At the edge of a small pond, a mallard duck (left) formally dressed in a morning coat and top hat flaps his wings at a female turkey (right) wearing a shawl and bonnet. She looks back over her shoulder at him with a coy expression
Description:
Title from caption inscribed within image in brown ink., Date from unverified data from local card catalog record and based on costume., and For further information, consult library staff.
View of Tashicho Dzong, the fortress of the Deb Rejah in the Thimpu valley. On the right is the Deb's villa atop a low hill; below the villa flows the Thimphu River. Several smaller structures are visible between the villa and the river bank
Description:
Title lettered in ink below image., Statement of responsibility written ink in below image, in lower left., Place of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in at page 123 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
An older man, representing Rev. Madan, is attacked by two women, one of them pulling on his coat and indicating a crying boy standing next to her, the other grasping his wig with her left hand and ready to strike him with a small stool she is holding in her right. Her right foot is propped on a volume entitled "Thelyphthora," his treatise advocating polygamy. Behind her, a third woman is picking his pocket. On the left two women are engaged in a fight; on the right a couple is kissing behind a screen on which is displayed an image of a duel, above it is an image of a prisoner in chains and next to it a body hanging from the gibbet
Alternative Title:
Polygamy displayed and Doctor Madman restored to his senses
Description:
Title from item. and Sheet trimmed to plate mark.
Publisher:
Publish'd 1st Decr. 1780 by the author
Subject (Geographic):
England
Subject (Name):
Madan, Martin, 1726-1790.
Subject (Topic):
Clergy, Polygamy, Fighting, Children, Couples, and Clothing & dress
A half-length portrait of Rachel Pringle, a large Barbados woman wearing a stripped headscarf, long dangling earrings, and a pearl necklace from which hangs a cameo of an English officer in uniform
Alternative Title:
Rachel Pringle of Barbados
Description:
Title and date from item., Portrait of Rachel Pringle probably based on the 1792 Thomas Rowlandson etching of the same title, without the background drama in the Bridgetown brothel., Signed with the monogram of an unidentified artist: possibly 'FCh' followed by the date., Formerly part of a scrapbook, now detached, mounted on blue paper, page trimmed. Clippings from newspapers mounted above the portrait include three poems and songs, the unsigned "The last leaf of summer", "Dirge" by M.H.J., and "There is not one familar face", the last of which includes a review of "Songs for the grave and the gay" by Thomas Haynes Bayly., and On the verso, an engraving by W. Deeble, drawn by J.P. Neale, and printed by J. Bishop: Fonthill Abbey, the Oratory. London : Pub. Feb.1, 1824 by J.P. Neale ... Also three small etchings of country laborers.
Portrait drawing of Richard "Beau" Nash; half length, turned slightly right; wearing a curled wig; one corner of tricorne visible under left arm
Alternative Title:
Richard Nash Esquire : Master of Ceremonies at Bath
Description:
Title inscribed on mount below image, in ink in a contemporary hand., Unsigned; artist unidentified., Seemingly drawn after a portrait by William Hoare that is now at the Tunbridge Wells Museum and Art Gallery., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Mounted with three other drawings on what was formerly page 89 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with three other drawings to 49 x 37 cm., and Original case shelved separately.
Volume 1, after page xxxvi. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
Seven men follow closely behind Samuel Johnson, who has a human head but the body of a bear. Johnson wears a tricorne and a cape and holds a staff in his right hand/paw. The man directly behind Johnson squats down with his nose near the tail of Johnson's bear body; the three men at the back wear academic gowns and hats
Description:
Title etched beneath lower left corner of image., Possibly signed in lower right corner using monogrammatic initials., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., A reduced copy of a print entitled "Scotch worship of an English idol; his high priest attending", published by Thomas Cornell (active 1780-1792). Cf. The Morgan Library & Museum call number: Peel Vol. 05, no. 273., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 38 x 27 cm., and Bound in after page xxxvi (leaf numbered '39' in pencil) in volume 1 of an extra-illustrated copy of: Spence, J. Anecdotes, observations, and characters, of books and men.
Portrait drawing of the diplomat and antiquarian William Hamilton; bust length, in profile to the left; hair in a ponytail; wearing a jacket and cravat
Description:
Title inscribed below image, in ink in a contemporary hand., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Hamilton's diplomatic position is written on mount below image, in ink in a contemporary hand: English Minister at Naples., Mounted with three other drawings on what was formerly page 89 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with three other drawings to 49 x 37 cm., and Original case shelved separately.
Portrait drawing of Sir Charles Hanbury Williams; half length, turned slightly right; wearing a jacket with star on left breast, buttoned at top button only; sash over left shoulder and across chest
Alternative Title:
Sir Charles Hanbury Williams
Description:
Title inscribed on mount below image, in ink in a contemporary hand., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Mounted with three other drawings on what was formerly page 89 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with three other drawings to 49 x 37 cm., and Original case shelved separately.
Portrait drawing of Sir John Hoskins; bust length, in profile to the right; wearing a white shirt
Alternative Title:
Sir John Hoskins
Description:
Title inscribed on mount below image, in ink in a contemporary hand., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly page 71 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.