"Pitt (caricatured), dressed as Rolla, addresses a group of chieftains (left); the ranks of the Peruvian army with erect spears watch from the background. Below the (printed) title is printed Rolla's patriotic speech from 'Pizarro', II. ii, beginning 'My brave Associates', 'and ... we serve a Monarch whom we love . . .' (see British Museum Satires No. 9436). He stands with both arms outstretched, head turned in profile to the left, pointing rhetorically across the sea to the Spaniards, whom Sheridan (in this speech) equates with French republicans, and who are here represented by the Foxites. The Peruvians wear feathered head-dresses and feather kilts in the manner of Red Indians, except Dundas, who wears tartan and feathered head-dress. Dundas (caricatured) sits on the ground holding bow and shield, and looking with cunning scepticism at Pitt; he is the only one of the ministerial group of five who can be identified, though others may be presumed to be Grenville, Portland, and Windham."--British Museum online catalogue and From the printed British Museum catalogue: "(Description and comment from M. Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VII, 1942) The Foxites, who 'fight for power, for plunder and extended rule', and follow 'an Adventurer whom they fear', all wear or carry bonnets-rouges and have tricolour flags, one inscribed 'Libertas'. They are small comic figures headed by Fox, who urges them towards the water. The others (left to right) are Lauderdale with a flag, Derby with a shield, Bedford wearing a jockey cap, Erskine in wig and gown, Norfolk holding his Earl Marshal's staff, Tierney holding pistols (see BMSat 9218, &c), Burdett, and two unidentified figures. For Pizarro see BMSat 9396, &c. The scene is burlesqued and altered from the play, where it takes place in the Temple of the Sun. The patriotic speech of Rolla (cf. BMSat 9436) made the fortune of the play and was reprinted as a broadside or placard in 1803, see BMSat 9397."
Description:
Title from letterpress text above image., Watermark: 1794., and Matted to 51 x 61 cm.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809., Grenville, William Wyndham Grenville, Baron, 1759-1834., Windham, William, 1750-1810., Fox, Charles James, 1749-1806., Bedford, Francis Russell, Duke of, 1765-1802, Burdett, Francis, 1770-1844, and Smith-Stanley, Edward, 1752-1834
Subject (Topic):
Public speaking, Armies, Peruvian, Headdresses, Shields, and Spears
"The interior of a bare, poverty-stricken room with a raftered roof. Pitt and Dundas, as watchmen, batter down the upper timbers of a door (right) which has been strongly bolted, locked, and barricaded. Both have long staves, Pitt holds up a lantern. The occupants hide or flee, except Lord Moira, who stands stiffly in profile to the right on the extreme left, his crisped fingers outspread deprecatingly, disassociating himself from his companions (cf. BMSat 9184); he wears regimentals with a cocked hat. A heavy but ragged cloth covers a rectangular table in the middle of the room, on which are ink-pot and papers: a 'Plan of Invasion' with a map of 'France' and 'Ireland'. This lies across a paper signed 'yours O'Conner'. A dark-lantern stands on the open pages of the 'Proceedings of the London Corresponding Society'. An office stool has been overturned. Prone under the table, their heads and shoulders draped by the cloth, are (left to right): Horne Tooke, Nicoll, and Tierney. Fox and Sheridan escape up a ladder to a trap-door in the roof; the latter still has one foot on the floor. Between ladder and wall (left) is an iron-bound chest filled with daggers; more daggers are heaped on the floor: beneath them are two papers: 'The Press' (the organ of the United Irishmen, started by O'Connor, see BMSat 9186) and 'Bloody News from Ireland Bloody News Bloody News'; this lies across a paper signed 'Munchausen' (cf. BMSat 9184). The Duke of Norfolk is timorously waiting his turn to escape by the wide chimney, up which Bedford is disappearing; the latter is identified by a paper hanging from his pocket: 'Bedford Dog Kennel'. A large fire burns in the grate, on the bar of which Bedford puts his foot. Across the chimney is scrawled 'Vive l'Egalite', on either side of a bonnet-rouge. Above it are prints, bust-portraits of 'Buonapart' and 'Robertspier'. On the right is a casement window showing a night sky and the turrets of the White Tower. Below it is hung a broadside headed by a guillotine and the words 'Vive la Guillotin'. In the corner of the room (right) is a pile of bonnets-rouges. In the foreground rats scamper towards a large hole in the ramshackle floor. Beside them are papers: 'Assignats' and 'Plan for raising United Irishmen'."--British Museum online catalogue
Alternative Title:
State-watchmen mistaking honest-men for conspirators
Description:
Title etched below image., Temporary local subject terms: Interiors: cottage -- Fireplaces -- Daggers -- Vermin: rats -- Bonnet rouge: supply of bonnets rouges -- Lighting: lantern -- Emblems: dark lantern of conspiracy -- ladders -- Allusion to the London Corresponding Society -- Allusion to the planned French invasion of Ireland -- Allusion to the French Revolution -- Newspapers: The Press., Watermark: 1794., and Some of the subjects identified below image in contemporary hand.
Publisher:
Pubd. March 20th, 1798, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, Francis Russell, Duke of, 1765-1802, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Nicholls, John, 1745?-1832, Tooke, John Horne, 1736-1812, and Tierney, George, 1761-1830
"A satire on the struggle between Pitt and Thurlow travestied as a scene from 'Paradise Lost'. Pitt (left) is Death, wearing the king's crown and using a long sceptre as a weapon. Thurlow (right) is Satan; he raises the (breaking) mace to smite, and holds out an oval shield decorated with the bag of the Great Seal and a tiny woolsack. The Queen, as Sin, naked, with snaky locks (Medusa-like), and two writhing serpents for legs, interposes with outstretched arms, looking with terrified face at Thurlow in her desire to protect Pitt. She is a hideous hag with pendent breasts; from her snaky hair hangs a large key inscribed 'The Instrument of all our Woe', and evidently symbolizing Secret Influence ... Pitt's naked body is emaciated and corpse-like; from his shoulders hangs a long ermine-trimmed cloak; his sceptre radiates darts of lightning. His face expresses alarm and determination. Behind him, and guarding the gate of Hell which is indicated by a stone arch, is Cerberus, with the profile heads of Dundas, Grenville, and Richmond, looking up at Thurlow; their body terminates in a large serpent with a barbed tail. Thurlow has wings, and is naked except for a quasi-Roman kilt. He wears his Chancellor's wig, his profile and eyebrow are of a terrifying fierceness; serpents twine round his shield, and spit fire at Pitt and the Queen; a serpent entwined in Pitt's crown, and others in the Queen's snaky locks, retaliate. On the right are the flames of Hell in which demons are flying; smoke fills the background. Beneath the design is etched: 'NB: The above performance containing Portraits of the Devil & his Relatives, drawn from the Life, is recommended to Messrs Boydell, Fuselli & the rest of the Proprietors of the Three Hundred & Sixty Five Editions of Milton now publishing, as necessary to be adopted, in their classick Embellishments.'"-- British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Six columns of verse from Milton's Paradise Lost, four above the image and two below: "... black it stood as night, Fierce as ten Furies, terrible as hell, And shook a dreadfull dart: what seemd his head, The likeness of a Kingly crown had on;' ... "Had not the Snaky-Sorceress that sat, "Fast by hell-gate, and kept the fatal Key, "Ris'n, and with hideous outcry rushd between.'", One line of text in bottom of design: NB: The above performance containing portraits of the Devil & his relatives ..., and Mounted to 36 x 49 cm.
Publisher:
Pubd. June 9th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Shakspeare Gallery., Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Cerberus (Greek mythology), Medusa (Greek mythology), and Serpents
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. Beneath the title is etched : '"Who wrought such wonders as might make "Egyptian sorcerers forsake "Their baffled mockeries, & own ''The palm of magick our's alone.'' Churchll'."--British Museum online catalogue
Description:
Title from item., Printmaker identifiedin British Museum catalogue as Gillray who disguised his identity by signing the work with Sayers's initials., Sheet trimmed on one side within plate mark, with loss of design., Cf. No. 7320 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Numbered '39' in upper right corner of plate., and Quotations from Charles Churchill, 1731-1764.
Publisher:
Pubd. May 16th 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Bridport, Alexander Hood, Viscount, 1726-1814
Subject (Topic):
Chimney sweeps, Fishmongers, Jugglers, and Seesaws
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Four lines of verse below title: "Who wrought such wonders as might make, Egyptian sorcerers forsake ..." Churchll., Temporary local subject terms: Literature: quotations: Charles Churchill, 1731-1764 -- Jugglers -- See-saws -- Naval logs -- Allusion to Mother Shipton -- Gate of St. James's Palace -- Fishwives -- Punch -- Coins -- Chimney sweeps -- Trials: Warren Hastings's trial -- Alexander Hood, Viscount Bridport, 1727-1814., 1 print : etching on laid paper ; plate mark 34.8 x 24.8 cm, on sheet 40.5 x 27.3 cm., and Mounted to 43 x 30 cm.
Publisher:
Pubd. May 16th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Saint James's Palace (London, England),
"A sitting of the Board of Control (established by Pitt's India Act 1784): Dundas, Pitt, and Sydney are seated behind a narrow cloth-covered table, but Dundas (left) monopolizes the business, while Pitt, his back to Dundas, plays push-pin with Sydney who is on the extreme right. Pitt complacently defeats Sydney who starts back in dismay at the position of the pins. Dundas turns his head in profile towards four ragamuffins in Highland dress who enter from the left. These, but not the members of the Board, are caricatured. The foremost, with shaggy hair, torn garments, and bare feet, scratches himself (cf. BMSat 5940) as he presents a petition with an eager grimace. ... A second petitioner carries a spade, a third scratches his head with an anxious expression. Dundas receives them with favour, holding out his hand for the petition. ... The only actual director named is the Hon. William Elphinstone, formerly commander of an Indiaman, member of a family which (later) had many honourable associations with India. ... The papers in front of Pitt and Sydney, with their pens and ink-stands, have been thrown to the floor to make room for their game, and are in shadow. Three are inscribed: 'Sir Elijah Impey', 'Major Scot &c &c &c', and 'War[ren] Hastings Esq.' On the wall, on each side of a candelabra, are two pictures: one (left) is 'Robbing'; Fox puts a pistol to the head of a stout Englishman who holds a document inscribed 'India Patronage'. The other (right) is 'Stealing'; Pitt picks the pocket of a sleeping oriental, taking from it a roll: 'India Patronage'. ..."--British Museum online catalogue
Alternative Title:
Board of Control and Blessings of a Scotch dictator
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., Temporary local subject terms: East India Company, Board of Control -- East India Company, Proprietors of stock -- Pictures amplyfing subject -- Livery companies -- Games: push pin -- Scotland -- Scotchmen -- Allusion to Sir Elijah Impey, 1732-1809 -- Allusion to John Scott-Waring -- Allusion to William Fullerton Elphistone, 1744-1835., and Mounted to 33 x 44 cm.
Publisher:
Pubd. March 20th, 1787, by R. Phillips, Southwarke
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sydney, Thomas Townshend, Viscount, 1733-1800, and Hastings, Warren, 1732-1818
Title from item., Sheet trimmed to plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Thirteen lines of text in two columns on both sides of title provide description of the animals in the menagerie numbered in the image., Temporary local subject terms: Economy: subsidies to allies -- Menageries -- Cages -- Crowns -- Money: guineas -- Male dress: Highland dress -- Personifications: Austrian leopard -- Prussian eagle -- Gallic cock -- Dutch frog -- Sardinian hedgehog -- Russian bear -- Swedish pig -- Condé mouse -- Brunswick mouse -- Neapolitan bat -- Pope as the 'Whore of Babylon'., 1 print : etching on wove paper ; sheet 33 x 46 cm., and Sheet trimmed within plate mark with partial loss of imprint; mounted to 34 x 48 cm.
Publisher:
Pubd. July 5th 1796 by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Pius VI, Pope, 1717-1799
Subject (Topic):
John Bull (Symbolic character), Animal shows, Leopards, and Lions
Title from item., Sheet trimmed to plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Thirteen lines of text in two columns on both sides of title provide description of the animals in the menagerie numbered in the image., and Temporary local subject terms: Economy: subsidies to allies -- Menageries -- Cages -- Crowns -- Money: guineas -- Male dress: Highland dress -- Personifications: Austrian leopard -- Prussian eagle -- Gallic cock -- Dutch frog -- Sardinian hedgehog -- Russian bear -- Swedish pig -- Condé mouse -- Brunswick mouse -- Neapolitan bat -- Pope as the 'Whore of Babylon'.
Publisher:
Pubd. July 5th 1796 by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Pius VI, Pope, 1717-1799
Subject (Topic):
John Bull (Symbolic character), Animal shows, Leopards, and Lions
Title from item., Printseller's announcement following publication statement: NB. Folios of caricatures lent., Sheet trimmed within plate mark., Temporary local subject terms: Bath -- Yokels -- Wine bottles -- Architectural details: balustrades., Mounted to 35 x 46 cm., and Watermark: Strasburg lily with date 1797 below.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811