Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
"Satire; a fine lady wearing a dress with wide skirts, puffed sleeves and an immense wide-brimmed hat festooned with ribbons, holding a handkerchief in her left hand."--British Museum online catalogue
Description:
Title etched below image; title is a quotation from Othello, Act V, Scene 2., Printmaker identified as Henry Heath in the British Museum online catalogue, registration no.: 1985,0119.86., Sheet trimmed within plate mark on two edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. 28th Aug. 1827 by H. Fores, Panton St., Haymarket
I have a notion that the brute is going to make the best of his way out and leave me to shift for myself
Description:
Title from text above and below image., Caption title continues: ... I have a notion this is not the hard way the man told us of., Publication date from unverified data from local card catalog record., Sheet trimmed within plate mark., and Temporary local subject terms: Hunting -- Dogs -- Accidents -- Streams.
My dear fellows I have a notion that I am committing some sort of trespass here
Description:
Title from text above and below image., Title continues: ... you will excuse me I just want to ask if you know which way the hounds are gone., Publication date from unverified data from local card catalog record., Sheet trimmed within plate mark., and Temporary local subject terms: Cold frames -- Horses -- Greenhouses -- Rakes.
"A travesty of a half length portrait of S. Ireland: ('Hamilton pinxt S = Ireland fect.'). In both Ireland wears the dress of a Rubens picture, cf. BMSat 7020, and looks over his right shoulder, holding up folds of drapery which hang from the left shoulder. The original is young and handsome, with well-dressed hair, tied and falling on his shoulder. [The B.M. impression is dated in a contemporary hand 'Octr 1785'. Listed in Bromley's 'Catalogue', p. 390.] Gillray follows closely the pose and dress of the original, but the head is that of an older man, with a sly smile; his short curling hair recedes from his forehead. In his hand is a book, 'Ireland Shakspe . . .' ..."--British Museum online catalogue
Description:
Title etched above image., Two lines of text, followed by two lines of verse, below title: Mr. Bromley, in his Catalogue, &c., p. 390, has erroneously put this portrait into his seventh class ..., Ten lines of text and verse below image: Inscription under a picture of the editor of Shakespeare's manuscripts, 1796, by the Revd. William Mason, author of Elfrida & Caractacus ..., and Temporary local subject terms: Forgery: literary forgery -- Forgers -- Literature: reference to John Milton, 1608-1674 -- Literature: Reference to John Dryden, 1634-1700 -- Reference to Wiilliam Mason, 1725-1797 -- Reference to George Steevens, 1736-1800.
Publisher:
Pubd. Decr. 1st, 1797, by H. Humphrey, No. 27 St. James's Street, London
"Fog-bound pedestrians collide or fall over objects, on an open road on the outskirts of London. A man falls over a milestone inscribed 1 Mi . . An old woman hurls herself against a post. A man driving a fashionable gig lashes his horse, which a man with a link tries to drag forward. A link-boy walks before a fashionably dressed man. Two birds have collided and are falling; two dogs rush towards each other. A dim sun is the centre of a faint halo. Below the title: "Hover thro' the fog & filthy Air"-- ['Macbeth', I. i]."--British Museum online catalogue
Description:
Title from caption below image., One line of text below title: "Hover thro' the fog & filthy air"., and Temporary local subject terms: Fog -- Pedistrians -- City life -- Carriages -- Dogs -- Birds.
Publisher:
Pubd. Novr. 30, 1822 by G. Humphrey, 27 St. James's St.