"Three men sit, singing a catch, with a round table between them. A British officer (perhaps Cotton), wearing a cocked hat, sits in profile to the right, facing Dalrymple who sits (right) with tightly closed mouth, his hands on his knees. Between them, but with his chair from Dalrymple, sits a man in Spanish (here Portuguese) dress, wearing a feathered hat. The British officer sings: T'was You Sir-Hew - Twas Hew. that let the French Escape, That makes you look so blue Sir-Hew Sir Hew! He and the Portuguese (perhaps Freire) point minatory hands at Dalrymple, whose face is painted lead colour. On the wall are two pictures: (above the Portuguese) 'A correct representation of the French Plunderers stopt in their progress by the Spanish Patriots.' [at Baylen] and (above Dalrymple): 'A Correct representation of the French Plunderers quitting Portugal for France - under a British Escort.' In one a long train of wagons is stopped by armed men, in the other are ships in full sail. On the table are glasses and decanters of 'Port and Calcavella'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Watermark: E& P.
Publisher:
Pubd. Octr. 1808 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Spain. and Portugal.
Subject (Name):
Cotton, Charles, Sir, 1753-1812 and Dalrymple, Hew Whiteford, Sir, 1750-1830
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Generals, British, Military officers, Singing, Wine, Drinking vessels, and Pictures
"Three volunteers or militiamen, three-quarter length figures, exult at the head of Bonaparte which one of them (right) holds up on a pitchfork, saying, "Here he is Exalted my Lads 24 Hours after Landing." The head is in profile to the left, the sharp well-cut features contrast with those of the chubby yokels. The centre figure, holding out his hat, says, turning to the left: "Why Harkee, d'ye zee, I never liked Soldiering afore, but some how or other when I though [sic] of our Sal the bearns, the poor pigs, the Cows and the Geese, why I could have killed the whole Army my own Self." He wears a smock with the crossed straps of a cartouche-box. The third man (left) in regimentals, but round-shouldered and unsoldierly, says: "Dang my Buttons if that beant the Head of that Rogue Boney - I told our Squire this Morning, what do you think say's I the Lads of our Village can't cut up a Regiment of them French Mounsheers, and as soon as the Lasses had given us a Kiss for good luck I could have sworn we should do it and so we have." All three have hats turned up with favours and oak-twigs, the favours being inscribed respectively (left to right): 'Hearts of Oak'; 'Britons never will be Slaves', and 'We'll fight and We'll Conquer again and again'. In the spaces between these foreground figures is seen a distant encounter between English horse and foot and French invaders, who are being driven into the sea, on which are flat-bottomed boats, all on a very small scale. Two women search French corpses; one says: "why this is poor finding I have emtied the pocketts of a score and only found one head of garlic 9 onions & a parcel of pill Boxes." Cf. British Museum Satires No. 8145."--British Museum online catalogue
Alternative Title:
Levée en masse, or, Britons strike home and Britons strike home
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Publisher's advertisement below image, in lower right: Folios of caracatures [sic] lent out for the evening., and Sheet trimmed to plate mark on top and bottom.
Publisher:
Pub. Augt. 6th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Soldiers, British, French, Militias, Pitchforks, Heads (Anatomy), Decapitations, and War casualties
"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
"John Bull, as a burly and ugly sailor, sits enthroned (right), listening to Melville's plea of innocence. Melville, in Highland dress, and wearing a feathered bonnet, stands in profile to the right. with clasped hands and flexed knees; he says: "Indeed Mr Bull - I knaw nae more aboot it - than Johnny Groat o'the Highlands." Trotter lurks behind him (left) furtively twitching his superior's kilt, and jerking his thumb to the left.; he says: "Take my advice - and let us Trot off while we are well, he looks confounded inquisitive." John scowls and glares pugnaciously, saying, "Why Look ye - de ye see - I dont come for to go for to say - exactly, that you sack'd the cole - all I say is the Shiners set sail - and as you had the care of the Hatches - it is, likely, you should know what Port they steer'd into! I say let's look at your log book Old one." He wears striped trousers and a knotted scarf; in his hat is a tobacco-pipe. His chair stands on a dais and is decorated with a crowned anchor and dolphins."--British Museum online catalogue and A satire on Henry Dundas, 1st Viscount Melville, who was accused of appropriating funds for non-naval purposes during his tenure as Lord of the Admiralty. Dundas was the most prominent Scottish politician of his era and instrumental in the progress of the Scottish Enlightenment. He is controversial today through his delaying the abolition of slavery for several years
Alternative Title:
Iohn Bull makeing a naval enqury and John Bull making a naval enquiry
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Publisher's advertisement in lower right: Folios of caracatures lent out for the evening.
Publisher:
Pubd. April 1st, 1805, by S.W. Fores, 50 Piccadilly
Subject (Name):
Dundas, Henry, 1742-1811, Dundas, Henry, 1742-1811., and Trotter, Alexander, 1750-1830
Subject (Topic):
John Bull (Symbolic character), Sailors, British, Thrones, Ethnic stereotypes, and Pleading (Begging)
Title etched below image., Printmaker and artist from British Museum catalogue., Cf. No. 10766, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description lacking imprint statement., and Temporary local subject terms: Grog -- Cutlass -- Swords -- Guns -- Pistol -- Reference to Holland -- Dutchmen -- Reference to Italy -- Reference to Denmark -- Reference to America -- Reference to Westphalia -- Tobacco box -- Pipe -- Turk.
Publisher:
Pubd. Augt., 1807 by Walker, No. 7 Cornhill
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Beauharnais, Eugène de, 1781-1824
Subject (Topic):
John Bull (Symbolic character), Insects, Sailors, British, and Weapons
"Mrs. Clarke sits on Wardle's right shoulder, to place over the head of the Duke of York a giant extinguisher which covers all but his legs and (military) coat-tails. At the apex of the extinguisher is a five-pointed star surrounded by the letters 'T' 'R' 'U' 'T' 'H'. She says: "Beneath this Canopy's oblivious shade Detected Y------hides his diminished head" On the cone are the inscriptions: 'Multum in Papvo' [sic] and: 'Now Phoenix like, with renovated fire To noble deeds our Army shall aspire Whilst haughty Gaul shall emulate its praise And England round a Woman's brow entwine the Bays.' Wardle wears regimentals and sword and is tall and handsome; a letter 'To Col Wardle' projects from a pocket."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 1809 by I. Blacklock, Royal Exchange
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Wardle, Gwyllym Lloyd, 1762?-1833, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Fire extinguishers, Military uniforms, British, and Mistresses
"Napoleon, John Bull (a 'cit'), a British general wearing a star, and the Duke of Portland sit in conference, each holding a large double paper covered with type or script. Napoleon sits on the left, pointing to the text of his paper and saying to his neighbour, "You see Mr Bull the case is simply this If you do so, I'll do so!" John, much disconcerted, stares at the Emperor, exclaiming "O! O!" The general also looks at Napoleon, perturbed. Portland (right), who sits in an armchair facing the Emperor, with frank dismay says: "If he says O! O! I'm afraid t'is but so! so!"."--British Museum online catalogue
Alternative Title:
Sounding the opinions of John Bull
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Later state, with imprint statement burnished from plate. For an earlier state with the imprint "Pubd. March 1808 by Walker & C., No. 7 Cornhill", see no. 10971 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., "March 1808" written in brown ink in lower right, over the remnants of the burnished imprint statement. Formerly mounted on a blue sheet, remnants visible on back., and Watermark, partially trimmed: 1811.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
Subject (Topic):
Napoleonic Wars, 1800-1815, John Bull (Symbolic character), Generals, British, Sitting, and Meetings
"Mrs. Clarke stands just within the House of Commons triumphing over her opponents and victims. She strikes a member (Croker) with a rapier, while holding up in her left hand a letter headed My dear Mrs Clark. She tramples on a military officer who lies prone; a paper under his hand is inscribed Genl [Clav]ering. Her antagonists have dropped their swords, which lie broken on the floor. Her large muff lies beside her with a bundle of Love Letters. Croker tries to escape, exclaiming, By Jasus she'll give us 100 Cuts in 60 thrusts. Perceval rushes off, with a mutilated hand, saying, I am Struck dumb, and lost my thumb! I Percieve all. Another (the Attorney-General) exclaims: Oh! dear! Oh dear! she has cut off my Ear Ex officio. A little man whose nose has been cut off, exclaims: What dreadfull blows--Witness my Nose, my Honeys. In his pocket is a paper: Memorandum for Mr Hague [see British Museum Satires No. 11211]. A tall man (Yorke, see British Museum Satires No. 11535) shouts, raising his arms: Take her into custody--She will be to much for us--send her to York Jail. Shadowy figures watch the encounter. A corner of the gallery is seen, crowded with eager spectators. Two men watch from the lobby (right)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark at top and bottom.
Publisher:
Pubd. March 1st, 1809, by Fores, No. 50 Piccadilly
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Croker, John Wilson, 1780-1857, Perceval, Spencer, 1762-1812, Yorke, Charles Philip, 1764-1834, Gibbs, Vicary, Sir, 1751-1820, Clavering, Henry Mordaunt, 1759-1850., and Great Britain. Parliament. House of Commons,
Subject (Topic):
Interiors, Fighting, Daggers & swords, Military officers, British, Wounds & injuries, and Muffs
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The design is surrounded on the upper and side margins by a festooned curtain; from this, in the upper corners, smiling heads look out supporting a chain of prints, small copies of plates in the volume, overlapping one another. These form a border to the central figure, who stands, like a showman, addressing the spectator, arms extended, opera-hat in his right. hand. He resembles the man who stands chapeau-bras in British Museum satire No. 10889. Behind him (left and right) stand six grinning figures, men and women, who listen to him. All seven are grotesque figures with large heads, typical of Woodward's 'Lilliputians' (cf. Museum Satire No. 9635). He says (the words etched above his head across the centre of the design): "Ladies and Gentlemen having compleated the first volume of the Caricature Magazine I am desired in the names of the Proprietors. Publisher Artists &c. as also from myself and large-long [see British Museum Satire No. 10604, &c], and small headed Bretheren to return you our sincere thanks for the kind reception we have experienced, in this the commencement of our exertions, and at the same time to assure you that neither pains nor expence shall be spared to merit your future patronage, you are requested to be as early as possible in giving your orders for the first number of the second volume, for the present Ladies and Gentlemen we most respectfully take our Leave." At the base of the design, flanking a tablet on which the title is etched in small letters are (left) ink-stand, book: 'Sketches from Nature', and a rolled print or drawing. On the right are painting materials: palette, with brushes, and mahl-stick, small bags of (powdered) colour, porte-crayon, and another print or sketch. ..."--British Museum online catalogue
Alternative Title:
Ladies and gentlemen, having compleated the first volume of Caricature magazine ...
Description:
Title etched below image., Printmaker from British Museum catalogue., Design incorporates small representations of prints included in the Caricature magazine; see British Museum catalogue for identifications of the depicted prints., Central figure is most likely a caricature of G.M. Woodward., Tailpiece to: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Sheet trimmed within plate mark., 1 print : etching with stipple on wove paper, hand-colored ; sheet 25.6 x 41.8 cm., Sheet trimmed within plate mark on bottom edge., Watermark: Basted Mill., and Leaf 99 in volume 1.
Publisher:
Published 1st Septr. 1807 by Thos. Tegg, 111 Cheapside
Subject (Name):
Woodward, G. M. approximately 1760-1809 (George Moutard),
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The design is surrounded on the upper and side margins by a festooned curtain; from this, in the upper corners, smiling heads look out supporting a chain of prints, small copies of plates in the volume, overlapping one another. These form a border to the central figure, who stands, like a showman, addressing the spectator, arms extended, opera-hat in his right. hand. He resembles the man who stands chapeau-bras in British Museum satire No. 10889. Behind him (left and right) stand six grinning figures, men and women, who listen to him. All seven are grotesque figures with large heads, typical of Woodward's 'Lilliputians' (cf. Museum Satire No. 9635). He says (the words etched above his head across the centre of the design): "Ladies and Gentlemen having compleated the first volume of the Caricature Magazine I am desired in the names of the Proprietors. Publisher Artists &c. as also from myself and large-long [see British Museum Satire No. 10604, &c], and small headed Bretheren to return you our sincere thanks for the kind reception we have experienced, in this the commencement of our exertions, and at the same time to assure you that neither pains nor expence shall be spared to merit your future patronage, you are requested to be as early as possible in giving your orders for the first number of the second volume, for the present Ladies and Gentlemen we most respectfully take our Leave." At the base of the design, flanking a tablet on which the title is etched in small letters are (left) ink-stand, book: 'Sketches from Nature', and a rolled print or drawing. On the right are painting materials: palette, with brushes, and mahl-stick, small bags of (powdered) colour, porte-crayon, and another print or sketch. ..."--British Museum online catalogue
Alternative Title:
Ladies and gentlemen, having compleated the first volume of Caricature magazine ...
Description:
Title etched below image., Printmaker from British Museum catalogue., Design incorporates small representations of prints included in the Caricature magazine; see British Museum catalogue for identifications of the depicted prints., Central figure is most likely a caricature of G.M. Woodward., Tailpiece to: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., and Sheet trimmed within plate mark.
Publisher:
Published 1st Septr. 1807 by Thos. Tegg, 111 Cheapside
Subject (Name):
Woodward, G. M. approximately 1760-1809 (George Moutard),