"A grotesque body of tradesmen, &c, march in close formation, with fixed bayonets. They wear military coats and crossed bandoliers with very unsoldierly foot-gear and appurtenances. Their leader (right) marches in profile to the right, a very short and fat butcher in over-sleeves wearing a feathered cocked hat above his butcher's cap, a military sash (from which hangs his steel) over an apron. He carries a banner on which St. George is killing the dragon. The front rank consists of (left to right): a cobbler wearing an apron, with the twisted shins known as cheese-cutters, and tattered stockings; a bricklayer, with thick gouty legs, a trowel thrust through his apron-string; an artist, his palette inscribed 'R.A', very thin and with a grotesquely thin neck; his toes project through a tattered boot of fashionable shape; a tailor with shears and tape-measure, a hairdresser with scissors and combs wearing a fashionable stock. On the left of this front rank a dwarfish drummer, an old campaigner with two wooden legs and one eye, beats his drum. Behind, the men recede in perspective, densely packed together."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text following title: "The French invade us, hay? Damme, who'se afraid?", Temporary local subject terms: Militias -- Trades: cobblers -- Butchers -- Tailors -- Hairdressers -- Brick-layers -- Artists -- Drummers -- Wooden legs -- Eye patches -- Banners: St. George and the dragon -- Reference to Pitt's proposal (Oct. 1796) for supplementary militia., and Mounted to 32 x 48 cm.
Publisher:
Pubd. Novr. 25, 1796, by H. Humphrey, New Bond Street
"The Prince of Wales, very fat and pompous, in night-cap, dressing-gown, and slippers, walks in profile along a corridor leading from his own door (right), above which are his coronet and feathers, towards that of Lady Jersey, which is wide open and reveals its occupant holding apart the bed-curtains with a gap-toothed grin. Lord Jersey, dwarfish, shambling, and elderly, dressed in nightcap and night-shirt (on which is a 'J' with a coronet), stands by the door, holding a candle and pointing to the bed; he raises his night-cap deferentially to the Prince, who says, with contemptuous arrogance, 'va-t-en' (see BMSat 8809). The Prince walks on a fringed strip of carpet. On the open door behind Lord Jersey is 'A [torn] Map of the Road into the Harbour of Jer[sey]'; the islands of 'Guernsey, Alderney, Sark and [Je]rsey' are depicted, with a route leading to Jersey (cf. BMSat 8810)."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Adultery -- Emblems: Prince of Wales's feathers -- Pictures amplifying subject: torn map of the road into the harbour of Jersey -- Coronets -- Lighting: candlesticks -- Male dress: nightshirt -- Nightcaps.
Publisher:
Pubd. May 25th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
"The Princess of Wales (left), candle in hand, approaches the bed of the Prince, who wakes up, raising his hands in dismay. Lady Jersey (here, an attractive woman, cf. BMSat 8811) is asleep, her head on the Prince's shoulder, her arms round his neck. The distressed Princess wears a coronet and triple ostrich plume, her right arm is flung back. Behind her (left) is an open door through which is seen the baby princess in a cradle ornamented with the Prince's feathers, with which his bed is also decorated. On the twisting draperies of the bed is the star of the Garter. Above the Princess's head hangs a 'Map of the Road back to Brunswick'."--British Museum online catalogue
Alternative Title:
Good cause for seperation, Good cause for separation, and Good cause for discontent
Description:
Title etched below image; the word "seperation" has been scored through and the word "discontent" inserted above it using a caret., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Adultery -- Emblems: Prince of Wales's feathers -- Pictures amplifying subject: map of the road back to Brunswick., and Mounted to 35 x 48 cm.
Publisher:
Pubd. May 24th, 1796, by H. Humphrey, New Bond St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, and Jersey, Frances Villiers, Countess of, 1753-1821
"A stout naval officer (right) is attacked by a taller and slimmer officer (left), who siezes him by the coat and raises his cane to strike. A civilian stands between them holding back the aggressor. The stout officer, Captain Vancouver, wears an enormous sword; a fur mantle hangs from his shoulders inscribed 'This Present from the King of Owyhee to George IIId forgot to be delivered'. From his coat-pocket hangs a scroll which rests on the ground, part being still rolled up: 'List of those disgraced during the Voyage - put under Arrest all the Ships Crew - Put into Irons, every Gentleman on Board - Broke every Man of Honor & Spirit - Promoted Spies - ' His left foot is on an open book: 'Every Officer is the Guardian of his own Honor. Lord Grenvills Letter'. From the pocket of the civilian (Vancouver's brother) projects a paper: 'Chas Rearcovers Letter to be publish'd after the Parties are bound to keep ye Peace.' Vancouver's assailant, Lord Camelford, says: "Give me Satisfaction, Rascal! - draw your Sword, Coward! what you won't? - why then take that Lubber! - & that! & that! & that! & that! & that! & - Vancouver, staggering back, with arms outstretched, shouts: Murder! - Murder! - Watch! - Constable! - keep him off Brother! - while I run to my Lord-Chancellor for Protection! Murder! Murder! Murder". Behind him, on the ground, lies a pile of shackles inscribed 'For the Navy'. Two very juvenile sailor-boys stand together (left) watching with delight. On Vancouver's right is the lower part of a shop (right) showing a door and window in which skins are suspended. Round the door are inscriptions: 'The South-Sea-Fur-warehouse from China. Fine Black Otter Skins. No Contraband Goods sold here.'"--British Museum online catalogue
Alternative Title:
Caneing in Condiut Street, Caneing in Conduit Street, and Caning in Conduit Street
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Octr. 1st, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Vancouver, George, 1757-1798 and Pitt, Thomas, Baron Camelford, 1775-1804
Subject (Topic):
Fighting, Hides & skins, Otters, Sailors, British, and Whipping
"Pitt as an alchemist, but dressed as usual, sits in his laboratory blowing a furnace with bellows formed of a royal crown. The furnace heats a large glass retort in which the House of Commons is being dissolved: the galleries are collapsing, the Speaker's chair is breaking, he and the clerks are asleep, the broken mace drops from the table, the books fly into the air and ascend with documents, &c, into the curving neck of the retort: 'Coke', 'Acts', 'Statutes', 'Rights of Parliament', 'Magna Charta', 'Bill of Rights', a cap of 'Libertas', the scales of Justice are flying upwards. The Ministerial members applaud; the Opposition are dismayed. Sheridan and Fox, though tiny, are conspicuous on the front bench. A stream of vapour issues from the mouth of the retort containing tiny grovelling figures of abject members who fill both sides of another House of Commons above and behind the alchemist's head, and prostrate themselves before a miniature Pitt, who sits on a throne which replaces the Speaker's chair, and is inscribed 'Perpetual Dictator'. He sits arrogantly, holding a sceptre; his legs are those of a bird of prey (cf. BMSat 7478), one foot is planted on 'Mag[na] C[harta]' and 'Acts of Parl[iament]'. His throne is surmounted by his crest, a stork holding an anchor, with the addition of a crown on the bird's head. A smaller retort on the extreme left, inscribed 'Aqua Regia', adds its vapour to that produced by Pitt. (Aqua Regia, used punningly, with a double meaning, is a mixture of nitric and hydrochloric acids which converts metals, even gold, into chlorides.) Pitt (the Alchemist) and the figures he is evoking, as well as the ministerialists in the dissolving House, wear the blue coat with red facings of the Windsor uniform. He sits in profile to the right on the model of a high rectangular building, 'a bastille', having a row of windows on the top story only; it is a 'Model of the new Barracks'. From his pocket hangs a paper: 'Receipe - Antidotus Republica'. On the right of the circular furnace is a coal-scuttle, inscribed 'Treasury Cole' (cf. BMSat 6213), and overflowing with guineas. On the other side is a pestle and mortar in which is Britannia's shield, about to be broken up. From the roof hang emblems of nefarious wizardry: a crocodile, a headsman's axe, a scorpion, a bull's head, a locust (cf. BMSat 8669), an asp issuing from an egg, a bat. On the wall are three rows of large jars, some with inscriptions: 'Ointment of Caterpillars' (beside Pitt's head, cf. BMSat 8676), '[Univer]sal Panacea', 'Oil of Influence', 'Extract of British Blood', 'Spirit of Sal: Machiavel.'"--British Museum online catalogue
Alternative Title:
Alchymist producing an aetherial representation
Description:
Title etched below image., Temporary local subject terms: Parliament dissolutions -- Alchemists -- Allusion to Treasury -- Uniforms: Windsor uniform., and Watermark: J Whatman.
Publisher:
Pubd. May 21st, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Two dogs with human faces hang from a gibbet inscribed 'not Paid for'; two others stand beneath, looking up at them with complacent triumph, these are 'To be Paid for'. The gibbet is formed of two uprights with a cross-bar. The pendent dogs who face each other in profile with expressions of despair are Sheridan (left) and Fox (right); their necks are linked by a chain. Fox has a fox's brush (as in BMSat 8796). He urinates upon Dundas who is immediately beneath him, facing Pitt. Dundas is a fat mongrel, Pitt a lean greyhound (as in BMSat 8797)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Ten lines of verse in two columns below title: New grievances so thickly come, and taxes fall so hard sir ..., Sheet trimmed within plate mark., Temporary local subject terms: Taxes: allusion to the Dog Tax, April 1796 -- Gibbets., and Mounted to 48 x 34 cm.
Publisher:
Pubd. April 12th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
"The Duke of Bedford, a stalwart, handsome and smiling farmer, strides (left to right) across a newly ploughed field, scattering guineas from a pouch slung to his shoulder; on his back is a large sack inscribed '£'. As he sows the tips of bonnets-rouges and daggers sprout up; behind him (left) they progressively emerge more completely, and appear as little Jacobins, a raised dagger in each hand, crowding in close ranks towards the horizon, where they hail (or are smitten by) thunderbolts which dart from clouds in the upper left corner of the design and explode on reaching the ground. The soil is prepared by Fox, Sheridan, and Lauderdale: Fox's smiling face is the centre of a sun which issues from clouds and shines on Bedford. A bull (John Bull) is harnessed to a plough which is guided by Sheridan wearing a bonnet-rouge. Lauderdale (bare-headed) raises a whip to flog the weary bull."--British Museum online catalogue
Alternative Title:
Bloomsbury farmer planting Bedfordshire wheat
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Jacobins -- Farms: satire on Bedfordshire -- Ploughs -- Sowings -- Money: coins as seeds -- Symbols: bonnets rouges.
Publisher:
Pubd. Feby. 3d, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Bedford, Francis Russell, Duke of, 1765-1802, Lauderdale, James Maitland, Earl of, 1759-1839, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Fox addresses a proletarian mob from some point apparently under the portico of St. Paul's, Covent Garden. He stands behind a railing, and bends forward, hat in hand, clasping to his breast the 'Pewter-Pot Bill', saying, "Ever guardian of your most sacred rights, I have opposed the Pewter-Pot-Bill!!!" The crowd look up at him, cheering and shouting "a Mug, a Mug". They wear blue and buff favours. In the foreground are half-length figures of a little chimney-sweep with the name 'C. Fox Westminster' on the front of his cap (by the Act of 1788 these boys had to wear their master's name on their cap), and of a pot-boy, with a string of pewter pots slung to his shoulder; he holds up a foaming pot towards Fox inscribed 'Jack Slang - Tree of Liberty Petty France'. The same inscription is indicated on his pots. Beneath the title: 'Vox populi, - "We'll have a Mug! - a Mug! - a Mug! - Mayor of Garret' A quotation from Foote's comedy (1763)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., One line of text below title: Vox populi, "We'll have a mug! A mug! A mug! Mayor of Garret., Temporary local subject terms: Bills: allusion to the 'Pewter pot bill' -- Elections -- Hustings -- Chimney-sweeps -- Literature: quotation from Samuel Foote's Mayor of Garrat -- Allusion to the election of the mayor of Garrat., and Mounted to 45 x 31 cm.
Publisher:
Pubd. May 21st, 1796, by H. Humphrey, New Bond Street
"Sir John Jervis sits in profile to the right at a table; his left hand clutches a pile of guineas, his right fist is raised to emphasize his words which are etched below the title: 'Phaedrus: - "The first Share is mine, because, I bore my part in killing the Prey; - the Second falls to my Lot, because I am King of the Beasts; - & if any one presumes to touch the Third!!!' The table is inscribed 'Unclaimed Dividends'; on it is a book: 'Hints on St Eustatia Prize Money'. On the carpeted floor lie torn papers: [1] 'Petition of Widow of ... . praying for payment of her Husbands dividend.' [2] 'Humble Petition of John lost a Leg in the Battle ...' [3] 'Starving for want of Just dividend,' [4] 'Petition of Major. . . who lost is [?] Beauty', and others which are illegible. On the wall which forms a background is an oval picture of 'Thieves dividing the Spoil', in the centre of four oblong prints: [1] Two bodies hanging from a gallows inscribed 'Peculation \ Tyburn'; [2] a map of 'St Vincents'; [3] 'Loaves & Fishes'; [4] a map of 'Martinico' showing 'Fort Bourbon'. Jervis wears admiral's uniform with a cocked hat and jack-boots."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Prize money -- Pictures amplifying subject: reference to Cape St. Vincent -- Pictures amplifying subject: reference to the conquest of the French West Indies -- Pictures amplifying subject: reference to contributions levied in West Indies -- Obesity., and Mounted to 42 x 28 cm.
Publisher:
Pubd. Jany 2d, 1797, by H. Humphrey, New Bond Street