publish'd according to act of Parliament, May 1st, 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., 1 print : engraving and etching ; sheet 22.2 x 33.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper. Folded to 22.2 x 25 cm; mounted to 32 x 26 cm., and Mounted on page 64 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
publish'd according to act of Parliament, June 1st 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 61. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
In a paneled room hung with mirrors and a clock, the master of the house, in dressing gown and nightcap, puts his hand on the bosom of a maid who serves him biscuits. Next to him a clergyman looks adoringly at the lady of the house on his left. In his hand is an open volume with text "A sermon, I am sick of love." She is dressed in a wrap and cap and, while smiling at the clergyman, surreptitiously takes a letter from a black servant boy who approaches from behind her chair. A parrot in a cage hanging above them sings, "Caesar and Pompey were both of them horned." A squirrel sits on a stool next to the table. In the foreground, a monkey sits on the floor, reading "A dissertation on winding up the clock, by Tristam Shandy." On the extreme left, a footman with a long unbraided queue is trying to push out of the room a bill collector who came in to present a tailor's bill
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: With touch indelicate His Grace, approaches that angelic place ..., Companion print to: High life in the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with engraving on laid paper ; sheet 22.5 x 34.2 cm, folded to 22.5 x 24.8 cm., Imperfect; sheet trimmed within plate mark with loss of publication line from bottom edge., Mounted to 26 x 32 cm., and Mounted on page 61 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Topic):
Interiors, Furniture, Mirrors, Longcase clocks, Women domestics, Clergy, Books, Servants, Parrots, Birdcages, Squirrels, and Monkeys
publish'd according to act of Parliament, June 1st 1769.
Call Number:
769.06.01.01+
Collection Title:
Page 61. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
In a paneled room hung with mirrors and a clock, the master of the house, in dressing gown and nightcap, puts his hand on the bosom of a maid who serves him biscuits. Next to him a clergyman looks adoringly at the lady of the house on his left. In his hand is an open volume with text "A sermon, I am sick of love." She is dressed in a wrap and cap and, while smiling at the clergyman, surreptitiously takes a letter from a black servant boy who approaches from behind her chair. A parrot in a cage hanging above them sings, "Caesar and Pompey were both of them horned." A squirrel sits on a stool next to the table. In the foreground, a monkey sits on the floor, reading "A dissertation on winding up the clock, by Tristam Shandy." On the extreme left, a footman with a long unbraided queue is trying to push out of the room a bill collector who came in to present a tailor's bill
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: With touch indelicate His Grace, approaches that angelic place ..., Companion print to: High life in the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 27 x 39 cm.
Publisher:
publisher not identified
Subject (Topic):
Interiors, Furniture, Mirrors, Longcase clocks, Women domestics, Clergy, Books, Servants, Parrots, Birdcages, Squirrels, and Monkeys
A young maid seated by the kitchen table is admiring in a small mirror her coiffure as it is being arranged by a footman. A little girl playing by the window is mimicking his work on her rag doll. In the foreground on rihgt, an old woman is washing clothes in a large tub. On the other side of the kitchen an maid plays a mandolin while singing together with a footman seated by her side. A small shaggy pet dog sits on an open music book by their feet, howling in accompaniment. A kitten plays with the ribbons of a hat left leaning against the table leg on the floor. In the background is a large fireplace with dishes and candlesticks on the mantle and a bird-cage from which a large black bird peeks curiously at the hairdressing in progress
Description:
Title from item., After painting by Collet titled: High taste in low life, exhibited at the Society of Artists in 1765. Cf. Catalogue of the paintings, sculptures ... exhibiting by the Free Society of Artists, 1765, no. 63., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Townhouse kitchen -- Containers: Warming pan.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street, & J. Smith, No. 35 Cheapside, publish'd as the act directs
Subject (Topic):
Candlesticks, Cats, Dogs, Interiors, Irons (Pressing), Kitchens, and Music
In the upper left a group of three musicians play instruments as a black man in livery dances at the center of a well-dressed group revelers in a servants' hall decorated for the Christmas holidays. The masters of the house and their guests look on. The chandelier and long case clocks are decorated with holly and mistletoe hangs from the ceiling. One man kisses a large, buxom woman who recoils in surprise. Another couple flirt on the right at a table opposite a man who has passed out, playing cards strewn on the floor at his feet. The back wall is dominated by a large cupboard filled with dishes and platters
Description:
Title from caption below image., Sheet trimmed within plate mark., Companion print to: Blind man's buff., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by G. Tregear 136 Drury Lane
Subject (Topic):
Christmas decorations, Couples, Cupboards, Dance, Kissing, Longcase clocks, Musicians, Playing cards, Servants, and Servants' quarters
"Interior of a kitchen showing servants at leisure: a stout woman dances with a black man in the centre accompanied by a man with a wooden leg who sits playing a violin on the left; watched by others on the right, a young woman standing on a chair and supported by a young man, while a seated man wearing a tricorn smiles and points at her and an elderly woman stands with her arms folded under her apron, a dog at her heels; two posters pasted on the wall behind, shelves, bellows and other kitchen implements in the background."--British Museum online catalogue, description of a print of the same design
Description:
Title engraved below image., Publisher and approximate date of publication from smaller version in the British Museum; see British Museum online catalogue, registration no.: 2010,7081.344., Description based on imperfect impression; sheet trimmed within plate mark., A depiction of a scene from a performance of High life below stairs (1759), the popular Georgian comedy by James Townley., For a related drawing, attributed to Francis Grose, see Lewis Walpole Library call no.: Drawings G877 no. 1., and Laid down on stiff sheet.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1774.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 71. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A bench in a kitchen on which are seated, from left to right: the coachman, half asleep; the huge cook seated facing us, arms akimbo; and a rather drowsy black boy. A shelf with pots and pans on it is on the wall to the left. At the extreme right is a grandfather clock. There are two drawings pinned to the wall
Description:
Title etched below image., Sheet trimmed within plate mark., Three lines of dialogue etched below title: Coachman: You go." Cook: Hang me if I go." Kingston: Mollsey, Pollsey go.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Theater: High life below stairs -- Amateur theatricals -- Domestic service: Coachman -- Kingston -- Black foot-boy -- Reference to William Ann Holles, earl of Essex, 1732-1799., Mounted on page 71 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 26.6 x 29.0 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Townley, James, 1714-1778.
Subject (Topic):
Blacks, Coach drivers, Cooks, Servants, Longcase clocks, and Theatrical productions
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Feby. 1774.
Call Number:
Bunbury 774.02.23.01.2+ Impression 1
Collection Title:
Page 71. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A bench in a kitchen on which are seated, from left to right: the coachman, half asleep; the huge cook seated facing us, arms akimbo; and a rather drowsy black boy. A shelf with pots and pans on it is on the wall to the left. At the extreme right is a grandfather clock. There are two drawings pinned to the wall
Description:
Title etched below image., Sheet trimmed within plate mark., Three lines of dialogue etched below title: Coachman: You go." Cook: Hang me if I go." Kingston: Mollsey, Pollsey go.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Theater: High life below stairs -- Amateur theatricals -- Domestic service: Coachman -- Kingston -- Black foot-boy -- Reference to William Ann Holles, earl of Essex, 1732-1799., and Watermark, trimmed.
Publisher:
publisher not identified
Subject (Name):
Townley, James, 1714-1778.
Subject (Topic):
Blacks, Coach drivers, Cooks, Servants, Longcase clocks, and Theatrical productions
Humphrey, William, approximately 1740-approximately 1810, printmaker
Published / Created:
1st Jany. 1772.
Call Number:
772.01.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed young maid sitting in an ornate armchair by a round table with an almost empty wine bottle and glasses on it, is being embraced by a black manservant sitting on a stool in front of her. Another black servant is sitting sideways on a chair near them. He is tipping it perilously as he tries with a great effort to play a horn. An open book lies on the floor in the foreground and a painting on the wall in the background is partially covered by an ornate curtain
Alternative Title:
Mungo addressing himself to my lady's maid
Description:
Title from item., The printmaker's name from other prints signed by William Humphrey as 'Umfrey' and published by Sayer., Plate numbered '207' in lower right corner., One line of text below title: For wine inspires us, and fires us, with courage, love and joy, &c., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Black manservants -- Musical instruments: horn -- Furniture: round table -- Chairs -- Furnishings: curtain -- Painting -- Effects of wine., and Numbered in contemporary hand in upper right corner '155.'
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, as the act directs
Subject (Topic):
Blacks, Draperies, Musical instruments, Servants, and Women domestics