"A pair of scenes on one plate, each with its own title, from The Political Register, September 1768, facing page 129. The scenes satirise the unpopularity and the alleged corruption and disloyalty of Lord Bute as he embarked on a trip to France. In the upper scene Bute is shown with a witch on a broomstick, laden with large bags of money, flying across the Channel, “over the Water to Charly” (an allusion to the Young Pretender in exile). Dover Castle is shown on top of a cliff on the left and Calais in the distance on the right. On the shore below Princess Augusta faints lamenting “Ah me what Shall I do Sawny is flown & with him all my Joy”. She is comforted by an attendant who hopes he will come again, a man beside her calls out to Bute ”Won’t you take Madam with you”. Others on the shore remark on his departure, one sailor says “Now he has got all our Dollars let him go.”, another would like to throw him to the shark, a boy throws stones and a man shoots at him, a satyr aims a bow saying “I’ll reach you my L(or)d where ever you go” Britannia sitting on the right advises her children to let him go so that she may recover. In the lower design Bute is shown being greeted outside the well guarded fort at Calais by the Young Pretender who calls him cousin and thanks him for his services. Bute, bonnet in hand and bowing , responds “I have sett the 3 Kingdoms at variance for your Sake my Prince now is your time or never”. The Mayor of Calais comes forward to welcome Bute effusively telling him of “the grand Monarqe’s” love; three monks on the left assure each other that Bute is not a heretic (Protestant) as he has demonstrated this by giving France such an advantageous peace. On the right an old woman in raptures is sure all the English ladies love him, while a Scot with a wooden leg plays on his fiddle singing “And the King shall enjoy his own again”. A British sailor deplores the respect Bute is shown while another tells him that “why Should they do otherwise he was allway their Friend”."--British Museum online catalogue
Description:
Two separately titled images on one plate; titles engraved above image., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The Political register and London museum. London : Printed for J. Almon [1767-1772], v. 3 (1768), page 195., and Temporary local subject terms: Dover -- Calais -- Brooms -- Bags of money -- Satyrs.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Arrivals & departures, Forts & fortifications, Monks, Musical instruments, Peg legs, Sailors, British, Violins, and Witches
"An engraving representing Lord Holland as an old fox, seated at a table and starting back in horror from a book which is presented to him by an angel who cries: -- "This is the black Catalogue of thy Misdeeds". The book is inscribed: -- " Sins which L d H nd has committed against God his K his Country & himself"; it comprises two columns of imperfect, unconnected, and reversed words and scribble, and one legible word "Ayliff". To this word the finger of the angel is directed. For this name of a steward to the Fox family, who was alleged to have been wrongfully hanged by means of Lord Holland, see "Ayliffe's Ghost", British Museum Satires No. 4038. At the front of the table is a book inscribed, besides illegible scribble, with: -- " Accompts to be Settled in the other World"; this is an allusion to the charges of vast peculation which were brought against Lord Holland, the so-called "notorious defaulter of unaccounted millions"; see "Frontispiece to the Middlesex Petition", British Museum Satires No. 4289, and "Renard Stating his Accounts", British Museum Satires No. 4299. An imp sits at the table and acts as Lord Holland's secretary; a second imp crouches behind his chair and niches gold from a large bag."--British Museum catalogue
Description:
Title from item., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 4 (1770), page 168., Temporary local subject terms: Records: catalog of misdeeds., and Mounted to 32 x 37 cm.
Title from item., Sheet trimmed to plate mark at bottom., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 10 (1772), p. 201., and Temporary local subject terms: Furniture: giant three-legged stool -- Literature: quotation from Shakespeare? -- Reference to the King -- Reference to the House of Commons -- Reference to the House of Lords -- Reference to the national debt.
Title from item., Sheet trimmed within plate mark., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The macaroni and theatrical magazine. London : John Williams, Dec. 1772, p. 97., and Mounted to 24 x 15 cm.
Title from item., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 5 (1769), p. 247., and Temporary local subject terms: Vehicles: horseless carriage -- Personifications: Liberty -- Emblems: cap of liberty -- Angels -- Emblems: palm leaf -- Emblems: laurel wreath -- Allusion to Ireland -- Allusion to India -- Allusion to North America.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Louis XV, King of France, 1710-1774, Joseph II, Holy Roman Emperor, 1741-1790, Charles III, King of Spain, 1716-1788, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Mansfield, William Murray, Earl of, 1705-1793, and Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
"Four bishops wearing mitres dance together, each holding the hand of the one opposite him so that four hands cross in the middle. They dance round the 'Quebec Bill' which lies on the floor. Other bishops, not wearing mitres, are seated in a semicircle behind them, watching with approval. On the left are three figures who appear to be directing the dance: Lord Bute in highland dress plays the bagpipes, next him is Lord North pointing to the dancers, and on North's left is a minister wearing a ribbon. Above their heads flies the Devil pointing to North with his right hand, his left forefinger laid against his nose. The scene is a panelled room."--British Museum online catalogue
Description:
Title from item., Title engraved below image., Plate from: London magazine. London : Printed for J. Baldwin, v. 43 (1774), p. 312., and The explanatory text is an attack on the Quebec Act, passed 22 June 1774, from the No-Popery standpoint.
Publisher:
J. Baldwin
Subject (Geographic):
England.
Subject (Name):
North, Frederick, Lord, 1732-1792, Bute, John Stuart, Earl of, 1713-1792, and Québec (Province).
Title from item., Imprint from periodical for which the plate was etched., Plate from: London und Paris. Weimar : Im Verlage des Industrie-Comptoirs, 1806, v. 13., and Plate is numbered in upper right corner: No. VII.
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
George III, King of Great Britain, 1738-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Tierney, George, 1761-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Ellenborough, Edward Law, Baron, 1750-1818, and Erskine, Thomas Erskine, Baron, 1750-1823
"George III (l.) steps from the throne to the front of the dais to inspect Fox through his glass. His pose resembles that of BMSat 10019, but the glass is in the r. hand, and the Garter ribbon crosses the 1. shoulder. A beefeater stands beside the dais. Fox (r.) stands, chapeau- bras, facing him in profile to the left., his right. hand on his breast. Grenville, full face, stands between them, presenting Fox. He says: "The hon'ble Charles James Fox Your M------ a Man whose abilities the World have long admired, and whose Loyalty - Integrity & Honor - I will answer for." The King says, "What - what - what - Fox - Fox - Fox - Very glad to see him - very glad to see him Honest Man - Honest Man - great Abilities heard stories about him and Boney - don't believe it - dont believe it - be my secretary - be my Secretary of State!!" Fox answers: "The confidence which your M------ is pleased to repose in me, makes me truly happy, I beg leave to assure your M------ that the honor of your M----- Crown & the Glory of my Country is nearest my Heart, and while I am your M------ servant no Foreign Power shall dare insult the One, or diminish the Other.""--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on one side., Publication information extrapolated from the place and date of publication of the periodical for which the plate was etched., Plate no. VIII from London und Paris. Weimar : Im Verlage des Industrie-Comptoris, 1806, v. 17., Plate numbered in upper right corner: No. VIII., Reduced copy of a Charles Williams' print published by Walker in February, 1806., and Mounted to 37 x 23 cm.
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, and Grenville, William Wyndham Grenville, Baron, 1759-1834
Title from item., Two lines of quote below image: The blood & vitals from her wounds he drew, and fed the hounds that helped him to pursue. Dryden., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 2 (1768), p.385., Temporary local subject terms: Riots: reference to St. George's Fields, Southwark -- Weapons: dagger., and Mounted to 37 x 29 cm.
Publisher:
J. Almon
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Bath, Thomas Thynne, Marquis of, 1734-1796, Bute, John Stuart, Earl of, 1713-1792, Barrington, William Wildman Barrington, Viscount, 1717-1793, Mansfield, William Murray, Earl of, 1705-1793, Talbot, William Talbot, Earl, 1710-1782, and Norton, Fletcher, 1716-1789
Subject (Topic):
Britannia (Symbolic character), Gout, Crutches, Surgery, and Tableware