, 1740-1795.
Dick the butcher and Smith the weaver seizing the Clerk of Chatham
Description:
Title from item., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark at bottom resulting in loss of imprint., Copy of a print by J. Coles, published by Thomas Macklin in 1795, after a drawing by H.W. Bunbury., Six lines of text from the play in two columns below image: Smith. The clerk of Chatham: he can write and read / and cast accompt. Cade. O monstrous! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: Shakespeare's Henry VI, Part 2, iv.2 -- Street scenes -- Trades: Butchers -- Weavers -- Clerks -- Writing implements: Ink bottle on ribbon -- Weapons: Pikes -- Executions: Public hangings., and Watermark: CMD.
SH Contents C323 no. 2 Framed, shelved in LFS Bin 68
Image Count:
1
Resource Type:
still image
Abstract:
Watercolor drawing representing the procession in the romance of the Castle of Otranto by Horace Walpole
Description:
John Carter (1748-1817), British draughtsman and antiquary., Signed and titled by the artist, lower center. Same text transcribed in another hand on verso., and Later label on verso: This picture was painted by John Carter (1748-1817) and was exhibited at the Royal Academy of 1790. It belonged to Horace Walpole and was at Strawberry Hill until the sale in 1842 when it was bought by the Reverend Horace Cholmondeley from whom it came through his daughter and grand-daughter to H.C.J.
A design for a vignette by Bentley showing six older women on a balcony reaching out or looking in horror over the wall (draped in an embroidered cloth) at a scene below. With pencilled in design above
Alternative Title:
Sketch for the tailpiece of the Long story
Description:
Title from caption written by Horace Walpole on the mount in his portfolio of drawings assembled under the title Drawings and designs, ca. 1760., Added title from Horace Walpole's ms. note in ink on verso: Sketch for the tailpiece of The long story., Date based on publication date of Gray's work: Designs by Mr. R. Bentley, for six poems by Mr. T. Gray., and Formerly mounted on the upper half of leaf 3 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
Volume 3, before page 159. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
"A stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath."--British Museum online catalogue
Description:
Title from text within ribbon at top of image; remainder of title from text below image., One of the suppositious 'Sympson' prints whose attributions have long been doubted; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Dated to the 1790s in the British Museum online catalog, registration no.: Cc,3.122., Sheet trimmed within plate mark., Polly portrayed by Lavinia Fenton., Mounted to 38 x 27 cm., and Bound in before page 159 (leaf numbered '22' in pencil) in volume 3 of an extra-illustrated copy of: Spence, J. Anecdotes, observations, and characters, of books and men.
Publisher:
publisher not identified
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Manuscript on parchment roll, composed of 15 membranes, of a Chronicle of biblical world history and the genealogy of the kings of England.
Description:
Binding: Unbound., One large illuminated initial for the prologue, 8-line, mauve and blue with white filigree against gold ground thinly edged in black. The initial is filled with a large flower, red, yellow and green, and curling acanthus, orange and green extending into the margin and continued as black inkspray with large leaves, heart-shaped or acanthus, blue, pink, orange, white and green with white filigree, a large orange and gold flower, smaller leaves in gold with blue and pink, gold dots and small green leaves, extending into the upper and left margin to form a partial border. Smaller illuminated initial for the beginning of the main chronicle, 5-line, gold on blue and mauve ground with white filigree. Numerous small initials, 2-line, alternate in gold with blue penwork and blue with red. Paragraph marks alternate in red and blue., Purchased from C. A. Stonehill in 1959 by Thomas E. Marston., Script: Written by a single scribe in a somewhat rough textura., and The genealogical diagrams, which are fitted into the empty spaces between the columns of text, begin with a roundel formed of concentric bands of blue, gold and red with a miniature of Adam with Eve, who is being handed an apple by the serpent. From the roundel of Adam and Eve to the Ascension of Christ the successive Biblical names, framed in orange or green squares, are linked by a continuous band in blue, red and gold. The names of the ancestors of the Kings of England, starting with Brutus, appear in red or blue circles, surmounted by gold crowns. Other names are in plain red circles. Linking lines in the genealogies are in red or green. At the appropriate places in the text are inserted schematized diagrams in red and green ink of Noah's Ark, a plan of the Israelite camp in the desert and a plan of the city of Jerusalem.
Subject (Geographic):
Great Britain--History--1066-1687
Subject (Topic):
Bible--History of Biblical events, Illumination of books and manuscripts, Medieval, Kings and rulers--Genealogy, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and World history--Early works to 1800
Drawings W516 no. 1 Framed, shelved in Object Room Bin 6
Image Count:
1
Alternative Title:
Bard
Description:
Title inscribed by artist on verso: Gray's Bard., Signed by the artist in lower right: BW., Signed by the artist on the verso: Benjm. West., Benjamin West (1738-1820) was a British portrait painter. He was elected to the Royal Academy in ..., and Catalog of Framed Pictures in the Lewis Walpole Library: no. 119. For further information, consult library staff.
Title etched below image., Date of publication from unverified data in local card catalog record., "Pl. IV". One of 12 plates to Sterne's "Sentimental Journey" after Rowlandson?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Date of publication from unverified data in local card catalog record., "Pl. III". One of 12 plates to Sterne's "Sentimental Journey" after Rowlandson?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.