On a stage a man in a hat extracts a tooth from a patient as a clown taunts him; the audience on three sides of the stage look on with looks of horror or amusement
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on top edge., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed and published by W. Davison, Alnwick
Subject (Topic):
Teeth, Extraction, Dentistry, Audiences, Clowns, and Pain
Title from item., Publication date inferred from publisher's address., Sheet trimmed within plate mark., Two columns of text on either side of the title: [...] she terrible law when it fastens it's [sic] paw, on a poor man, it gripes 'till he's undone ..., First plate in the series: The humours of Hob at the country wake in the opera of Flora. Other plates in this series do not have series title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Strasburg lily with initials GR below., and Lower left corner torn off resulting in loss of artist's name and some of the text below image.
Publisher:
Printed for Robt. Sayer, map & printseller, near Serjeants Inn, Fleet Street
Title from item., Publisher from the first plate in the series: Hob carrying Mr. Friendley's letter to Mrs. Flora., Publication date inferred from publisher's address., Sheet trimmed within plate mark., Seventh plate in the series The humours of Hob at the country wake in the opera of Flora. Series title only on Plate 1., Two columns of verse on either side of title: O. Hob. Zure never was zeen such a rebel, Thou worst of undutiful boys ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: unidentified countermark (initials MW(?) inside a circle).
Title etched below image., Printmaker from the first plate in the series: Hob carrying Mr. Friendley's letter to Mrs. Flora., Publication date inferred from publisher's address., Sheet trimmed within plate mark., Four columns of verse on either side of title: Wife. Oh! My poor boy, O. Hob. His looks are stark wild ..., "Plate IV"--Below title., Fourth plate in the series: The humours of Hob at the country wake in the opera of Flora. Series title only on Plate 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg lily with initials GR below.
Title engraved below image., Sheet trimmed within plate mark., Possibly a reissue from Sayers's Drolls., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Countrymen: Hob -- Landlords -- Officer's uniform -- Costume: Smocks.
Publisher:
Publish'd as the act directs, Sept. 4, 1793, by T. Prattent, 46 Cloth Fair, West Smithfield, London
Subject (Topic):
Gout, Military uniforms, Military officers, and British
Hob surprised by Sir Thomas with Mr. Friendley's letter
Description:
Title from item., Printmaker from the first plate in the series: Hob carrying Mr. Friendley's letter to Mrs. Flora., Publication date inferred from publisher's address., Sheet trimmed within plate mark., Eight lines of verse in four columns on either side of title: (Sr. Tho. sings) To guard my Hesperian tree, requires more care than of old ..., Second plate in the series: The humours of Hob at the country wake in the opera of Flora. Series title only on Plate 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg lily with initials GR below.
Scene in a park with high wall and a gate into an alley in the background. Two young ladies lean over the top of the wall looking down on a duel taking place in the foreground. One of the duellists is sprawled on the ground, his wig fallen off. His opponent is standing above him with his rapier aloft. On the right, an apple-woman is trying to recover apples fallen out of the overturned basket. On the left, a surgeon attends to yet another duellist with a wound on his bald head and with his rapier still in his hand. A number of spectators are gathered on the left and on the right in the background. Between them, a lonely gentleman in a bag wig and with his back turned to the viewer, salutes the two ladies leaning over the wall
Alternative Title:
Hob triumphs over Sir Thomas
Description:
Title from item., Later state by a different publisher of the print first published by John Bowles ca. 1740 (cf. Library of Congress, 4-332)., Publication date inferred from publisher's dates of operation., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: Friend sings. O fly from this place dear Flora ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 38 x 45 cm.
Publisher:
Printed for R. Wilkinson, No. 125 Fenchurch Street, London
Title from item., Printmaker and publisher from the first plate in the series: Hob carrying Mr. Friendley's letter to Mrs. Flora., Publication date inferred from publisher's address., Imperfect; sheet trimmed within plate mark., Two columns of verse on either side of title: Friend. sings. O fly from this place, dear Flora, thy taylor has left thee free ..., Eighth plate in the series: The humours of Hob at the country wake in the opera of Flora. Series title only on Plate 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg lily with initials GR below.
Title from item., Printmaker and publisher from the first plate in the series: Hob carrying Mr. Friendley's letter to Mrs. Flora., Publication date inferred from publisher's address., Sheet trimmed within plate mark., Two columns of verse on either side of title: Hob. Now we zell zeveral other zorts of liquors,and wine too an occasion be ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.