V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An aged and moribund woman (T.Q.L.) sits in an arm-chair directed to the left. A doctor, stout, middle-aged, and sensual, holds her wrist, while putting his arm round a buxom young woman who leans on the back of the chair. They gaze into each other's eyes. On the table at the old woman's elbow are medicine phials, a bowl of 'Composing Draught', and a pill-box inscribed 'Opium'. The doctor has a gold-headed cane inscribed 'Medical Staff'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Doctor Doubledose killing two birds with one stone
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Novr. 20, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11638 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark on right and left sides., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.7 cm, on sheet 41.8 x 25.6 cm., and Leaf 97 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An aged and moribund woman (T.Q.L.) sits in an arm-chair directed to the left. A doctor, stout, middle-aged, and sensual, holds her wrist, while putting his arm round a buxom young woman who leans on the back of the chair. They gaze into each other's eyes. On the table at the old woman's elbow are medicine phials, a bowl of 'Composing Draught', and a pill-box inscribed 'Opium'. The doctor has a gold-headed cane inscribed 'Medical Staff'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Doctor Doubledose killing two birds with one stone
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Novr. 20, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11638 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark on right and left sides., and Watermark: Charles Wise.
"A stout and disappointed coachman standing outside a house at night, holding out his hand in which there is a single coin; at left, a smartly dressed but uncouth looking couple standing in their doorway making jeering faces, the man with his hand in his pocket, a maid with a candle behind; the coach behind at right."--British Museum online catalogue
Alternative Title:
Surly saucy Hackney coachman
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 38 x 28 cm., and Watermark: IW[?]
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Coach drivers, Light fixtures, and Passengers
Title from captions below images., Printmaker and questionable date of publication from Grego., Two designs on one plate, each individually titled., Description based on imperfect impression; artist signatures mostly erased from sheet., Reduced copies of nos. 5919 and 5920 in in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Food: Roast pig -- Hall clocks with numbers counter-clockwise., Window mounted to 41 x 30 cm., Watermark: 1809., and Shading in pencil added to areas from which the artist signatures were erased, and ink lines added to the right and left edges of each design.
"A Lapp settlement fills one end of an oblong hall, lit from the roof. Ice or water is bordered by snow-covered mountains or ice-pinnacles painted on the walls. In front of the water are two tents or huts, partly hidden by spectators. In the foreground is a Lapp family, a child holds a cord attached to a high-stepping reindeer decked with ribbons which draws a sledge in which sits a little English boy, holding the reins and held up by a lady. On the left behind a railing are reindeer; spectators are crowded between them and the wall. A woman holds one by the antlers, and raises two fingers towards an elderly husband. Spectators stare, ogle, and flirt. On the walls are reindeer antlers, Lapp garments of fur, &c, low boots with up-turned toes."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Watermark: J. Whatman Turkey Mill.
Publisher:
Pubd. Feby. 8th, 1822, by R. Ackermann, 101 Strand
"She stands directed to the left, holding a pointer with which she slyly points to a picture of Suzanna and the Elders. She is old and grotesquely ugly, wearing a hat over a frilled cap, an apron, and bunched-up skirt. Her left hand is on her hip, a large key dangling from the fourth finger. A corner of the room is shown, the pictures fitted closely together; three rows are depicted, hung above a dado; a fourth is indicated. The pictures are very freely drawn, and one at least is burlesqued."--British Museum online catalogue
Description:
Title, printmaker, and imprint from British Museum catalogue., Text below title: The woman who shews General Guise collection of pictures at Oxford., Description based on imperfect impression; text below image trimmed from sheet., Watermark: Lower [...]., and Mounted to 32 x 23 cm.
Publisher:
Pubd. Febry 26, 1807 by T. Rowlandson, N. 1 James Street, Adelphi
"Three sailors sitting on trunks on board a ship, grimacing as they read papers. At centre one points to his paper, saying, 'Did you ever hear such palaver Jack - Just before an Action'; his paper is inscribed, 'nothing opposes the individual esteem entertaind for your excellency by your faithfull servant / J Moore / Cadiz'. At left, a sailor reads a paper inscribed, 'I am your Excellrncys most Humble Servant / Rossily'; his trunk is lettered 'Will bo[...]'. At right the third says, 'Be quiet you lubbers, you dont know how to be polite - one of the Mounseers has ax'd me a little time, before I blow him up, and see what a civil letter I have sent him.'; his trunk is lettered 'Junk' and his paper, 'Mounseer / I had the honor of your this morning, and if you don't surrender by six in the evening, I'll be d-d if I dont blow you up / yours / to command / Jack Junk'. On the floor in the foreground, a tankard of 'Grog', a pipe and broadsides, one of which is headed 'True courage'; a cannon behind at left. Reissue by Fores of a print originally published c. July 1808."--British Museum online catalogue and "In May-July 1808, at the beginning of the Peninsular war, the British fleet helped to defend the Spanish in Cádiz from the French fleet led by Rosily; the British officer John Moore left England for Portugal in July 1808. The imprint indicates a reissue, giving the address line used by Fores in 1818-19."--Curator's comments, British Museum online catalogue
Alternative Title:
British sailors perusing the dispatches from Cadiz
Description:
Title etched below image., Printmaker identified as Rowlandson in the British Museum online catalogue., Date of publication from the British Museum online catalogue, registration no.: 1948,0214.697., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly & 312 Oxford Street
Subject (Name):
Moore, John, Sir, 1761-1809. and Rosily-Mesros, François de, 1748-1832.
Subject (Topic):
Peninsular War, 1807-1814, Sailors, British, Decks (Ships), Luggage, Newspapers, Cannons, Drinking vessels, and Pipes (Smoking)
"Burke kneels before a throne, from which the Prince of Wales has risen, eagerly holding out his hands for the head of Charles I which Burke proffers in a round box inscribed 'Treasury Box'; he says, "My Liege I told them in the House no day so proper to settle the Regency as Charles's Martyrdom". Sheridan stands behind Burke, leaning eagerly forward, and saying with a sinister scowl: "I too am for Dispatch such days best suit our Purpose"; from his pocket hangs a paper: 'Horn Tooke's Letter on the Princes Marriage' ('Prince' appears to have been scored through) ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified in the British Museum catalogue as Rowlandson imitating James Sayers's signature., Two lines of text below title: "Why not debate it on Friday, I say it is the only day in the year on which it ought to be debated (Charles's martyrdom) and carried up in the black box." Vide Mr. Burk-s speech on Tuesday last., Sheet trimmed within plate mark., Temporary local subject terms: Emblems: Prince of Wales's feathers -- Treasury boxes -- Allusion to Prince of Wales's letter on Regency restrictions, 30 Dec. 1788 -- Speeches: Burke's in the House of Commons, Jan. 27, 1789 -- Satire on Regency resolutions -- Regency crisis, 1788 -- Thrones -- Execution of Charles I, Jan. 30, 1649 -- Literature: Tooke, John Horne, A letter to a friend on a reported marriage ... ., Watermark: fleur-de-lis on crowned shield with initials G R below., and Mounted to 28 x 37 cm.
Publisher:
Pubd. 30 Janry., 1789, by S. Fores, No. 3 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, and Charles I, King of England, 1600-1649
"Three pretty young nuns stand behind a widely spaced iron grille; one of them sells netted silk purses to a handsome young British officer in full regimentals who gazes fixedly at them. Two return his gaze. Behind and on the extreme left, an ugly old officer stares at them through a lorgnette. Beside the three nuns is a fourth, old, ugly, sour, and duenna-like. The figures are half length or three-quarter length. Behind the nuns is a background of Gothic vaulting with a crucifix."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "64" in upper right corner., Temporary local subject terms: Nuns -- Crucifix -- Lorgnette., and Watermark: [?]mead & C. 18[?].
Publisher:
Pubd. April 1, 1811, by Thos. Tegg, No. 111 Cheapside