"An African chief displays to a naval officer three black women, who stand together (right), grinning and coy, and absurdly squat and obese, with huge posteriors like those of the Hottentot Venus (see British Museum satire no. 11577). The officer, Lieut. Lyon, bows in profile to the right, right hand on his breast, staring with humorous and wary appraisal at the women. The chief, who smiles blandly, seated on a low slab, wears a huge nose-ring, a plume of ostrich feathers, and a sword for which his left ear serves as hilt. Immediately behind him is a bodyguard of four warriors holding tall spears on each of which a skull is transfixed. Two grin, one looks with sour possessiveness at the women. All the Africans are very negroid, and naked except for small aprons. Behind the women are more Africans, much amused. Behind Lyon stand an astonished naval officer and two amused military officers; all are in dress uniform. Behind these are grinning sailors and on the extreme left the tips of the bayonets of the escort, with a Union flag."--British Museum online catalogue
Alternative Title:
King of Timbuctoo offering one of his daughters in marriage ...
Description:
Title from item., An anchor is a symbol used by Captain Frederick Marryat; he was a personal friend of George Cruikshank the caricaturist and engraver and designed a number of prints for him., and Sheet trimmed leaving thread margins.
Publisher:
Pubd. Octr. 10, 1818 by G. Humphrey, 27 St. James's Street
Subject (Geographic):
Africa, West and Africa, West.
Subject (Name):
Lyon, G. F. 1795-1832 (George Francis), and Lyon, G. F. 1795-1832. (George Francis),
Subject (Topic):
Black people, English wit and humor, Pictorial, Ethnic stereotypes, Military officers, British, and Skulls
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Regent, in tight and dandified admiral's full-dress uniform, wearing a cocked hat, is carried by two bathing women (cf. British Museum Satires no. 8432) from a bathing-machine (right) to the barge 'Royal George', for transit to the royal yacht. Just behind is the machine, inscribed 'The Best Machines in Brighton'; from it two naked girls look towards the departing prince. A sailor standing in the barge, which flies the Royal Standard, seizes the Regent's ankles; one foot is gouty and swollen; he says to the man standing behind him (left): "My eyes jack this here craft will never carry him--we should bring the sheers and reeve a tackle for him in the long boat--!!" A naval officer stands beside the sailor, and shouts an order to the man behind: "shove the Barge further a stern & be d--d to you--what you about a head there." The Regent has an arm round the neck of each woman and grasps the plump breast of the nearer one who is comely. He says: "Do my dear Girls put me on board safe, I shall Tell Paget to give you some Grog--I have been almost suffocated in that infernal Bathing Machine--mind my foot." One bathing-woman says: "Faith he's no joke Judy the devil a heavier Burthen in all the country"; her comelier companion answers: "By my own soul I'd rather carry such a nice neat beautiful young Gentleman, than the best basket of mackerel that ever was at Billingsgate." The sailor on the left uses a pole to manipulate the barge, the bow of which is cut off by the left margin. He wears a tight blue jacket to the (pinched) waist, with red collar and cuffs, white trousers, and top-hat with a badge: 'Royal George'. With a grimace he says: "D--n these soldiers jackets I can't move in em--I suppose we shall all be lobsters by & bye!!" Behind (right) are the chalk cliffs of Brighton, with tiny figures waving their hats; one woman is seated on a donkey holding up a parasol."--British Museum online catalogue
Alternative Title:
Royal embarkation, or, Bearing Britannia's hope from a bathing machine to the royal barge, Bearing Brittannia's hope from a bathing machine to the royal barge, and Bearing Britannia's hope from a bathing machine to the royal barge
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "361" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 73 in volume 5.
Publisher:
Pubd. Augt. 19th, 1819, by T. Tegg, 111 Cheapside
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Royal George (Ship)
Subject (Topic):
Shipwrecks, Bathing, Admirals, British, Military officers, Military uniforms, and Sailors
"Thomas Raikes sits on a divan between two courtesans, his head in profile to the right. On the right is a round table spread with a luxurious dessert, pine-apple, peaches, decanters, &c. The centre-piece is a figure of Mercury (cf. British Museum Satires No. 7592) poised on a globe and holding up a second globe, perhaps a lamp. A long bill hangs from the table . . . Dr to Mrs Wood--Bed--10-- Brandy 5--coffee 1--Eggs--Brandy 2--Oysters 1--Eggs--20, 0 Ham--10-- Coffee 11--Beds 5--Brandy 2--Bed 1-- to show that the establishment is a brothel run by Mrs. ('Mother') Wood (cf. British Museum Satires No. 13734). On the wall are two pairs of crossed rakes tied with ribbons, and pictures, with punning titles: Siege of Belle Lisle, Wood Deamon [cf. British Museum Satires No. 10796], Babes in ye Wood, The Rakes Progress, Burn em Wood, Deity of the Woods, Wood Pigeon Wood Cock."--British Museum online catalogue
Alternative Title:
The commercial dandy and his sleeping partners
Description:
Title from caption below image., "Dr. E.D." pseudonym of George Cruikshank?, Sheet trimmed within plate mark., Temporary local subject terms: Costume: male, female, 1821 -- Furniture: round table -- Divan -- Food: pineapple, fruit -- Decanters -- Lighting: candlestick -- Mythology: Mercury -- Rakes -- Mrs. "Mother" Wood, fl. 1821., Manuscript "256" in upper center of plate., and Watermark: J. Whatman.
Publisher:
Pubd. Novr. 1st, 1821 by G. Humprey [sic] 27 St. James's St.
Subject (Name):
Raikes, Thomas, 1777-1848
Subject (Topic):
Brothels, Courtesans, Dandies, British, and Prostitutes
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The shield is a dandy's tail-coat with a pinched waist, in back view, the sleeves hooked over the left arm of the dexter supporter, and the right arm of the sinister supporter, these being dandies with the heads of apes and wearing fool's caps. From each drooping sleeve hangs a short (yellow) glove. The coat is divided by its seams, the centre-seam bisects the small figure of a dandy who is half-man, half-woman. The coat is further decorated by butterflies, stays, shirt-frill, &c. On the coat-tails are a (small) pair of breeches and two large pins. A chain is slung over the sleeves and hangs across the hips, supporting an eye-glass. The crest is a pair of tightly laced stays supporting a bulging bust, an elongated cravat, and high collar framing a wig-block with blank features and large ass's ears, and surmounted by a bell-shaped top-hat. Each supporter holds a tubular bottle of 'Eau de Cologne'. The motto: 'Dandi, Dando, Dandum' is on a scroll formed of a widely extended pair of (loose) white trousers; from this hangs, like the Order of the Fleece, a small dog. This is: 'Order of Puppyism suspended in French Siffener' [sic]. The coat is also held erect by a centre pole, and by two spurred boots, sole upwards, each resting on a toe of one of the supporters who are poised mincingly on the trousers. Below the design: 'Coat of Arms. Azure. The Sexes impaled improper between two Butterflies--Two flanches; on the dexter [i.e. sinister] flanch three pair of Stays, argent, the sinister flanch charged with Rouge Pomatm & smellg bottle, On the Canton, Dexter [sinister] a frill rampant in the sinister Canton a false collar rampant--small cloaths passive in pile supported by pins--Supporters--Two Monkies--proper-- Crest, a pr of Stays full padded--supporting a Cravat & Collar Rampant proper, holding a blockhead argent & gules, winged with asses ears proper the whole under cover of a Sable Bever'."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "326" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: Male costume: Tail-coat -- Fool's caps -- Apes as dandies -- Gloves -- Eye-glass on chain -- Stays -- Top-hat -- Trousers -- Boots., and Leaf 88 in volume 5.
"Three dandies (see No. 13029) inspect a velocipede (see No. 13399), which the dealer, bow-legged, horsy, and flashy-looking, holds by the steering-handle. They are outside a stable with an aperture through which look three hungry and startled horses. Above the closed door is a board: 'Stables [scored through] Hobby Horses taken in to mind or Stand at Livery NB a Fine Stud of Real Horses To Be Sold as cheap as dogs meat -- The present proprietor going into the Hobby Line.' A lean stable-hand in patched clothes sits against the wall on an overturned bucket, curry-comb and broom beside him. He glares with a twisted grimace at the velocipede. At his feet is a book: 'Othello's Occupation's gone.' The dealer looks slyly at a dandy (right) who stands with his hands on a cane: "I'll warrant him sound Sir & free from Vice." The other answers: "I can see he has been down once or twice though my lad." A second dandy stoops, hand on knees, to inspect the bar or pole: "He seems to me Jack not to have quite Barrel enough." The third, holding an eye-glass to his eye, says: "Good fore hand by Jupiter." They wear rakish bell-shaped top-hats. In the background a dandy on a velocipede follows a lady, similarly mounted; both wear top-hats; behind them rides a sour-looking groom."--British Museum online catalogue
Description:
Title from caption below image ; the word "hobby" has been inserted above the line, indicated with a carrot, and underlined above the line, Temporary local subject terms: Horses., and Watermark: J. Whatman.
Publisher:
Pubd. July 25th, 1819 by G. Humphrey 27 St. James's St.
Kean as Richard III, directed to the left, stands on a large volume with the word 'Shakespear' written on the top edge. Resting on his head and humped shoulders is a model of Drury Lane Theatre, a massive block, inscribed 'Whitbreads Intire.' On the roof is poised an ugly figure of Fame, blowing through a trumpet 'Puff Puff Puff', and holding behind her a second trumpet, from which issue the words 'Puff Puff P'. At the entrance to the theatre straddles a tiny Whitbread, his legs and arms projecting from a cask which forms his body; he says: "Now by St Paul the work goes bravely on" (altering Richard's words from 'this news is bad indeed'). Kean stoops, leaning on a cross-hilted sword, inscribed 'A Keen supporter'; he has misshapen bandy legs. He says: "Well, as you guess." He wears an ermine-trimmed cap encircled by a crown, slashed doublet and trunk hose, a sleeveless coat bordered with ermine and embroidered with a (Yorkist) rose, with flapped and spurred boots. (The figure, with the position of the arms altered, is a travesty of J.J. Hall's portrait of Kean interrogating Stanley on the approach of Richmond. The costume is correct.) The stage is indicated by curtains flanking the design. In the background are clouds of smoke.--Adapted from British Museum
Description:
Title from text etched below image., Complete imprint statement and dimensions supplied from British Museum impression., and Sheet trimmed within plate mark with loss of characters in the publisher's name.
Publisher:
Pubd. May 7th, 1814 by H. Humphrey, St. James's Street
Subject (Geographic):
England and London.
Subject (Name):
Kean, Edmund, 1787-1833, Kean, Edmund, 1787-1833,, Shakespeare, William, 1564-1616,, and Theatre Royal, Drury Lane (London, England)