Portrait of Adriaen Hanneman (c.1604-1671), Dutch portrait painter, who lived in London from 1626 until around 1640 when he returned to The Hague. He had a long career painting portraits of exiled English royalists and the Dutch court as well as other wealthy residents of The Hague
Description:
Title from inscription in ink, in 18th century hand, lower left: Adrian Hanneman Pictor, Drawing that was later used for an engraving published in : Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 120., and George Vertue, English artist, 1684-1756.
Portrait of Adriaen van Diest (1655-1704), born in The Hague, immigrated to England when he was 17 and remained there, active as a landscape painter of views of England in the western parts landscapes, chiefly in the Italian manner
Description:
Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 3, opp. p. 129., Title from item., Signed in ink, lower right: ob. 1704 Aeta '49. G.V., Inscription in ink, in 18th century hand, lower right below monogram: poss. Mr. Dahl pict., Inscription in ink, in 18th century hand, lower left: se ipse pinx., and George Vertue, English artist, 1684-1756.
Title from item., Date and place of publication supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Morison's Pills; Proprietary medicines.
A caricature of a couple, shown full-length, dancing awkwardly. A lanky man attempts to dance with a corpulent woman but steps on her dress hem in the process
Description:
Title written in ink below image., Attributed to William Heath by curator., and William Heath, English caricaturist and illustrator, 1795-1840.
A couple sit in two chairs, the man with his back to his wife is asleep with his hands resting on his large belly. The woman thin and with a forelorn look on her face sits in a large comfortable chair, looking out, her book at her side and a handkerchief in her hand
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from captions below images., Date of publication based on running dates of the Great Exhibition: 1 May to 15 October, 1851., Two individually captioned designs on sheet., and Sheet trimmed within plate mark.
Two individually captioned designs on sheet showing Native Americans in London. On the left, an Native American man and woman attempt to ride bus, much to the horror of the passengers. On the right, a Native American man steadies himself by holding onto a lamppost outside the Coal Hole Tavern as two boys point and laugh at him; a policeman looks on.
Description:
Title from captions below images., Date of publication based on running dates of the Great Exhibition: 1 May to 15 October, 1851., and Sheet trimmed within plate mark.
Bound portfolio of 67 prints by William Hogarth. According to Ronald Paulson it was assembled in 1753, possibly by Hogarth himself for his friend Bishop Hoadly. Formerly held in a library in Winchester, Hoadly's diocese. The first sheet is the portrait print of 'Bishop Hoadly' rather than the more common 'Gulielmus Hogarth' suggesting that it was assembled for Hoadly. The latest print is 'Breaking the egg" without receipt, suggesting a publication date after December 1753 when 'Analysis' was published
Description:
Title assigned by cataloger., See Paulson, R. Hogarth's graphic works, (3rd rev. ed.), p. 20 for a fuller description., and For further information, consult library staff.
Subject (Name):
Hoadly, Benjamin, 1676-1761, and Hogarth, William, 1697-1764.
Pen and ink drawing divided into two parts, with an alderman on the left and a chamberlain on the right, framed in a elaborate border (suggesting a tent or fortress) of checkerboard and geometric designs. The stout alderman, spoon and fork in hand, wears a napkin pinned around his neck; he has a full spoon at his mouth and a plate of food and a mostly empty glass decanter rest upon the table in front of him. On the right the chamberlain, dressed in fur-lined robes and wearing his glasses raised up to his bald forehead, is shown with one arm raised and subtley pointing upwards while the left arm rests upon a large document entitled: This indenture wit. A coat of arms is displayed at the top of the design
Alternative Title:
Chamberlain
Description:
Title in artist's hand at top of design; artist signature and date inscribed in pen and black ink below image. Subtitle in banner below design.
Title from caption below image., "Canto XVII"--Following title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.