Volume 2, page 158a. Catalogue of the classic contents of Strawberry Hill collected by Horace
Image Count:
1
Resource Type:
still image
Abstract:
Four designs showing partial decorative borders, probably those of the 16th-century illuminated psalter of Don Giulio Clovio, owned by Horace Walpole and sold in lot 90 on the fifteenth day of the 1842 Strawberry Hill Sale
Description:
Title devised by cataloger., Unsigned; artist unidentified., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., Upper right design has the note "ground all blue" written vertically in blue watercolor., and Bound in as page 158a in volume 2 of Thomas Mackinlay's extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill collected by Horace Walpole.
Volume 1, page 123. Catalogue of the classic contents of Strawberry Hill collected by Horace
Image Count:
1
Resource Type:
still image
Abstract:
View of a white Gothic-style building framed by trees, with a woman walking in front on a path leading from the door
Description:
Title devised by curator., Signed by the artist in bottom part of image., Date of production based on the inclusion in the same volume of other drawings by Shepherd that depict the temporary building for the Strawberry Hill Sale of 1842., and Bound in as page 123 in volume 1 of Thomas Mackinlay's extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill collected by Horace Walpole.
Watercolor drawing of a grotesque old woman, with lines from Thomas Cambell's poem "Pleasures of Hope" (1799) written in ink below: The world was sad, The garden was a wild, And man the hermit sigh'd 'till woman smil'd.
Description:
Title devised by cataloger., Unsigned; artist unidentified., Drawn on paper watermarked "J. Whatman Turkey Hill, 1818." Probably a leaf from an album., and On the verso a cropped impression of Plate 21, from the Miseries of London, captioned with a letterpress text cut from the work: See BMSat 10865: At the corner of Chancery Lane a fashionably dressed man and a scavenger have collided violently: both register pain and anger. Hackney coachmen on a stand facing the end of the street watch with amusement. A man behind (left) chases his hat, 1 March 1807.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1853]
Call Number:
Folio 724 793 P37 Copy 2
Collection Title:
Volume 3, opposite page 302. Some account of London.
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Signed by the artist in gold paint in lower left., Date of production based on artist's death date., and Mounted opposite page 302 in volume 3 of an extra-illustrated copy of: Pennant, T. Some account of London. London : Printed for R. Faulder, 1793.
Subject (Geographic):
England.
Subject (Name):
Catherine, of Aragon, Queen, consort of Henry VIII, King of England, 1485-1536,
A group of amateur watercolor drawings that illustrate various scenes from Clara Reeve's Gothic novel The old English baron. The drawings are inserted throughout the printed text of the fourth edition, bound in near the scenes that are depicted. Although untitled, the drawings have been assigned titles that derive from the text
Description:
Collection title devised by cataloger., Each drawing is signed 'C. Boyle' and most are dated with the month, day, and year of production. The artist is probably Charlotte Boyle-Walsingham (1769-1831), who married Lord Henry Fitzgerald in 1791; she legally changed her name to Charlotte FitzGerald-de Ros in 1806, after successfully petitioning to end the abeyance to the Barony of de Ros and becoming 20th Baroness de Ros of Helmsley., Bound in a copy of: Reeve, C. The old English baron: a Gothic story. London : Printed for Charles Dilly, in the Poultry, MDCCLXXXIX [1789]., Lacking the two published plates., Bound in vellum with gilt edges and tooling and with pink silk endpapers., Extra-illustrated with eight watercolor drawings on vellum, produced by Charlotte Boye in 1789 (these drawings are cataloged separately)., Autograph (Fitz-Gerald?) scratched out on page iii., and In red case.
Title devised by curator., "Rowlandson" in brown ink at lower right., Date based on artist's date of death., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Geographic):
Bath (England).
Subject (Topic):
Health resorts, Physicians, Gout, Gluttony, and Patients
Title devised by curator., Date based on artist's date of death., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Geographic):
Bath (England).
Subject (Topic):
Health resorts, Physicians, Gout, Gluttony, and Patients
Three doctors stand together in discussion, wearing wigs and tailcoats. The man on the right holds a wine glass; bottles and additional glasses sit on a table behind him. In the background on the left the patient can be seen, lying in a canopy bed
Description:
Title and date supplied by curator., Unsigned; attribution to Rowlandson from curator., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: John Crompton -- William Esdaile -- [*R. Willett].
Subject (Topic):
Physicians, Discussion, Sick persons, and Canopy beds
A scene from Dante's 'Divine Comedy' showing Count Ugolino della Gherardesca, Count of Donoratico (c. 1220-1289), an Italian nobleman, politician and naval commander and his sons and grandchildren imprisoned in a dungeon. After Reynolds
Description:
Title supplied by cataloger, from that of the original painting by Reynolds., Signed by the artist in lower left corner., and Drawn after Sir Joshua Reynolds’s painting, which was exhibited at the Royal Academy in 1773 and is currently in the National Trust Collection at Knole, Kent (accession no.: 129934).
Subject (Geographic):
Italian.
Subject (Name):
Ugolino, della Gherardesca, conte di Donoratico, -1289,
Subject (Topic):
Capture & imprisonment, Dungeons, Political prisoners, and Children
Title devised by curator., Attributed to Thomas Rowlandson., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and William Combe, The English Dance of Death.
Subject (Topic):
Human skeleton, Death (Personification), Death in art, Murder, and Devil