A fashionably dressed young woman in a low-cut dress sits talking to an old (bearded but not bald) cleric in monastic habit who holds her hand. Behind the pair another monk peeks around the door smirking. Above the door a painting shows semi-clothed figures. Miss Tittup was a character in Garrick's "Bon Ton".
Alternative Title:
Miss Titups visit to Father Bald-pate and Miss Tit ups visit to Father Bald-pate
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, as the Act directs
Subject (Geographic):
England
Subject (Name):
Catholic Church
Subject (Topic):
Clergy, Monasticism and religious orders, Paintings, and Clothing & dress
Manuscript on parchment (low quality), composed of several manuscripts bound together, of mostly unidentified sermons. Produced at the Cistercian abbey of Morimondo
Description:
In Latin., Script: Small early Gothica Textualis or Semitextualis Libraria or Currens script by various hands, some very informal and difficult to decipher, often highly abbreviated., Short running titles are written above the right-hand columns of the recto pages in the following articles: 1, 3, 4, 9, 16, 18-23, which seem to be the original part of the codex; article 14 has running titles of a different type., The first folios are stained., and Binding: Fifteenth century. Brown sheepskin over cardboard, blind-tooled with triple fillets as in MS 517; spine with five raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript, on parchment, incomplete, containing the remains of a book of hours, probably Use of Rome. All illuminations have been excised and there are few complete sections except for the Penitential Psalms (63r-75v) and the Office of the Dead (82r-112v). These texts are followed by two prayers to Saint Lazarus in Latin (113v- 115r ). Folios 115v-116v contain a personal narrative in French by Sister Collette d'Oisellet of the Hospice of Beaune, the owner of the volume. She describes being miraculously healed from paralysis in 1497 at Autun cathedral through the relics of Saint Lazarus; an annotation records her decision to remain at the Hospice of Beaune to care for the poor. Her account is followed by two additional prayers, also in French
Description:
In Latin and Middle French., Ownership inscription of Sister Alix de Besançon on 116v., Nineteenth-century printed bookseller description, annotated in pen, affixed to 116r., Bookseller description available., Script: gothica textura (Book of Hours); bâtarde (personal narrative and final prayers)., Layout: single column, 14-16 lines (Book of Hours)., Decoration: rubricated. Many small decorated initials, gilt; some two-line initials, also gilt. Some line-filler decorated bars. Many ivy leaf borders with gold leaves and colored blossoms. All leaves that might have contained illuminations appear to have been excised from the volume., and Binding: modern amateur binding of reddish velvet over pasteboard. Needlepoint flowers and leaves on both covers; the embroidered word "Heures" on the front cover.
Subject (Geographic):
France., France, Connecticut, New Haven., and Autun (France)
Subject (Name):
Oisellet, Collette d'., Lazarus, Saint (Poor man from the Gospel of Luke), Cathedral of Saint-Lazare (Autun, France), Hospices civils de Beaune., and Catholic Church
Subject (Topic):
Relics, Books of hours, Manuscripts, Medieval, Miracles, Nuns, Women, Religious aspects, Catholic Church, and Religious life and customs
Illuminated manuscript on parchment of a book of hours, Franciscan Use, created for a clergyman. Contains 1) Calendar, ff. 1r-12v; 2) Mass of the Virgin, ff. 13r-15v; 3) Gospel extracts, ff. 15v-19v; 4) "Obsecro te," "O intemerata," and other prayers, ff.19v-28v; 5) Office of the Dead, use of Rome, ff. 29r-61v; 6) Fifteen Gradual Psalms, ff. 61v-70r; 7) Hours of the Virgin, ff. 70r-121v; 8) Hours of the Cross, ff. 121v-127v; 9) Hours of the Spirit, ff. 127v-132v; 10) Office of the Dead, ff. 132v-134r; 11) Seven Penitential Psalms and Litany, ff. 134r-153r; 12) Preparation for the Mass, ff. 153r-164v. Items 5-6 belong after f. 132v; text on f. 29r continues from f.133v and Bound with contemporary illuminated manuscript on parchment containing 13) Benedictions, ff. 165r-173v; 14) Pontifical ordos, ff. 173v-180. Benedictions open with 3-line historiated initial. Rubrication. 2-line initials excised at f. 166 and f. 179
Description:
In Latin., Title devised by cataloger., Layout: single columns of 17-19 lines., Script: gothica textualis., Decoration: Forty historiated initials of approximately 6 lines. Inhabited full borders. Rubrication., Binding: nineteenth-century full brown calf. Covers framed with gilt and blind ornament; spine gilt and lettered. Spine title: Missale., and Bookseller description available.
Subject (Geographic):
France., Connecticut, and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, Latin, and Manuscripts, Medieval
Illuminated manuscript on parchment of a book of hours, use of Sarum, incomplete. May have been produced for a Scottish patron. Contains 1) Prayers in Latin and Middle Scots, f1r-5v; 2) Hours of the Virgin, use of Sarum, with Hours of the Cross and of the Holy Spirit intermixed, f6r-30r; 3) Prayers, including Seven Joys of the Virgin, O intemerata, and Obsecro te, f30v-42v; 4) Seven Penitential Psalms and Litany, f43r-55v
Description:
In Latin; rubrics in Middle Scots., Script: gothic bookhand., Decoration: 5 column-width miniatures, some illuminated; 4-6 line initials with illuminated full borders; 2-line blue initials with red penwork; 1-line initials in alternating red and blue. Rubricated., Layout: single columns of 22 lines., Secundo folio: tuo., Binding: modern limp vellum. Spine title: "Horae ad Usum Sarum" and "MS.", Some annotations in Middle Scots in 15th-century hand., Some full and partial leaves removed throughout., and Bookseller description available.
Manuscript, on parchment, incomplete, of a Carthusian psalter with the Canticles and the Creed, with musical notation
Description:
In Latin., Incomplete. Text ends with Psalm 77., Layout: single columns of 24 lines., Script: large gothic script., Decoration: smaller initial in alternate red and blue; 12 historiated initials; full illuminated border to one page with figures of Carthusian monks and an abbot., and Binding: contemporary pigskin over wooden boards; metal clasps, corner pieces and central bosses.
Subject (Geographic):
Connecticut, New Haven., and Germany
Subject (Name):
Catholic Church and Carthusians.
Subject (Topic):
Liturgy, Prayers and devotions, Manuscripts, Medieval, Manuscripts, Renaissance, and Psalters
Hugo, Argentinensis, approximately 1210-approximately 1270
Published / Created:
[ca. 1300]
Call Number:
Takamiya MS 14
Container / Volume:
Box
Image Count:
368
Resource Type:
unspecified
Abstract:
Manuscript, on parchment, in a single scribal hand, of this widely popular theological work dealing with the creation, the fall of man, the Incarnation, grace, the sacraments, and the Four Last Things
Description:
In Latin., Work formerly attributed to Albertus Magnus (1193?-1280); now attributed to Hugh Ripelin of Strasburg (Hugo Argentinensis) and dated to 1268., Ownership inscription on rear flyleaf: "Mastre Roger Walle off Lychfeld Chanone.", Layout: double columns of 30 lines., Script: gothic script., Decoration: Rubricated. Initials in red and blue ink with penwork decoration. F1r decorated with a small historiated initial in gold containing drawing of a man's face., and Binding: early limp tawed leather wrapper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albertus, Magnus, Saint, 1193?-1280., Hugo, Argentinensis, approximately 1210-approximately 1270., Walle, Roger, of Lichfield., and Catholic Church
Subject (Topic):
Doctrines, Eschatology, Fall of man, Grace (Theology), Incarnation, Manuscripts, Medieval, Sacraments, Catholic Church, and Theology
A white-bearded and tonsured cleric in a monastic habit gazes at a young woman wearing a long mantilla and a dress with a revealing decolletage
Description:
Title etching below image., Publication date conjectured from that of the print of which this one is a reduced copy., Reduced copy, with different plate number and without imprint. Cf No. 3775 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Four lines of verse in 2 columns below title: "Here the fair humble penitent behold, to the good father all her sins unfold. He hears, absolves. But mark his leering eyes, and judge by them where his devotion lies.", and Numbered in plate: 130.
Publisher:
publisher not identified
Subject (Name):
Catholic Church
Subject (Topic):
Clergy, Confession, and Monasticism and religious orders
Manuscript on parchment (varying quality) of 1) Gregory the Great (Gregorius Magnus), Dialogi, Books I-III. Starts and ends incomplete. 2) Sulpicius Severus, Sermo de transitu sancti Martini = Epistula III, 16-21. The beginning is missing. 3) Unidentified sermon for the feast of a Confessor in the Common of the Saints. 4) Gregory the Great (Gregorius Magnus), Dialogi, Book IV. 5) Vita S. Symeonis Stylitae
Description:
In Latin., Script: Written by more than five hands in Carolingian script and Praegothica., Art. 1 is decorated with red plain initials, more or less small decorated initials in various colours and large initials. Art. 3 has a title in mixed Capitalis/Uncialis. The part of art. 4 copied by hand B has some highlighting in yellow, red or green and plain initials; the part copied by hand C has a few plain initials; the 12th-century part copied by hand D has red headings with instructions in small script written in the outer margins, plain or flourished Romanesque initials and an explicit in decorated mixed Capitalis/Uncialis. Art. 5 is undecorated apart from its title and the opening initial. There are effaced drawings in the lower margins of some leaves in art. 1., and Binding: Twentieth century. Reddish brown morocco over cardboard, by Riviere and Son. Spine with five raised bands and gold-tooled inscription "S. GREGORII DIALOGI. SAEC. X".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604. and Catholic Church
Subject (Topic):
Christian literature, Latin (Medieval and modern), Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Sermons
Manuscript on paper, composed in 3 parts, of unidentified sermons. The three sections appear to have the same origin and to have been united soon after their making. The scribe and owner was a lay brother in the convent of Augustinian Canons St. Dorothea in Vienna
Description:
In German and Latin., Watermarks: Part I: balance, var. Piccard, Waage V.331?; star, var. Briquet 6077?. Part II: bull's head, unidentified?. Part III: column var. Briquet 4408?; bull's head var. Briquet 14825? (last three folios)., Script: Part I (ff. 1-76) copied by various hands writing Gothica Cursiva Libraria with Bastarda features. Part II (ff. 77-160) copied by one hand in Gothica Cursiva Libraria with Bastarda features. Part III (ff. 161-261) copied by five hands in Gothica Cursiva Libraria., Part I: Headings in red, often missing; heightening of the majuscules in red; plain red 4-line initials; they are flourished with black penwork on ff.18v-19r. Part II: Headings in red, sometimes missing. Red heightening of majuscules on ff. 125v-126r only. Spaces and guide-letters for 2-3 line initials (4-line initial on f. 77r) , which have not been executed., Part III: The decoration of art. 15 consists of 3-4 line plain initials in red; at the opening a 5-line flourished initial in red. Art. 16 has red stroking of the opening majuscules of all verses and 2-line plain red initials. In art. 17 the majuscules are heightened with red. The Fables in art. 15 are illustrated with unframed watercoloured pen drawings., and Binding: Contemporary blind-tooled calf over unbevelled wooden boards, worm-eaten. Spine with three raised bands. Remnants of two brass clasps attached to the rear cover, containing several times the inscription in relief "Osan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinian Canons. and Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, German