Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
Plate 19. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
Description:
Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
"A grand bedroom with the countess holding a morning levée attended by her hairdresser while the lawyer, Silvertongue, arranges to meet her at a masquerade; others in the room include a female friend and effeminate men who pay rapt attention to a castrato singer accompanied by a flautist, a young black man who serves chocolate to the party, and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid; playing cards and invitations lie on the floor."--British Museum online catalogue
Alternative Title:
Toilette
Description:
Title etched below image., After Hogarth's painting "The Toilette" in the National Gallery, London., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., No. 4 in a series of 6 images, known as "The toilette.", Series title engraved below image., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2375., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 161., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 231.
Publisher:
Pub. Jany. 1, 1798, by J. & J. Boydell, N. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
The plot hatched by a mother to marry her daughter to an old wealthy colonel is discovered. Both the mother and daughter are fashionably dressed in large dressess, hats and large sleeves. The mother stands on a veranda looking down at her daughter seated with a portfolio in her lap; she turns back to look at her mother raising a lorgnette to look up at her. In the speech balloon above her head, the mother is shown to say, "Julia, love, as Colonel Ingot has amassed a vast fortune in India, I really think him worth your attention. I have sent to the Music Seller for every thing Indian. Sing nothing else love, if you can bear a couple of Cashmeres on do & complain of the chilliness of the Climate, look into Guthrie for a few hard Bengal names & at dinner eat nothing but a little Currey, you can have refreshments in your dressing room love. The daughter smiles up at her mother, and says, "Very well Ma, but you don't think he'd last long?" Below them, under the rose-coverd trellis the elderly colonel looks horrified at what he hears
Alternative Title:
Plot discovered
Description:
Title from item., Attributed to William Heath in dealer's description., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Courtship, Couples, Lorgnettes, Marriage, Military officers, Porches, and Trellises
A well-dressed young couple are shown in an argument. The woman, seated on a couch, has just overturned her tea table. Cups and saucers litter the floor and the woman's small dog jumps up on her husband who turns away from the scene. A reduced version of George 4549
Description:
Title from item., Publication date burnished from plate., Numbered in plate: 262., and Date estimated from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of mezzotints issued by Carington Bowles." See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Marriage, Couples, Dogs, Interiors, Furniture, and Clothing & dress
A satire: the wife, sitting on the sofa on the right, has kicked over the table, scattering the coffee cups and has thrown something at her husband (?) who holds up his hand to protect himself as a little dog jumps on his leg and grabs the ribbon on his sword in its teeth
Description:
Title etched below image., Date of publication burnished from plate., and Numbered "352".
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Couples, Dogs, Domestic life, Marriage, and Tea tables (Tables)
Title from caption below image., Restrike. Date of printing based on watermark., Publisher's advertisement below image in lower right: Folio's of caracatures [sic] lent out for the evening., Design consists of eight pairs of figures in two rows, with lines of dialogue etched above each pair., Plate numbered in upper right corner: Vol. 1, pl. 12., For other prints in the set, see the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 8925, Temporary local subject terms: Female costume, 1796 -- Male costume, 1796., and Watermark: J. Whatman 1822.
Publisher:
Pubd. Jaunary [sic] 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Courtship, Couples, Marriage, Military uniforms, and British
"The interior of a well-furnished room with a carpeted floor. A young woman turns aside with a gesture of disgust from a young man of simian appearance who is grinning sheepishly. Her father stands behind her with outstretched arms, pleading desperately for her acceptance of the man. The suitor, holding his hat in both hands, turns away from the lady with an imbecile grin, but is being pushed towards her by a third man, probably his father. Through two sash-windows (left) appear houses and the steeple of a church. Between them is an oval mirror in a carved frame. A landscape hangs on the other wall (right) perhaps symbolically amplifying the subject; a waterfall flows over a large stand of rocks with a sole tree bending in the wind
Alternative Title:
Happiness sacrifised to riches
Description:
Title from text below image., Artist identified as Robert Dighton in the British Museum online catalogue, registration no.: 1935,0522.1.136., Sheet trimmed to plate mark., Numbered "516" in lower left corner., No. 27 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Children, Couples, Fathers, Interiors, Marriage, Mirrors, Parlors, and Rugs
Satire: a young couple seated together on a sofa as they drink coffee, a plate beside her on a table. The husband on the right has his arm around his bride as they look at each other fondly
Alternative Title:
Honeymoon
Description:
Title engraved below image.
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Detail of the right side of the first design for William Hogarth's A rake's progress; an older man sits at a table holding the hands of the two young people whose marriage he has just arranged. Only the forearms of the betrothed couple are shown
Description:
Title etched below image., Inscribed in plate at top right: Page 276., Illustration from: Ireland, S. Graphic illustrations of Hogarth?, Not in: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in: Paulson, R. Hogarth's graphic works., Sheet trimmed to plate mark., and On page 209 in volume 3.