A design for a vignette by Bentley showing six older women on a balcony reaching out or looking in horror over the wall (draped in an embroidered cloth) at a scene below. With pencilled in design above
Alternative Title:
Sketch for the tailpiece of the Long story
Description:
Title from caption written by Horace Walpole on the mount in his portfolio of drawings assembled under the title Drawings and designs, ca. 1760., Added title from Horace Walpole's ms. note in ink on verso: Sketch for the tailpiece of The long story., Date based on publication date of Gray's work: Designs by Mr. R. Bentley, for six poems by Mr. T. Gray., and Formerly mounted on the upper half of leaf 3 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of John Fisher, Bishop of Rochester, bust length, facing slightly left; wearing a hat and clerical clothing. Probably after the drawing by Müntz that was copied from an original by Holbein, from the Holbein Chamber at Strawberry Hill
Description:
Title written in ink below image., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 112 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Fisher, John, Saint, 1469-1535, and Strawberry Hill (Twickenham, London, England)
Title from pencil annotation on verso of matte, perhaps in the artist's hand; note is signed "S. Owen" below., Signed and dated by the artist in lower left corner of drawing; final digits of date are mostly illegible, but a similar drawing by Owen in the same volume is clearly dated "1822"., and Laid in volume 2 of Anne Damer's Scrapbooks.
Title from pencil annotation on verso of matte, perhaps in the artist's hand; note is signed "S. Owen" below., Signed and dated by the artist in lower right corner of drawing., and Laid in volume 2 of Anne Damer's Scrapbooks.
Well known characters no. 1, Well known characters number 1, and Well known characters number one
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark [trimmed].
Volume 3, before page 159. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
"A stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath."--British Museum online catalogue
Description:
Title from text within ribbon at top of image; remainder of title from text below image., One of the suppositious 'Sympson' prints whose attributions have long been doubted; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Dated to the 1790s in the British Museum online catalog, registration no.: Cc,3.122., Sheet trimmed within plate mark., Polly portrayed by Lavinia Fenton., Mounted to 38 x 27 cm., and Bound in before page 159 (leaf numbered '22' in pencil) in volume 3 of an extra-illustrated copy of: Spence, J. Anecdotes, observations, and characters, of books and men.
Publisher:
publisher not identified
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Title from item., Signed in ink, lower right under image: G. Vertue del., Inscription in ink, in 18th century hand, lower right: from an orig in Poses. Mr. Crawley at Hampsted, Hartforsh. An other orig. drawn in Poses. Mr. Rosse., Inscription in ink, in 18th century hand, lower left: H. Famossmo Pittore Francesco Clein Miracolo dell Secolo. I molto esti mato dell. R. Carlo della grande Britagna. 1646., Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 2, p. 127., and George Vertue, English artist, 1684-1756.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1853]
Call Number:
Folio 64 B39 813
Collection Title:
Page 152g. Magna Britannia.
Image Count:
1
Resource Type:
still image
Alternative Title:
Francis Russell, afterwards fourth Earl of Bedford
Description:
Title inscribed in gold paint within lower border; remainder of title written beneath border., Signed by the artist in lower right., Date of production based on artist's death date., and Mounted on page 152g in an extra-illustrated copy of: Lysons, D. Magna Britannia. London : T. Cadell and W. Davies, 1813.
Drawing of Federico Zuccaro (ca. 1540-1609), Italian born painter, draughtsman and writer, brother of Taddeo Zuccaro
Description:
Title from inscription below image., Inscription in ink, lower right: in poses[n] Mr. T. Gibson paint., Drawing that was used as a basis for an engraving of Zucchero in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 1, opp. p. 140., and George Vertue, English artist, 1684-1756.