Maria Walpole when the Duchess of Gloucester in a blue dress
Description:
Maria Walpole (1736-1807) was the daughter of Sir Edward Walpole (1706-1784) and his common-law wife Dorothy Clement (1715?-1739). She married first, in 1759, James Waldegrave (1714-1763), Earl Waldegrave, and second, in 1766, Prince William Henry Hanover (1743-1805), Duke of Gloucester and Edinburgh., Artist attribution identified by Bodo Hofstetter of Christie's, 2004., Miniature set in a case with brightwork decoration on edge band that is hinged at top. A field of woven graying brown hair and one tied lock of white hair are inside the case between the minature and the silk backing embroidered with the initials ELW (for Elizabeth Laura Waldegrave, daughter of the sitter)., Though the embroidered initials would indicate that the portrait is of Elizabeth Laura Waldegrave (1760-1816), it is believed that her portrait was removed and replaced by one of her mother; the miniature there now is smaller than the case. The woven hair is mounted on paper inscribed "Lady Laura Waldegrave's hair / AC.", and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
Full-length portait depicting Moses Kean imitating actor John Henderson in the grave scene in Hamlet. A picture on the wall behind Moses contains a likeness of the original scene with Henderson in the same character and attitude. Kean is directed right, head facing left wearing a tricorn hat; he has a wooden leg and arms outstrected to right hold a handkerchief
Alternative Title:
Moses Kean as Hamlet
Description:
Title devised by cataloger., Date from unverified data from local card catalog record., Printed clipping pasted to mount and dated 'Nov. 4 [18]26' in contemporary ms. hand: The late Moses Kean was a tailor, a stout-built man, with black bushy hair, and a wooden leg ... He was a very extraordinary mimic, particularly in imitation of C.J. Fox, which he gave occassionally at the Little Theatre in the Haymarket. Mr. Edmund Kean, the celebrated actor, owes his education to the above person, wo was his uncle. -Nollekens and his Times., Copy of an 18th century etching titled Mr. Kean's imitation of Henderson's Hamlet., and For further information, consult library staff.
Subject (Name):
Kean, Moses, -1792,, Henderson, John, 1747-1785, and Shakespeare, William, 1564-1616.
Subject (Topic):
Performances, Portrait drawings, Actors, Imitation, Peg legs, and Handkerchiefs
Three-quarter length seated portrait of Charles James Fox (1749-1806), Parliamentarian, statesman, and leader of the Whig party
Description:
Title devised by cataloger., Signed on mount, lower center: D.B., Lady Diana Beauclerk, English artist, 1734-1808., and For further information, consult library staff.
Oval portrait in a gilt frame, a fashionably dressed woman seated on a chair set on a terrace. She is shown in profile looking towards the right at a book in her left hand. Her right arm is at her side, her hand stroking the head of a dog at her feet. She has pearls in her hair, at her neck, and at her wrists and a oval brooch at her chest
Description:
Title from dealer's catalog. and Date based on year noted on the page of the diary in the image.
William Frederick, Duke of Gloucester, 1776-1834 as a child, full length with hat and cane
Description:
William Frederick Hanover (1776-1834) was the son of Maria, Duchess of Gloucester (1736-1807), and her second husband William Hanover, Duke of Gloucester and Edinburgh (1743-1805). He was a great-grandson of King George II and nephew of King George III., Formerly attributed to George Engleheart (1750-1829). Signature found on verso of miniature when unframed for conservation work in February 2006: Sam. Shelley pinx / King Street / No 16. / Covent Garden., Painted after a portrait of Prince William Frederick, 1780, by Sir Joshua Reynolds, in the collection of Trinity College, University of Cambridge (Mannings, D. Sir Joshua Reynolds, number 1905)., Wooden frame back made of oak with smooth ebony surface veneer, gilt metal bezel, crown, and shooting star hanger. Engraved paper label on verso of frame: C. Salmon / Carver Gilder / & Frame Maker / to their / Royal Highnesses the / Prince of Wales & the / Dukes of York and Clarenden / Marshal Street / Golden Square / London., Note in the hand of Eleanor Forester on paper tag applied to verso: Aged 4 years. H. R. H. William Frederick, 2nd Duke of Gloucester 1776-1834 copied from a painting by Sir Joshua Reynolds, canvas 53 1/2 x 38 1/2 inches, which was bequeathed by his sister, Princess Sophia Matilda of Gloucester 1844. This Duke was admitted to Trinity College as a nobleman in 1787 aged twelve! Received M.A. degree in 1790, 2nd 1811. He became Chancellor of the University., and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
SH Contents B87 no. 1 Framed, shelved in Object Room A:B
Image Count:
1
Abstract:
A view of Richmond Hill, near Twickenham
Description:
Title devised by curator., Unsigned., Formerly hung on the staircase at Strawberry Hill. See Description of Strawberry Hill, vol. ii, p. 420., and For further information, consult library staff.
Subject (Name):
Strawberry Hill (Twickenham, London, England) and Richmond Hill (Richmond upon Thames, London, England)
Album of ca. 22 watercolors by Maria Sybilla Merian, of insects, reptiles, and fish probably done on the European continent (Germany or Netherlands), along with a collection of other watercolors by several artists, signed and unsigned, including a portrait of Dr. Mead and Dr. Misaubin surgeon, drawn by William Hogarth and a drawing by George Perfect Harding. Also included: Palace of the Rajah of Tassisudon / copied by M. Griffiths Junr. 1798; Back of Gibraltar Hills / W. Booth delin, ALS from Horace Walpole to Richard Bull dated 1784 July 14, thanking him for the loan of some books including this collection of drawings by Maria Merian which he describes as "very fine"., and Also laid in are various verses in Richard Bull's hand including a poem in memory of Catherine Bull and a narrative on Queen Caroline; a poem in French, "Address by the Queen of Holland to Buonaparte" [later published as Les Adieux by S̀̀ègur].
Alternative Title:
Bull's album of drawings
Description:
Title devised by curator., Album contains 402 pages, alternating white and blue sheets. Nothing laid in after p. 211., Ms. notes in Richard Bull's hand., Binding: Red morocco leather with single gilt ruled line; spine stamped in gold "Drawings.", Disassembled, some items matted and stored in 5 solander boxes. Original binding shelved separately., and When the album was digitized, blank pages were not scanned; original page location, however, is recorded which explains the gaps in the paginatioin in the virtual browse view. For further information, consult library staff.