Title from caption below image., Four lines of prose below image, two on either side of title: May all the angels & archangels, principalities & powers & all the heavenly armys curse & damn him ...", Sheet trimmed within plate mark., A later, reversed copy of no. 5214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Temporary local subject terms: Literature: Tristram Shandy, by Laurence Sterne -- Military uniforms -- Maps: Flanders -- Male costume: Dressing gown and night cap -- Man-servant -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils: Brooms -- Medical: Physicians -- Dr. Slop.
Title from caption below image., Four lines of prose below image, two on either side of title: May all the angels & archangels, principalities & powers & all the heavenly armys curse & damn him ...", Sheet trimmed within plate mark., A later, reversed copy of no. 5214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Literature: Tristram Shandy, by Laurence Sterne -- Military uniforms -- Maps: Flanders -- Male costume: Dressing gown and night cap -- Man-servant -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils: Brooms -- Medical: Physicians -- Dr. Slop., 1 print on wove paper : etching, hand-colored ; sheet 24 x 33.7 cm., Imperfect; sheet trimmed within plate mark and artist's signature partially erased from lower left corner., and Shading added in pencil to lower part of design.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Dr. Slop, short and fat, seated in an arm-chair (centre) holding in his left hand the book containing the form of excommunication, points with his right at Obadiah who is disappearing (left), one leg and his back alone being visible. A handkerchief hangs over the doctor's cut right thumb. Behind him on the left stands Mr. Shandy, in dressing-gown and night-cap, smoking a long pipe, he is frowning and holds out his left hand in protest at the doctor's curses. Uncle Toby, his crutch under his left arm, stands on the right. pointing with his left hand at a map of Flanders which hangs on the wall over Dr. Slop's head. He turns to speak to Corporal Trim, who stands (right) at attention in profile to the left holding a long broom."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 30 Jan. 1773 by J. Bretherton. Cf. no. 5214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Text below title: Vide Tris. Shandy, vol. 2d., Four lines of prose below image, two on either side of title: "May all the angels & archangels, principalities and powers, & all the heavenly armies curse & damn him ...", One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Maps: Flanders -- Male costume: Dressing gown and night cap -- Man-servant -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils -- Medical -- Dr. Slop., and Watermark.
Publisher:
Publish'd as the act directs by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Military uniforms, British, Physicians, Servants, Maps, Chairs, and Brooms & brushes
Leaf 79. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Damnation of Obadiah
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature., Printmaker identified as Rowlandson in the Metropolitan Museum of Art online catalog., Reduced copies of two designs by Bunbury. Cf. Nos. 5214 and 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Restrike, with added titles and borders. For the earlier state without titles, see Metropolitan Museum of Art online catalog, accession nos.: 59.533.1746 ; 59.533.1744., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1803; see Metropolitan Museum of Art online catalog., and On leaf 79 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Military uniforms, Maps, Servants, Brooms & brushes, Dogs, Cradles, Longcase clocks, Physicians, Quarreling, and Screens
Title from caption below image., Date of publication from unverified data from local card catalog record., "Pl. V." One of 12 plates to Sterne's "Sentimental Journey" after Rowlandson?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from Grego., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 26.9 x 21 cm., and Imperfect; sheet trimmed within plate mark on two sides, and artist's signature mostly erased from sheet.
Title from caption below image., Date of publication from unverified data from local card catalog record., "Pl. XI". One of 12 plates to Sterne's " Sentimental Journey" after Rowlandson?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Leaf 79. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Overthrow of Doctor Slop
Description:
Titles etched below images., Two images on one plate, each individually titled., Printmaker identified as Rowlandson in the Metropolitan Museum of Art online catalog., Reduced copies of two designs by Bunbury. Cf. Nos. 5215 and 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Restrike, with added titles and borders. For the earlier state without titles, see Metropolitan Museum of Art online catalog, accession nos.: 59.533.1750 ; 59.533.1748., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1803; see Metropolitan Museum of Art online catalog., and On leaf 79 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Title from caption below image., Date of publication based on watermark., Four lines of text below image, two on either side of title: When Obadiah & his coach horse turnd. the corner rapid, furious ... Vide vol. 1st, Tristram Shan[dy]., A copy in reverse of no. 5215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Watermark: 1817., and Imperfect; artist's name mostly erased from sheet.
Bretherton, James, approximately 1730-1806, printmaker, publisher
Published / Created:
[26 January 1773]
Call Number:
Bunbury 773.01.26.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Uncle Toby (right) marches from right to left, a crutch under his left arm, pointing with his right crutch towards the fortifications (left) built on the bowling green, where the 'Gate of St Nicolas' is flanked on each side by a jack-boot. In his left hand he holds the 'London Gazette'. Trim, holding up a pickaxe, marches in front of his master. He has a long pig-tail, and a pad is tied over his left knee. On the ground behind is a grenadier's cap. Behind Uncle Toby is the sentry-box, in it is pasted up the plan of a fortification. The background is a rough paling behind which are trees. Shandy Hall appears behind the Gate of St. Nicolas. Beneath the design is engraved, "What an honest triumph in my Uncle Toby's Eyes as he march'd to the Ramparts with the Gazette in his hand & Trim with a pickaxe ready to execute the Contents; what intense pleasure in his Eyes as he stood over the Corporal! Heaven! Earth! Sea!"--British Museum online catalogue
Alternative Title:
Siege of Namur by Captain Shandy and Corporal Trim
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Text below title: Tris. Shan., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., and Watermark: VI.
Publisher:
Publish'd as the act directs, 26 Jany. 1773, by J. Bretherton, No. 134 New Bond Street