The frontispiece is dated 1795 and is included in the Contents list., Frontispiece of William Hogarth, 2 leaves (letterpress title page and "A catalogue of the original works of William Hogarth contained in this volume"), and 110 engravings on 85 leaves., and Bound in full contemporary calf, spine richly gilt in compartments, red morocco lettering piece, rebacked. For further information, consult library staff.
Publisher:
Sold by John and Josiah Boydell, at the Shakespeare Gallery, Pall-Mall, and No. 90, Cheapside, London
Subject (Geographic):
England and England.
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
Subject (Topic):
English wit and humor, Pictorial, Social life and customs, and Manners and customs
Hayter, George, Sir, 1792-1871, printmaker, artist
Published / Created:
[approximately 1823]
Call Number:
Drawer 823.00.00.28+
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of the House of Lords, crowded with nobles in the benches and galleries on either side, attending the trial of Queen Caroline for adultery with Pergami, her Italian secretary; George IV stands, hands on hips, in the left gallery, the editors of the Times and Courier lean over the front bench below it, Robert Gifford, attorney general, stands in front of them holding a finger to his chin thoughtfully while Spinetti interprets for a witness, Majocchi, at the bar, behind which Tyrwhitt, Long and Castlereagh, sit sifting papers to the left of the Queen's solicitor and Denman, who takes a paper from Henry Brougham, the Queen sits to the right in front of the bar, Earl Grey stands in the right aisle, pointing with his right arm towards the witness, and the artist is shown standing with a folio under his arm on the far right."--British Museum online catalogue
Description:
Title etched at top of image., Initial letters of printmaker's name form a monogram., Sheets trimmed within plate marks., Five of the six prints comprising this image were issued as illustrations in: Descriptive catalogue of the great historical picture painted by Mr. George Hayter ... London : Gold and Walton, 1823. Cf. British Museum online catalogue, registration no.: 2010,7081.7373.1-5., and Annotated in black ink by an unidentified hand with numbers by each image matching those used for the printed key to the later published state.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, Bergami, Bartolomeo Bergami, Baron., George IV, King of Great Britain, 1762-1830,, Gifford, Robert Gifford, Baron, 1779-1826,, Majocchi, Theodore, active 1820,, Tyrwhitt, Thomas, 1762 or 1763-1833,, Long, Charles, 1760-1838,, Castlereagh, Robert Stewart, Viscount, 1769-1822,, Denman, Thomas Denman, Baron, 1779-1854,, Brougham and Vaux, Henry Brougham, Baron, 1778-1868,, Lushington, Stephen, 1782-1873,, Grey, Charles Grey, Earl, 1764-1845,, Hayter, George, Sir, 1792-1871,, and Great Britain. Parliament. House of Lords
Subject (Topic):
Scandals, Trials (Adultery), Government officials, Judicial proceedings, Queens, and British
Page 185. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Birds'-eye view down the River Thames, looking towards Westminster; Somerset House is seen on the right, with Westminster Abbey and Bridge in the mid-distance; many boats are on the water
Alternative Title:
Southeast prospect of Westminster
Description:
Title etched below image., "Engrav'd for the Universal Magazine, for J. Hinton in Newgate Street"--Above image., Date of publication from the Yale Center for British Art online catalog., Imperfect; sheet trimmed within plate mark with loss of text from upper margin. Missing text supplied from impression at the Yale Center for British Art, accession no.: B1998.14.676., Mounted to 26 x 32 cm., and Mounted on page 185 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
J. Hinton
Subject (Geographic):
London (England), Thames River (England),, and Westminster Bridge (London, England),
Titles engraved below image, in English and French., Later state of a plate published by Henry Overton. Cf. Yale Center for British Art, accession no.: B1977.14.15258., Date of publication inferred from publisher's statement; Laurie & Whittle took over the business of Robert Sayer in 1794. See British Museum online catalogue., Imperfect; sheet trimmed within plate mark with complete loss of imprint from bottom edge and partial loss of plate number from upper right. Missing text and numbering supplied from impression at the Yale Center for British Art, accession no.: B1977.14.15259., Plate numbered "83" in upper right corner., Folded to 24.5 x 38.3 cm., and Leaf 58 in an album of views of London and its vicinity.
Publisher:
Published by Laurie & Whittle, 53, Fleet Street, London
"View of the tavern and tea house, known as Hornsey Wood House, in Harringay, north London; a family walking past in foreground, two pigs to the left."--British Museum online catalogue
Description:
Title engraved below image., Fifth in a series of twelve plates showing country seats outside London; the first plate bears the series title: Twelve views of gentlemens seats, in the environs of London., Plate numbered "5" in upper right corner., Mounted to 24 x 39 cm., and Leaf 50 in an album of views of London and its vicinity.
Publisher:
Published 12th Septemr. 1792 by Robt. Sayer & Co., Fleet Street, London
View of a house supposedly near Putney Common, satirically called 'Bear's Den Hall', a rickety house with cracked plaster walls and a chimney-stack with broken brick, and with weeds growing from the cracks and on the roof. A key at the top references many of the features of the scene, including a bear is chained by the front door (B) at the left, birds in flight (K). The property is separated from the road in the foreground by a wicket fence, with a satircial armorial crest along the lower edge with portraits of Charles Christian and Skelton and "Satire on social pretensions: a view of a dilapidated cottage set into a garden behind a wooden fence, with a Greek inscription and mock coat-of-arms at the bottom."--British Museum online catalogue
Description:
Title etched at top of image., Printmaker identified as Charles Christian Reisen in the British Museum online catalogue. An alternative attribution to George Vertue derives from a contemporary marginal note on an impression in the Royal Collection (RCIN 701972)., Approximate date of publication from the British Museum catalogue., Sheet trimmed to plate mark., Charles Christian the engraver and Humphrey Skelton the upholsterer, notorious for their bad tempers lived, perhaps together, in the house, which acquired the name Bear's Den Hall by virtue of their eccentricities., and Titled 'W. prospect of Bears Den Hall, in the county of Surrey.' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc., London, 1829.
Publisher:
publisher not identified
Subject (Geographic):
England, London, and Putney.
Subject (Name):
Reisen, Charles Christian, 1680-1725, and Skelton, Humphrey, active 1720s,
"Exterior view of the Royal Exchange; looking down a busy street with carriages, carts and pedestrians, St Paul's Cathedral in the distance to the left, the prominent entrance of the Royal Exchange with tower to right; in right foreground a man enters a shop with the sign "John's Coffee"; after Loutherbourg and Chapman; published etched state."--British Museum online catalogue
Alternative Title:
Perspective view of the outside of the Royal Exchange in London
Description:
Title from dedication below image. and Companion print to: Perspective view of the inside of the Royal Exchange in London.
Publisher:
Published as the act directs August 12, 1788, & sold by Mr. Chapman at Mr. Christie's, Pall Mall
Subject (Geographic):
City of London (England), England, London, and London.
Subject (Name):
Pitt, William, 1759-1806,, Royal Exchange (London, England),, and St. Paul's Cathedral (London, England),
Subject (Topic):
Buildings, Stock exchanges, Streets, Stores & shops, City & town life, People associated with manual labor, Carriages & coaches, and Signs (Notices)
Page 199. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title and date written in ink below image., Unsigned; artist unidentified., and Mounted on page 199 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Page 192. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
View of the lake and Temple of Aesculapius in Villa Borghese, Rome, 1792
Description:
Title and statement of responsibility from contemporary annotation in pencil on verso., Mounted below on the same page is another drawing by the same artist: Ideal landscape., and Mounted on page 192 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).