Title etched below image., Day in imprint may have been re-etched from 10 to 29., Fourteen persons or groups forming discrete images arranged in two rows, each with caption in English and French., Temporary local subject terms: Lady Sarah Archer -- Captain Barclay., Ms. identifications on mounting sheet by W.S. Lewis., Mounted to 43 x 106 cm., and Attributed to Cruikshank on mat in an unknown hand.
Publisher:
Pub. July 29 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Bedford, John Russell, Duke of, 1766-1839, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, Pigot, Hugh, 1721? -1792, Pitt, William, 1759-1806, Townshend, John, Lord, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched below image., Day in imprint may have been re-etched from 10 to 29., Fourteen persons or groups forming discrete images arranged in two rows, each with caption in English and French., Temporary local subject terms: Lady Sarah Archer -- Captain Barclay., Watermark: J Whatman., 1 print : etching on laid paper ; plate mark 34.3 x 48.5 cm., on sheet 36 x 55 cm., Incomplete: right plate with French title only., Some subjects identified in margins in an unknown hand., and Attributed to Cruikshank on mat in an unknown hand; attributed to Gillray on print, recto, in an unknown hand.
Publisher:
Pub. July 29 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Bedford, John Russell, Duke of, 1766-1839, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, Pigot, Hugh, 1721? -1792, Pitt, William, 1759-1806, Townshend, John, Lord, and Thurlow, Edward Thurlow, Baron, 1731-1806
"The Prince of Wales in a drunken frolic enters the King's bedroom, followed by Hanger and Sheridan. The King (right) lies under a tent-shaped canopy with curtains; he turns his head from his son, looking down with an expression of misery; his right arm is outstretched as if to ward off the intruders. By his bedside, between the Prince and the King, sits an elderly bishop, exclaiming in horror; in his hand is a paper inscribed 'A Prayer Restoration of Health Amen'. The Prince has overturned a circular table, a Communion cup lies on the ground. He reels drunkenly with folded arms, saying, '"Damme, come along, I'll see if the Old Fellow's------or not" --'. Hanger and Sheridan are dancing with glee. Hanger, wearing his hat, holds a bottle in both hands; Sheridan waves his hat. On the wall is a picture of 'The Prodigal Son', partly obscured by the label issuing from the Prince's mouth."--British museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Pictures amplifying subject: The Prodigal Son -- Clergy: Elderly Bishop -- Medical: invalid., and Mounted to 28 x 39 cm.
Publisher:
Pubd. Nov'r 25 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, and Sheridan, Richard Brinsley, 1751-1816
George III, dressed as an old woman, the Queen, and the Prince of Wales in a fool's cap decorated with his three feathers, are seated around a basin perched on the laps of the King and Queen, marked "John Bull's Blood" and filled with gold coins. All three eagerly spoon the coins into their mouths. Pouches hanging from their necks like goitres are full, except for that of the Prince of Wales, whose is empty. In the background is a wide open gate to the Treasury
Description:
Title from item., Printmaker from British Museum catalogue., Publication date inferred from watermark., Sheet trimmed within plate mark., Restrike, with aquatinting worn out in some areas. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7166., Temporary local subject terms: Dishes: bowls -- Craws, monstrous -- Cutlery: ladles -- Coins -- Guineas as food -- Fool's cap -- Prince's debts -- Gate of the Treasury building -- Coalition feast -- Reconciliation of Prince George and his parents -- Miserliness of George III and Queen Charlotte -- Reference to John Bull., Watermark on the left side of sheet; fleur-de-lis on the right side., and Mounted.
Publisher:
Pubd May 29th, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and George IV, King of Great Britain, 1762-1830
George III, dressed as an old woman, the Queen, and the Prince of Wales in a fool's cap decorated with his three feathers, are seated around a basin perched on the laps of the King and Queen, marked "John Bull's Blood" and filled with gold coins. All three eagerly spoon the coins into their mouths. Pouches hanging from their necks like goitres are full, except for that of the Prince of Wales, whose is empty. In the background is a wide open gate to the Treasury
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Dishes: bowls -- Craws, monstrous -- Cutlery: ladles -- Coins -- Guineas as food -- Fool's cap -- Prince's debts -- Gate of the Treasury building -- Coalition feast -- Reconciliation of Prince George and his parents -- Miserliness of George III and Queen Charlotte -- Reference to John Bull., and Folded & mounted to 37 x 56 cm.
Publisher:
Pubd. May 29th, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and George IV, King of Great Britain, 1762-1830
Title from item., Temporary local subject terms: Taxes: hair powder tax -- Debts: Prince of Wales's debts -- Allusion to Mrs. Fitzherbert -- Allusion to Mrs. Robinson -- Allusion to Mrs. Crouch -- Tankards -- Barbers' shops., and Mounted to 35 x 39 cm.
Publisher:
Pub. May 6, alias Hair Powder Day, by S.W. Fores, No. 50 Piccadilly, corner Sackville St.
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, and Pitt, William, 1759-1806
Subject (Topic):
Caricatures and cartoons and John Bull (Symbolic character)
On a wooden platform a crowned goose, representing George III, lays its head on the executioner's block. To the left standing over the goose is a fox with a raised axe. On the far left Lord North and on the right a young man (the Prince of Wales?) dance with joy at each end of the scaffold. A satire on the Prince's dislike of the King and his association with Charles Fox
Description:
Title from item., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Mounted to 27 x 35 cm., and Characters are identified in pencil above each figure, from left to right: Ld North, Fox, Burke.
Publisher:
Pubd. by Darchery May 30, 1783, St. James's Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Burke, Edmund, 1729-1797, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politics and government, Geese, Foxes, Executions, and Clothing & dress
"The interior of a church (? the Chapel Royal) showing pulpit, side-gallery, and pews beneath the gallery. Wilkes (left) is the preacher, beneath him is his clerk, Pitt. At a right angle to the gallery is the royal pew (right), from which the King looks with earnest attention to the preacher. Queen Charlotte, her fingers to her mouth, also listens attentively. A lady-in-waiting and a courtier with a long wand (Lord Salisbury, the Lord Chamberlain) stand behind. The pew is decorated with the royal arms and has a canopy. In the centre of the gallery sit the Prince of Wales and Mrs. Fitzherbert; he turns away from the preacher, looking at her. Behind him stands George Hanger; behind Mrs. Fitzherbert sits a man looking at Wilkes through a spy-glass. Between him and the royal pew are three men in legal wigs and gowns: Pepper Arden, Dundas, and (?) Kenyon. Between the Prince and the pulpit sit North (asleep) and Burke, looking intently at Wilkes; a lady (? Duchess of Devonshire) attempts to wake North. In the seats under the gallery sit parties of citizens, in general asleep or inattentive. Below the royal pew stands Fox on a low stool as a penitent draped in a sheet; he wears a placard inscribed 'For Playing Cards on the Lord's Day'. A stout lady with an aquiline nose stands near Pitt; with a raised whip she chases a number of dogs out of the church. She has some resemblance to the Duchess of Gordon, a friend of Pitt. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. British Museum Satires No. 7935, &c. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. BMSat 7935, &c."--British Museum online catalogue
Alternative Title:
Wonderful effects of a proclamation
Description:
Title from item., Artist tentatively identified as Henry Wigstead; see British Museum catalogue., Printmaker formerly identified as Rowlandson, but an attribution to F.G. Byron (Andrew Edmunds, February 2021) is noted in the British Museum online catalogue, registration no.: J,4.101., The listed publisher "Paddy Whack" probably stands for William Holland; see British Museum catalogue., Temporary local subject terms: Congregations -- Piety Proclamation, June 1, 1787., and Mounted to 30 x 46 cm.
Publisher:
Pubd. by Paddy Whack, Oxford Street
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Melville, Henry Dundas, Viscount, 1742-1811, Hanger, George, 1751?-1824, Salisbury, James Cecil, Marquess of, 1748-1823, Fitzherbert, Maria Anne, 1756-1837, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Gordon, Jane Gordon, Duchess of, 1748-1812, Fox, Charles James, 1749-1806, and Chapel Royal (Saint James's Palace, London, England),
Subject (Topic):
Interiors, Churches, Religious services, Pulpits, Pews, Dogs, Whips, Signs (Notices), and Windows
Title from item., Two columns of verse below image: Hitherto .... I have perform'd. Not without wonder ... Samson Agonistes., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 1 (1767), p. 201., Temporary local subject terms: Buildings: Westminster Hall -- Britannia (Symbolic character) -- Personifications: Liberty -- Emblems: cap of liberty -- Emblems: anchor -- Reference to Magna Charta -- Reference to the Glorious Revolution -- Reference to the accession of the House of Brunswick -- Musical instruments: lyre -- Emblems: thunderbolts -- Bible: Samson destroying a temple -- Literature: quotation from Samson Agonistes by John Milton, 1608-1674, lines 1640-1659., and Mounted to 37 x 24 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Camden, Charles Pratt, Earl, 1714-1794, Charlotte, consort of George III, King of Great Britain, 1744-1818, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Granby, John Manners, Marquis of, 1721-1770, Hawke, Edward Hawke, Baron, 1705-1781, Pitt, William, Earl of Chatham, 1708-1778, and Secker, Thomas, 1693-1768
Leaf 22. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The king, seated on a throne on a dais of two steps, says, "I trust we have got such a House of Commons as we Wanted". On his right is Thurlow (left) with the body of a bird of prey; he is saying "Damn the Commons, the Lords shall Rule". Behind the throne crouches Bute in Highland dress, saying to Thurlow, "Very Gude, Very Gude Damn the Commons". On the king's left is a head in profile to the left supported on an erect serpent's body; probably intended for Pitt (a poor portrait but resembling Pitt in British Museum Satires No. 6664). In the foreground (right) sits Britannia asleep, resting her elbow on her shield. A man wearing a ribbon, perhaps the Prince of Wales, rushes up from the right with outstretched arms, saying, "Thieves! Thieves! Zounds awake Madam or you'll have your Throat Cut"."--British Museum online catalogue
Alternative Title:
Secret influence directing the new Parliament
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6587 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate originally published 18 May 1784; see Grego., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Letters "th," perhaps the remnants of a former publication line, are etched above Humphrey's name in imprint., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 140-1., and On leaf 22 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand, London [i.e. Field & Tuer] and Field & Tuer
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806