Manuscript on parchment of Virgil's Aeneid, book 1, lines 513-543 and 547-576
Description:
In Latin., Layout: single column of 31 lines on recto, 30 lines on verso., Script: copied by one hand in Praegothica, with ascenders sometimes notched, and uncial d and tall d., and The leaf is from a small format pocket-sized manuscript. Trimming affects text at the top of the page, and text on verso is faded and obscured in places by staining.
Manuscript indenture, on parchment, detailing an agreement between the Prior and canons of the Augustinian priory of Bromehill on the one part and the Mayor, burgesses, merchants and residents of the town of Thetford on the other part. The indenture concerns the rights to income from the annual Prior's fair at Bromehill, including rights to the toll, stallage and pickage fees
Description:
In Latin., Docketed in a sixteenth-century? hand: the indentur of Bromehyll ffeyes., Annotated in a later hand, possibly that of the Norfolk antiquary Thomas Martin., Layout: single column of 26 lines. Head of document indented., Script: secretary script., and With: Seal of the Prior and Canons of Bromehill Priory, in green wax, containing a pyramid between a star, below, and a crescent moon, above.
Subject (Geographic):
England., England, Connecticut, New Haven., Norfolk (England), and Thetford (England)
Subject (Name):
Augustinians and Bromehill Priory (Norfolk, England)
Subject (Topic):
Fairs, Manuscripts, Medieval, Markets, and Monasteries and state
Manuscript on paper containing 1) Lapis philosophorum, seu tinctura phisica, in Latin, followed by an English version. 2) Alchemy, in English and Latin. 3) Astrology, including events predicted for the year 1655. 4) Walter Charleton, Notes extracted from his book. 5) Alchemy, medical recipes, and aphorisms. 6) George Rives, goldsmith, Account of the making of gold from lead at Bath by a certain Mervin in 1651. 7) Dr. Start, Notes taken from his experiments, and other matter. 8) Letter of a divine philosopher
Description:
In Latin and English., Script: Written by a single English hand writing a good cursive sloping slightly to the right., Watermarks: Paper watermarked with a flag with two pennants on a pole, no initials visible, similar but not identical to Heawood 1371-1372., and Binding: Original or possibly slightly later binding of brown calf rebacked, covers with double gold rule at edges, back divided into four compartments by five bands, old (but not original) red morocco label with double border of gold dots and gold rule in second compartment from top, stamped in gold, "ALCHEMY MSS." All edges gilt.
Subject (Topic):
Alchemy, Transmutation (Chemistry), Formulas, recipes, etc, and Astrology
Manuscript on parchment (poor quality) of 1) Herman de Valenciennes, Bible. 2) Herman de Valenciennes, L'Assomption de Notre Dame. Often found, as here, following the poem on the Bible by the same author. 3) Petrus Alphonsus, Disciplina clericalis, followed by three moral precepts. 4) Poem in Anglo-Norman on Genesis. 5) Robert de Ho, Les Enseignements de Robert de Ho. 6) Extract from the romance Partenopeus de Blois. 7) Vie de saint Eustache. 8) Letter of Prester John to Emperor Manuel Comnenus, tr. into Anglo-Norman verse by Raoul d'Arundel; this is the earliest translation of the letter (ante A.D. 1200), and the only one known in French verse. 9) Guillaume le Clerc, Bestiaire. 10) Notes on the influence of the moon. 11) Le voyage du Chevalier Owen au purgatoire de saint Patrice. 12) Wace, Roman de Brut. Some 15th-century glosses, in Middle English and Latin, occur in the text
Description:
In Anglo-Norman and Latin., Script: Written by 6 scribes in large gothic bookhand. Scribe 1: ff. 1r-75r, 111r-130v, 153r-183v (characterized by decorative descenders in final line of text); Scribe 2: ff. 75r-97v (z with small horizontal crossbar); Scribe 3: ff. 98r-110r, 131r-152v, 189r-201v, 212v-216v (exaggerated ascenders in top line of text); Scribe 4: ff. 184r-188v; Scribe 5: second column of f. 201v (crude script); Scribe 6: ff. 202r-212r, 216v-224v (poorly formed)., 4-line initials, divided blue and red (ff. 111r, 153r, 189r), with penwork in red and blue or red only. 3- and 2-line initials, red with blue penwork or vice versa (quire VI lacks flourishes on initials). Paragraph marks in red or blue; some rubrics at beginning of articles. 1-line initials stroked with yellow or red. Ink drawings in margins include King Arthur (f. 189r)., Early repairs with parchment throughout; no loss of text. Waterstains, ff. 221v-224r. Rubbing on f. 224v has caused some loss of text in col. a., and Binding: Nineteenth century. Diced red/brown calf, gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Anglo-Norman poetry, Bestiaries, Christian poetry, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Romances, Anglo-Norman
Manuscript on paper (unidentified armorial watermarks) of Basilici tyranni umbra, a Latin tragedy with a list of characters drawn partly from Byzantine history, including Umbra Basilici tyranni (d. 497), Zeno Imperator, Longinus eius frater, Gazeus Rhetor, Euphemianus, Castor tribunus militum, and various pupilli and ephebi. With a collection of poems in Horatian meters on early Jesuits, e. g., St. Francis Xavier (1506-52), Brother Rudolph Acquaviva (1550-83), St. Ignatius of Loyola (1491-1556), St. Aloysius Gonzaga (1568-91), and Edmund Campion (d. 1581). Includes other miscellaneous texts
Description:
In Latin., Script: Written by several cursive hands, some clearly later additions. A few headings in square capitals., and Binding: Eighteenth century. Vellum case, blind-tooled. Bookblock almost detached. Front pastedown may be part of art. 2 of text, but is too badly mutilated to be certain.
Subject (Geographic):
Connecticut, New Haven., and Byzantine Empire
Subject (Name):
Jesuits
Subject (Topic):
History, Jesuit poetry, Latin (Medieval and modern), Latin drama (Tragedy), and Manuscripts, Medieval
Manuscript fragment, on vellum, in a single hand, containing the conclusion of the blessing for Easter Day; the entire blessing for the following Monday and Tuesday; and the beginning of the blessing for the Wednesday after Easter
Description:
In Latin., Layout: single column of 18 lines., Script: Anglo-Saxon minuscule., and Decoration: Rubricated. Initials in red ink.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Benedictionals, and Manuscripts, Medieval
Manuscript, on parchment, in at least seven hands, containing the text of the wills of Jankyn (or John) Smyth and his wife, Margaret Odeham, detailing their bequests to the Candlemas Guild of Bury St. Edmunds, as well as to other religious foundations, and the funeral expenses for Smyth. Also included are the grant of probate for Smyth's second will, dated 1481; and lists of lands donated by the couple, by name and location
Description:
In Middle English and Latin., Numerous marginal annotations in both contemporary and later hands., Layout: single columns, mostly of 32 lines., Script: manuscript is in at least seven hands., Decoration: Rubricated. Large blue initial with red penwork (f. 8)., and Binding: contemporary binding of tawed white leather over bevelled wooden boards, sewn on four leather thongs. Remains of clasp; brass pin and mount on lower cover.
Subject (Geographic):
Connecticut, New Haven., and Bury St. Edmunds (England)
Subject (Name):
Odeham, Margaret, 1492., Smyth, Jankyn, 1481., and Catholic Church
Subject (Topic):
Finance, Charitable bequests, Endowments, Catholic Church, Legacies, and Manuscripts, Medieval
In Latin., Script: Written in tiny gothic textura by a single scribe., Good initials for the beginning of each book and prologue, 10- to 4-line, blue or pink, with various shades combined in a single letter, with white highlights, often with prominent floral serifs in blue, pink, red, orange, and yellow, against pink and blue grounds; grounds for body of letter and serifs in opposite colors. Elaborate descenders, ascenders, as serifs, but often with biting dragons. Letters filled with curling floral motifs, often with dragon-head terminals, and biting dragons. The initials on f. 214r (Esther) and f. 220r (Job) are more elaborate than the others. 2-line initials for each chapter, blue or red, with red or blue flourishes. Running headings and chapter numbers in red and blue, with flourishes. Rubrics throughout., and Binding: Nineteenth century. Printed vellum fragment, in large gothic letters, with portion of John 4.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Versions, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: Text written in similar styles of gothic bookhand mostly by two scribes who may also have ruled the segments each copied. Scribe 1) ff. 7r-13v, 171v-296r, 307r-409r; running titles. Scribe 2) ff. 15r-171v, 297r-306v. A later hand of the 15th century wrote before and after Scriptural text in a less formal style of gothic; at least four other persons of the 14th-15th centuries have annotated the text in various styles of cursive., Decoration by two distinct hands whose division of work does not correspond precisely to that noted for the scribes. 1) ff. 7r-220v, 325r-340r. Large flourished initials, body divided red and blue, with interior designs primarily in red, and small blue circles added; first line of text in blue capitals decorated with simple red pen strokes. Many rubrics missing. 2) ff. 221r-324v, 341r-409r. Flourished initials similar in design to those by 1, but somewhat smaller in size and mostly without small blue circles; first line of text in blue and red capitals alternating; chapter divisions decorated with long herringbone pendants in red and blue. Running titles and marginal chapter divisions in alternating red and blue letters throughout codex. Notes to rubricator, some perpendicular in gutter., and Binding: 15th-16th centuries. Original sewing on five double, tawed supports laced straight and in V's into back-cornered wooden boards and pegged. The spine is square, the sewing supports prominent. Braided tawed skin (?) endbands. The first covering is brown calf with corner tongues. Next is a chemise of pink, tawed skin with an outer cover sewn to it with diagonal stitches of blue thread. Outer and inner covers are adhered to each other and to the boards with extending edges cut off. Two strap-and-pin fastenings with foliate pin bases on the lower board and stubs of kermes pink straps. Green discoloration on pastedowns. Trace of lettering in ink on the spine.
Manuscript, on parchment, of the books of the Bible from Proverbs through the Apocalypse
Description:
In Latin., With an Oxford pledge note for the Selton Loan Chest dated 1469 and the mark of the stationer John More. There is also a note by M. Paris, possibly Master Thomas Paris of Oriel College., Layout: double columns of 49 lines., Script: small gothic script., Decoration: red and blue penwork initials., and Binding: modern goatskin.
Subject (Geographic):
Connecticut, New Haven., and Great Britain.
Subject (Name):
Oriel College. and University of Oxford.
Subject (Topic):
Versions, Vulgate, Manuscripts, Medieval, and Universities and colleges