A design for a carriage showing a side view and a view from the back with a scale; there is also a third view, from the undercarriage with the parts identified in alphabetic order (A-W). On the left edge is the key (Renvoi du Plan) with the descriptions of the lettered parts
Description:
Title etched below image., The draftsman Janel worked from 1760 to 1790; see: Guilmard, D. Les maítres ornamentistes. Paris: E. Plon, 1880-1881., Date of publication from the Bibliothèque de l'Institut National d'Histoire de l'Art, Paris., "A.P.D.R.", Number 3 in a series of six plates, identified by an "A" in the upper right corner of the plate: Cahier de six diligences à̀ la francoise., and Housed in a cloth clamshell case with leather label "Staatswagen" with other prints in this series. For further information, consult library staff.
Publisher:
Chéreau
Subject (Geographic):
France
Subject (Topic):
Carriages and carts, Carriages & coaches, English, and French
Trial proof of the portrait of French sculptor Edme Bouchardon, half-length, sitting in armchair, head turned to right; in oval frame, on pedestal, with sculptor's tools; state with face only lightly sketched in, before any lettering
Description:
Title from finished state., Title and date from British Museum online catalogue, registration numbers: 10,0610.66., and Ownership stamp on verso in diamond shape frame: E.L.
"Portrait of French sculptor Edme Bouchardon, half-length, sitting in armchair, head turned to right; in oval frame, on pedestal, with sculptor's tools"--British Museum online catalogue
Description:
Title in image., Date of publication from British Museum online catalogue, registration no.: 10,0610.66., and Ownership stamp on verso, in diamond shape frame: E.L.
A hairdresser stands on stilts to dress the hair of a lady who sits before her mirrored vanity, her fee outstretched and resting on a foot stool. He pulls her long hair high above her head to its full length is taut as he twists to style it. She holds the sides of her head in pain. His coat is tossed on the chair to the left. On her vanity are a pin cushion, bottles, and ribbons. The mirror is supported but two female figures in classical dress and adorned with two cherubs at the top who hold a laurel wreath
Description:
Title etched below image., After Louis Gameray and published by Pierre La Mésangère. See British Museum online catalogue registration number: 1861,1012.197., Series title and number etched above image, Dated in the British Museum catalogue: 1814., and Pierre La Mésangère, located on rue Montmatre in Paris.
Publisher:
La Mésangère
Subject (Geographic):
France and Paris
Subject (Topic):
Clothing & dress, Dressing tables, Hairdressing, Mirrors, Pride, and Stilts
"Portrait of Madame de Maintenon, bust-length directed to right and looking to front, her dark hair in an updo and dressed with pearls, and wearing a pearl earring and a pearl necklace, in an oval frame, surrounded by four medallions celebrating her virtues, and her coat of arms at the bottom."--British Museum online catalogue
Alternative Title:
Françoise Daubigny Marquise de Maintenon
Description:
Title from text in image., Publisher and date of publication from the British Museum online catalogue, registration no.: 1917,1208.1341., Sheet trimmed to plate mark on top edge., Window mounted to 51 x 36 cm., and Mounted opposite page 96 (leaf numbered '145' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Portrait of Isaac de Benserade, bust-length, looking to right, with long wig, in oval; illustration from Perrault's 'Les Hommes illustres' (Paris, Dezallier, 1696-1700), volume II.--British Museum online catalogue
Title from caption below image. and Place and date of publication based on similarity to portraits in: Perrault, C. Les hommes illustrés qui ont paru en France pendant ce siècle, 1696-1700.
Title etched below image., Imprint from British Museum catalogue., Plate from a series of twelve caricature portraits: Collection des grands hommes qui se sont le plus distingués dans la Marine Anglaise. Paris : Esnauts et Rapilly., and Description based on imperfect impression. Lewis Walpole Library lacking second portrait on the right, Jonsthone a San Jago.
A companion plate to Le Départ (British Museum satire no. 12362), satirizing the haste of the English to visit France in 1814 and their gluttony and bad dressing. The Frenchman who cooks a cat is a subject of English caricatures on the favourite theme of the beggarly Frenchman and well-fed Englishman. In this print. "A lean Englishman strides on to the quayside from an (invisible) gangway leading to the deck of a packet, which is seen below (right), covered with the heads of passengers, looking eagerly upwards. The furled sails and rigging are on the extreme right; a dove holding an olive-branch sits on a spar. A jovial French cook leads the Englishman, who grasps his left wrist; he points to a doorway on the extreme left, below the sign 'Au Bien Venu'. He holds the white cotton night-cap which was the cap of the French cook, but is not foppish as in English caricature, but manly and sturdy. The traveller is a grotesque figure wearing a hat shaped like a flower-pot, [this hat appears in almost all satires on English costumes in Paris, c. 1814; it is worn by a man dressed à l'Anglais in No. 53 of the 'Bon Genre Series' (? 1813): 'Cheveux à Cherubin. Chapeau en pot à fleurs. Redingote en Robe de Chambre'; cf. J.-P. de Bérenger, 'Les Boxeurs', 1814: Quoique leurs chapeaux sont bien laids / Goddam! moi j'aime les Anglais] long tail-coat, wrinkled breeches, and long ill-fitting gaiters on very thin legs. His profile has an absurdly heavy chin (cf. British Museum no. 12364), and he registers eager expectation. On a flap projecting from a window beside the door are peaches, grapes, pears, &c. Within a courtyard a second cook leans from an attic window, knife in hand, to catch a cat by the tail, one of several scampering from the ridge-pole."--British Museum online catalogue
Description:
Title from caption below image., Description from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 1 February 1815, although his name is not actually lettered on the plate. It is a pair to 'Le départ' (British Museum number 1868,0822.7249)., and Sheet trimmed within plate mark, with loss of text at lower left and portions of the image at the corners: irregular sheet 18.8 x 23 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Doves, Eating & drinking, Ethnic stereotypes, Gluttony, and Mail steamers
Title from caption below image., Publication date from unverified data from local card catalog record., and "Chez Aubert & du Journal la caricature au magazin de caricautres, Galerie Véro-Dodat"
Publisher:
Chez Aubert and Lith. de Delaporte St. de Langtamé