In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image. and A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image., A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt., and Uncolored impression. Trimmed to plate mark 250 x 360 mm.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
Caption title., Date based on inclusion of 'Wottington', perhaps a variant spelling of Samuel Worthington, Mayor of Nottingham in 1800/1., An apparently satirical Nottinghamshire slip song, perhaps produced during an enclosure dispute (‘Have BURGESS's the Time forgot, When Worshipper's of Mammon; Combined to seize that happy Spot, We hold as RIGHT of Common?'), which groups the names of several local worthies (such as Mayors Hawksley and Hunt) 'as An Auctioneer's old Books, Waste Paper, Rotten Leather'., In verse., First line: The mighty contest now is done, And Nottingham in slav'ry ..., and For further information, consult library staff.
A series of crude (and in some cases explicitly racist) lithographed cards numbered 1-16, with scenes relating to political reform on both sides of the Atlantic. On British side, they cover the reforms to the franchise made by the 1832 Reform Act, poking fun at 'poor distress'd turn'd out Boroughmongers' (No. 1), the rural squirearchy (No. 7), Taxes (No. 9), the established Church (No. 10) and Irishmen (no. 12), among others. United States political issues are shown in the second card which reuses - with added racist slurs - the design of Edward Williams Clay (1799-1857) entitled 'Hurrah! hurrah for Genl. Jackson!!' under the caption 'Life in Philadelphia'. Cards nos. 4 and 7, with yet more overt racism, use references to American segregationism to caricature British political positions
Description:
Title from dealer's description., Approximate date of publication based on publisher's street address; the York stationer and lithographer William Fletcher Wodson (1801-1860) operated from his "2 Pavement" location only between 1830 and 1833. Additional evidence comes from references to the 1832 Reform Act and the presidency of Andrew Jackson., and For further information, consult library staff.
Publisher:
W.F. Wodson, lith., Pavement, York
Subject (Geographic):
Great Britain and United States
Subject (Name):
Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Ethnic stereotypes, Poverty, and Racism