Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Identifications of the two figures added in ink in a contemporary hand -- Morland and Rowlandson; secondary border line around design also added in ink.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
Title in letter press above image., Publication date based on the date of Lord Bute's appointment in 1762., Two columns of text, separated with vertical ornamental border, below plate: Explanation., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Coats of arms -- Weapons: guns -- Dress: wooden shoes -- Emblems: thistle -- Executioner's axe -- Scots -- Protestants: reference to protestants -- Mottoes: Ense recidendum me pars sincera trabatur immedicabile vulnus.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Mansfield, William Murray, Earl of, 1705-1793., and Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
Subject (Topic):
Firearms, Gallows, Lawyers, Military uniforms, British, and Shackles
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., Mounted on page 162 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching on wove paper ; sheet 14.6 x 22 cm., Sheet trimmed within plate mark., and Annotated by Horace Walpole in pencil in lower right corner: Some of the figures in the boxes are different from those in Mr. Walpole's picture.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., and On page 235 in volume 3. Sheet trimmed to: plate mark 14.5 x 21.9 cm, on sheet 15.4 x 22.7 cm.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., and Key plate to the painting by Hogarth and the engraving after it by William Blake.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Portrait after a self-portrait; half-length in an oval frame, directed to right, looking towards the viewer, arms at his sides, wearing a plain coat buttoned at the waist, a white cravat and tricorn over a shoulder-length wig
Description:
Title etched below image., State without price below image, lower right., Sheet trimmed to plate mark., On page 209 in volume 3., and Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Book, 3d edit., p. 409.
Publisher:
Published according to act of Parliament, June 1781, and sold by C. Townley, Arlington Street, Piccadilly
"Portrait seen almost half-length to right, head in three-quarter profile to right, wearing wig and partially open coat; after Reynolds (Mannings 73); lettered state after quotation re-arranged on two lines."--British Museum online catalogue
Description:
Title engraved below image., State from: Russell, C.E. English Mezzotint portraits and their states., Date range for publication from the British Museum online catalogue, registration no.: 1902,1011.2113., Sheet trimmed to plate mark., Two lines of verse below title: The suffrage of the wise, the praise that's worth ambition, is attain'd by sense alone, & dignity of mind., Window mounted to 51 x 36 cm., Mounted opposite page 37 (leaf numbered '65' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and With small ink ownership stamp ("T.L" within a double-lined oval) in lower left beneath painter's name. Also with ink annotations on verso, in a contemporary or slightly later hand: "N16693" and "private plate" written in lower left, and "5 s." written in lower right.
Copy of William Hogarth's portrait of Simon Lord Lovat as an elderly, rotund man seated on a chair, its back carved with putti supporting a coronet. He is counting on his fingers the number of Scottish clans that fought with the Pretender in the rebellion. To his left is a table on which sits a book (entitled "Memoirs" in the original by William Hogarth) and quill pen in an ink bottle
Description:
Title etched below image., "Page 293"--Upper right corner., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2801., For a discussion of the original see: Paulson, R. Hogarth's graphic works (3rd ed.), no. 166., Ms. note in pencil in Steevens's hand at top of sheet: Copy., and On page 123 in volume 2.
Publisher:
publisher not identified
Subject (Name):
Lovat, Simon Fraser, Lord, 1667 or 1668-1747
Subject (Topic):
Jacobites, Obesity, Peerage, British, and Rebellions
Copy: an expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays
Description:
Title etched above image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Copy of: No. 2563 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Ms. note in pencil in Steevens's hand: Copy., and On page 105 in volume 2.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Clothing & dress, Dandies, British, Fire screens, Interiors, Monkeys, and Muffs