Mustapha's adoration of the sublime Sultan Pittander omnipotent. Part 2
Description:
A satire on Pitt., Signed at bottom of text: Mustapha., Parts 1 and 3 were "Printed for G. Riebau" and this part is homogeneous with these., With a small woodcut of Pitt in profile in third line of title, between the words 'Pittander' and 'Omnipotent'., and For further information, consult library staff.
Publisher:
Printed for G. Riebau, No. 439, Strand; and sold by all newsmen ...
Mustapha’s adoration of the sublime Sultan Pittander omnipotent. Part 3
Description:
A satire on Pitt., Signed: Mustapha., With a small woodcut of Pitt in profile in third line of title, between the words 'Pittander' and 'Omnipotent'., Imprint continues: ... where may be had Pittachio in two parts. Part I and II of Pittander omnipotent. Harlequin impeacher, &c. Also the second edition of The shaver's New sermon., and For further information, consult library staff.
Publisher:
Printed for G. Riebau, No. 439, Strand; and may be had of all newsmen ...
N.A.A.C.P. publications and related ephemera, 1915-1978 and National Association for the Advancement of Colored People publications and related ephemera, 1915-1978
Description:
BEIN JWJ Zan N213 +915N: Some of these items are accompanied by articles printed from the World Wide Web., A collection of NAACP items. Most were published by the organization itself, one was published by a sympathizer, and two, emblematic of racial prejudice, were produced anonymously., The sympathetic publication is a broadside with the title "Strong man!" It was distributed by Hollywood Beauty Secrets Company, owned by Mr. & Mrs. Homer Goodwin, Hollywood, California, and it urged people to join the NAACP., The anonymous items, probably from 1963, are a dollar bill with a message stamped on it and a contribution card, one or both of which were likely produced by the Ku Klux Klan., and Included in the collection are two letters to individuals on NAACP stationery, not listed among the titles of the printed works.
Publisher:
National Association for the Advancement of Colored people
Subject (Geographic):
Texas, Waco., and United States
Subject (Name):
National Association for the Advancement of Colored People.
An anti-Napoleon broadside including an engraved, cartographic bust of Napoleon above two columns of letterpress in Dutch, German, English and French. The face of Napoleon is formed of carcases of war victims: on the collar are waves of the sea; a "hand" is placed as the epaulet while on the cuff is 'R' (for Regent), round the wrist 'Honi Soit ', on the fingers are the letters 'A', 'R', 'P', 'S', 'E' (for the Allies). A drawing the Rhenish Confedracy [sic] under the flimsy symbol of the cobweb: and the "spider" is a symbolic emblem of the vigilance of the Allies
Description:
Title from letterpress caption above text., The name "Napoleon" appears four times below image, above each section in Dutch, English, French, and German. Text in English begins: The first, and last, by the wrath of Heaven Emperor of the Jacobins ..., Engraved image of Napoleon: plate mark 22.7 x 15.9 cm., The satirical Napoleon portrait is a copy of the original by Voltz; Cf. No. 12177 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Place and date of publication based on English-language version of the print published in London by Ackermann in 1814; Cf. No. 12202 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Napoleon Bonaparte presents his respects to the worthy electors of Great Britain
Description:
Caption title., Dated from references to the 1806 election., and Watermark: 1806. For further information, consult library staff.
Publisher:
S. Gosnell, printer, Little Queen Street
Subject (Name):
Great Britain. Parliament, Napoleon I, Emperor of the French, 1769-1821., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809., Canning, George, 1770-1827., and Dundas, Henry, 1742-1811.
Title from item., Title continues: Sells all sorts of colours, wholesale & retail, as Indico's, smalts, water colours in shells & liquids, crayons, fine picture & other varnishes, lacquers, gold & silver sice, silver & other mettals in powder also pallets, pencils, tools & fine prim'd cloths, together with Poland & common starch &c., at the most reasonable rates., Sheet trimmed within plate mark., and On leaf 102 of an album with spine title: Trade tokens and bookplates.
Title from item., Imperfect; sheet trimmed within plate mark with loss of text from bottom edge., and On leaf 130 of an album with spine title: Trade tokens and bookplates.
Title from item., Title continues: Makes and sells all sorts of paper hangings for rooms, halls, staircases & c., also papier mache for ornamenting cielings, rooms, staircases, chimney pieces & c., consisting of rich center & corner pieces, heads, trophies, festoons, cornices, & c., also matches any silk or linen pattersn with paper & ornaments, halls & staircases with landskips ruins & figures on paper or canvass in the genteelest & best manner. Likewise sells all sorts of hatts, viz., mens, beavers, castor & felts, women's ruffs, leghorn, straw chip, horse hair, bonnets & c. Together with all sorts of stockings, worsted pieces for waistcoats & breeches, worsted & cotton caps, gloves, mitts and ribbons on the most reasonable terms by wholesale and retail., Sheet trimmed within plate mark., and On leaf 104 of an album with spine title: Trade tokens and bookplates.
Title from caption below center image., Printmaker from title page of series., Publisher and date of publication from other prints in the series., Five designs on one plate, each individually titled., First in a series of prints with variant series names on title page and later prints: Tregear's scraps, Scraps, etc., Sheet trimmed within plate mark on right edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1829.