Half-length, oval portrait of Sir Thomas More, Lord Chancellor, classical scholar, philospher, later canonized, looking slightly right and wearing the Collar of Esses, with the Tudor rose badge of Henry VIII; within a decorative border with an elaborately decorated flag, spectre and axe below. The two drawings were created in preparation for the engraved portrait print engraved by Jacobus Houbraken and published by John & Paul Knapton in 1741
Alternative Title:
Sir Thomas More
Description:
Title from inscription on verso of drawing., Portrait is unsigned, but the mount is decorated with a border in ink and wash and signed: H. Gravelot inv. et delin., Counter watermark in center of sheet used as the mount: IV., After Hans Holbein the Younger, and One of ten watercolor portraits and other drawings included in George Vertue's set of engravings: The heads of the most illustrious persons of Great Britain (London : John and Paul Knapton). See all catalog records by searching call number: LWL Folio 724 743 H432 (Oversize).
Half-length, oval portrait of Sir John Smith, scholar, diplomat, and political theorist, looking slightly left and wearing a hat and fur-trimmed coat; within a decorative border and frame ending with a coat of arms. The two drawings were created in preparation for the engraved portrait print engraved by Jacobus Houbraken and published by John & Paul Knapton in 1744
Alternative Title:
Sir John Smith
Description:
Title from inscription in ink on verso of drawing., Also written on the mount under the drawing in block lettering: Smith., Unsigned., The mount is probably by H. Gravelot based on similar signed drawing in the collection., After Hans Holbein the Younger. See published print., Counter watermark in center of sheet used as the mount: IV., and One of ten watercolor portraits and other drawings included in George Vertue's set of engravings: The heads of the most illustrious persons of Great Britain (London : John and Paul Knapton). See all catalog records by searching call number: LWL Folio 724 743 H432 (Oversize).
Title written in ink in unknown hand below image., After 1790 when the offices were built., Pencil notation on verso: "No. B"., Note on verso, in unknown, contemporary hand, "doubtless by Barrow. Orig. drawing for aquatint. Cf. Bedford copy of Description Str. Hill, Woolaston print 1754 (no.19).", Formerly shelved as part of the SH Views collection., Unknown artist., and For further information, consult library staff.
Title inscribed in pencil in unknown hand at bottom of sheet., From a group of Strawberry Hill views by the same hand, two of which carry watermarks dated 1821 and 1822., Pencil notation on verso: "No. E"., Formerly shelved as part of the SH Views collection., Unknown artist., and Not in Manuscript Catalogue of 1763.
Title inscribed by Horace Walpole on lower edge. and Formerly in a portfolio with 32 other drawings by Müntz, Scott, Edwards, Rysbrack, and Leave, with press mark C.1.22. Broken up sometime after the 1842 sale. See Hazen no 3575.
Inscription: title written in unknown contemporary hand at bottom of sheet, below image., From a group of Strawberry Hill views by the same hand, two of which carry watermarks dated 1821 and 1822., Unknown artist., Formerly shelved as part of the SH Views collection., and Not in Manuscript Catalogue of 1763.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[ca. 1792]
Call Number:
Drawings W87 no. 15 Box D175
Image Count:
1
Resource Type:
still image
Abstract:
Two rows of sketches of six women quarter length and mostly in profile with captions inscribed in pencil near each figure. Captions include: I lost a diamond ring in the struggle I assure you; Lord [?] how can you be so rebellious; Success to the French I say from the bottom of my soul; The queen of France has lost her head to a certainty; There are I hope an hundred thousand Frenchmen now ... ; Terrible times ...
Description:
Title from pencil inscription within image., Date supplied by cataloger., Attributed to Woodward., Possibly trimmed from a larger design for a border., and For further information, consult library staff.
Loutherbourg, Philippe-Jacques de, 1740-1812, artist
Published / Created:
[approximately 1780?]
Call Number:
SH Contents L893 no. 1 Framed, shelved in LFS Bin 35
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a subject from Thomas Gray's poem 'The Bard': The bard shown standing on the side of a cliff at right playing harp, his cloak, beard and hair blown by the wind, a group of Edward I's soldiers pointing towards him from the opposite side of the river below
Description:
Title devised by cataloger., Unsigned., The oil painting is in the National Museum of Wales, Cardiff. It was later engraved by Hall (figures) and Middiman (landscape), published in 1784 as the frontispiece to Edward Jones's Musical and poetical relicks of the Welsh Bards (London : Richard Rees, 1825)., and Philippe-Jacques de Loutherbourg, British painter and Royal Academician, 1740-1812.
Pen and black ink architectural drawing of an elevation of a bed chamber featuring cornice molding, a decorative chimneypiece, and two window bays. Corresponding dimensions, notes, calculations, and profiles occupy empty space throughout the design
Alternative Title:
Elevations of the interior walls of a room with the chimney-piece and the profile of a cornice and Elevation of a room, the bed chamber for Lord Dacre
Description:
Title from description inscribed within image. and One of four drawings in a folder.
Title from item., Inscribed with the title in unidentified hand below image: "The cottage at Strawberry Hill.", Inscribed with the artist's name in lower left corner below image: "Carne. Tringham ex.", and Amatuer copy after 1789 watercolor by J.C. Barrow's "The Cottage"?
Subject (Geographic):
Twickenham (London, England), England, and Twickenham.
Subject (Name):
Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Buildings, structures, etc, Architecture, Domestic, Dwellings, and Houses