"Four designs on one plate, separated by intersecting lines, each having a separate title, inscription, and border. [1] MODESTY! The Princess of Wales and Bergami seated together in an opera-box; the occupants of the pit, all men, look up at the box, shouting "Via! via! hiss hiss s s s." The pair frown angrily; Bergami holds a bottle labelled 'Bergamot' and wears braided hussar uniform. The Princess wears a Turkish turban, a very décolletée dress defines bulging contours. A cross on the wall with the inscription 'Republica Genovese' shows that the scene is Genoa. Below: "Her Modest looks a Cottage might adorn, Sweet as the primrose peeps beneath the thorn" ... [2] DIGNITY! A scene in the Captain's cabin; the Princess and Bergami sit close together at a round table laid for dinner. She wears the same Turkish dress, which is now seen to have trousers. Both frown angrily at a naval officer who stands before them, hat in hand, saying: "I can recognize no power in you to enoble any one--and I shall not degrade myself & the Service by sitting at the table with such a fellow as that." Another officer stands by, and a midshipman walks off (right), exclaiming, "What will the larboard birth say to this?!!" "Grace was in all her steps, Heaven in her eye, In all her actions [sic] dignity"--[Milton on Eve.] ... [3] CHASTITY!-- The Princess, seated on a couch, embraces Bergami; both are dressed as before. Below: "-- Chaste as the Icecle, That's curded by the frost from purest snow, And hangs on Dian's Temple -- " ['Coriolanus', v. 3.] [4] NATIONAL LOVE!-- A scene in the palace of Murat (Joachim, King of Naples), with Vesuvius seen through a window (right). The Princess, in her Turkish costume, walks with Pauline Borghese, their arms interlaced. She places a wreath on the bonnet rouge which decorates a bust of 'Murat' (left), which has grotesquely long moustaches. Pauline (as in British Museum Satires No. 10072) has the patched face which indicates a damaged reputation, and wears a dress of transparent gauze; she turns to take a letter addressed 'Principessa Paulina' from a leering Italian. Bergami stands close behind the Princess of Wales; behind, couples waltz. Below: "the loyalty, well held to fools, does make our faith mere folly"-- ..."--British Museum online catalogue
Description:
Title etched at bottom of plate, below the four images., Imperfect; sheet cut into four pieces with partial loss of title. Description based on impression in the British Museum, registration no.: 1893,0612.216., Mounted on page 14 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; sheets appoximately 13.5 x 19.5 cm., and Plate cut into quarters, resulting in each of the four designs occupying a separate sheet. Beginning of the word "honnetes" in title has been trimmed away but was partially restored in manuscript. The four designs are mounted together with four other prints on one page; the designs are out of order from how they occur on the intact plate, with 'Chastity!' and "National love!' in the upper left and right respectively and 'Dignity!' and 'Modesty!' in the lower left and right respectively.
Publisher:
Pubd. June 15th, 1820, by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bonaparte, Paolina, 1780-1825, and Joachim Murat, King of Naples, 1767-1815.
Subject (Topic):
Adultery, Interiors, Opera houses, Dining tables, Military officers, Couches, Hugging, Sculpture, Volcanoes, and Liberty cap
"Four designs on one plate, separated by intersecting lines, each having a separate title, inscription, and border. [1] MODESTY! The Princess of Wales and Bergami seated together in an opera-box; the occupants of the pit, all men, look up at the box, shouting "Via! via! hiss hiss s s s." The pair frown angrily; Bergami holds a bottle labelled 'Bergamot' and wears braided hussar uniform. The Princess wears a Turkish turban, a very décolletée dress defines bulging contours. A cross on the wall with the inscription 'Republica Genovese' shows that the scene is Genoa. Below: "Her Modest looks a Cottage might adorn, Sweet as the primrose peeps beneath the thorn" ... [2] DIGNITY! A scene in the Captain's cabin; the Princess and Bergami sit close together at a round table laid for dinner. She wears the same Turkish dress, which is now seen to have trousers. Both frown angrily at a naval officer who stands before them, hat in hand, saying: "I can recognize no power in you to enoble any one--and I shall not degrade myself & the Service by sitting at the table with such a fellow as that." Another officer stands by, and a midshipman walks off (right), exclaiming, "What will the larboard birth say to this?!!" "Grace was in all her steps, Heaven in her eye, In all her actions [sic] dignity"--[Milton on Eve.] ... [3] CHASTITY!-- The Princess, seated on a couch, embraces Bergami; both are dressed as before. Below: "-- Chaste as the Icecle, That's curded by the frost from purest snow, And hangs on Dian's Temple -- " ['Coriolanus', v. 3.] [4] NATIONAL LOVE!-- A scene in the palace of Murat (Joachim, King of Naples), with Vesuvius seen through a window (right). The Princess, in her Turkish costume, walks with Pauline Borghese, their arms interlaced. She places a wreath on the bonnet rouge which decorates a bust of 'Murat' (left), which has grotesquely long moustaches. Pauline (as in British Museum Satires No. 10072) has the patched face which indicates a damaged reputation, and wears a dress of transparent gauze; she turns to take a letter addressed 'Principessa Paulina' from a leering Italian. Bergami stands close behind the Princess of Wales; behind, couples waltz. Below: "the loyalty, well held to fools, does make our faith mere folly"-- ..."--British Museum online catalogue
Description:
Title etched at bottom of plate, below the four images., Imperfect; sheet cut into four pieces with partial loss of title. Description based on impression in the British Museum, registration no.: 1893,0612.216., Mounted on page 14 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; sheets appoximately 13.5 x 19.5 cm., and Plate cut into quarters, resulting in each of the four designs occupying a separate sheet. Beginning of the word "honnetes" in title has been trimmed away but was partially restored in manuscript. The four designs are mounted together with four other prints on one page; the designs are out of order from how they occur on the intact plate, with 'Chastity!' and "National love!' in the upper left and right respectively and 'Dignity!' and 'Modesty!' in the lower left and right respectively.
Publisher:
Pubd. June 15th, 1820, by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bonaparte, Paolina, 1780-1825, and Joachim Murat, King of Naples, 1767-1815.
Subject (Topic):
Adultery, Interiors, Opera houses, Dining tables, Military officers, Couches, Hugging, Sculpture, Volcanoes, and Liberty cap
"Four designs on one plate, separated by intersecting lines, each having a separate title, inscription, and border. [1] MODESTY! The Princess of Wales and Bergami seated together in an opera-box; the occupants of the pit, all men, look up at the box, shouting "Via! via! hiss hiss s s s." The pair frown angrily; Bergami holds a bottle labelled 'Bergamot' and wears braided hussar uniform. The Princess wears a Turkish turban, a very décolletée dress defines bulging contours. A cross on the wall with the inscription 'Republica Genovese' shows that the scene is Genoa. Below: "Her Modest looks a Cottage might adorn, Sweet as the primrose peeps beneath the thorn" ... [2] DIGNITY! A scene in the Captain's cabin; the Princess and Bergami sit close together at a round table laid for dinner. She wears the same Turkish dress, which is now seen to have trousers. Both frown angrily at a naval officer who stands before them, hat in hand, saying: "I can recognize no power in you to enoble any one--and I shall not degrade myself & the Service by sitting at the table with such a fellow as that." Another officer stands by, and a midshipman walks off (right), exclaiming, "What will the larboard birth say to this?!!" "Grace was in all her steps, Heaven in her eye, In all her actions [sic] dignity"--[Milton on Eve.] ... [3] CHASTITY!-- The Princess, seated on a couch, embraces Bergami; both are dressed as before. Below: "-- Chaste as the Icecle, That's curded by the frost from purest snow, And hangs on Dian's Temple -- " ['Coriolanus', v. 3.] [4] NATIONAL LOVE!-- A scene in the palace of Murat (Joachim, King of Naples), with Vesuvius seen through a window (right). The Princess, in her Turkish costume, walks with Pauline Borghese, their arms interlaced. She places a wreath on the bonnet rouge which decorates a bust of 'Murat' (left), which has grotesquely long moustaches. Pauline (as in British Museum Satires No. 10072) has the patched face which indicates a damaged reputation, and wears a dress of transparent gauze; she turns to take a letter addressed 'Principessa Paulina' from a leering Italian. Bergami stands close behind the Princess of Wales; behind, couples waltz. Below: "the loyalty, well held to fools, does make our faith mere folly"-- ..."--British Museum online catalogue
Description:
Title etched at bottom of plate, below the four images., Imperfect; sheet cut into four pieces with partial loss of title. Description based on impression in the British Museum, registration no.: 1893,0612.216., Mounted on page 14 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; sheets appoximately 13.5 x 19.5 cm., and Plate cut into quarters, resulting in each of the four designs occupying a separate sheet. Beginning of the word "honnetes" in title has been trimmed away but was partially restored in manuscript. The four designs are mounted together with four other prints on one page; the designs are out of order from how they occur on the intact plate, with 'Chastity!' and "National love!' in the upper left and right respectively and 'Dignity!' and 'Modesty!' in the lower left and right respectively.
Publisher:
Pubd. June 15th, 1820, by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bonaparte, Paolina, 1780-1825, and Joachim Murat, King of Naples, 1767-1815.
Subject (Topic):
Adultery, Interiors, Opera houses, Dining tables, Military officers, Couches, Hugging, Sculpture, Volcanoes, and Liberty cap
Title etched below image., Date of publication from unverified data in local card catalog record., Possibly from: Paris and Dover, or, to and fro, a picturesque excursion : being a bird's-eye notion of a few 'Men and things' / by Roger Book'em., Plate numbered '23' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Second sheet with letterpress text attached to print: La morgue, or, bone-house. Where the bodies of those who are found dead, from accident, their own hands, or, others' ..., and Second sheet attached to print 10 x 17 cm. Watermark.
Two politicians out of office sit shivering in a garret with very downcast expressions. The man on the left writes on a paper entitled 'Abusing Administration', with other similar papers scattered at his feet and those of his partner. Their landlady presents a unpaid bill for their lodging; a tattered print pinned to the wall behind, depicting an anchor inscribed 'Hope'. Both men are much thinner than in the companion print celebrating their corrupt practices: "In place. En emploi." A tattered curtain partially obscures the diamond-paned windows. On the right shelves hold dishes and a broken candle stuck in a bottle as a lamp; below the shelves is a chair and a nearby chamber pot
Alternative Title:
Hors d'emploi
Description:
Title from caption below image, in English and French., Numbered "540" in lower left corner., Companion print numbered "539" in lower left corner: In place. En emploi., Artist from Sotheby's catalog: Watercolours by Robert Dighton, 23 February 1978, lot 32., For an earlier version of this print see Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, pt. II, no. 3773., Also included in the design is a list of ways of obtaining places., No. 29 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., 1 print: mezzotint, on laid paper, sheet 35.2 x 25.0 cm., and Sheet trimmed to plate mark.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London. Published as the act directs
Subject (Topic):
Poverty, Chamber pots, Costumes, Prices, Interiors, Furniture, and Emblems
Two politicians out of office sit shivering in a garret with very downcast expressions. The man on the left writes on a paper entitled 'Abusing Administration', with other similar papers scattered at his feet and those of his partner. Their landlady presents a unpaid bill for their lodging; a tattered print pinned to the wall behind, depicting an anchor inscribed 'Hope'. Both men are much thinner than in the companion print celebrating their corrupt practices: "In place. En emploi." A tattered curtain partially obscures the diamond-paned windows. On the right shelves hold dishes and a broken candle stuck in a bottle as a lamp; below the shelves is a chair and a nearby chamber pot
Alternative Title:
Hors d'emploi
Description:
Title from caption below image, in English and French., Numbered "540" in lower left corner., Companion print numbered "539" in lower left corner: In place. En emploi., Artist from Sotheby's catalog: Watercolours by Robert Dighton, 23 February 1978, lot 32., For an earlier version of this print see Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, pt. II, no. 3773., and Also included in the design is a list of ways of obtaining places.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London. Published as the act directs
Subject (Topic):
Poverty, Chamber pots, Costumes, Prices, Interiors, Furniture, and Emblems
Perspective interieure de la Chapelle du College du Roi a Cambridge
Description:
Titles in English and French etched below image., Date based on time period (1746-1755) when Canaletto worked in England and produced the original painting., Text below English title: N.B. This building is esteem'd the most perfect and finest piece of Gothic architecture now remaining in Europe., Text below French title: Cet edifice est regardé comme le plus beau monument d'architecture gothique qui soit en Europe., Sheet trimmed within plate mark., and Mounted on page 24 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
published according to act of Parliament, Aug. 1, 1753.
Call Number:
Quarto 724 771N
Collection Title:
Page 173. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Interior view of Westminster Abbey looking down the nave towards the organ, with groups of elegantly dressed figures in foreground
Alternative Title:
Inside of Westminster Abbey and Neff de L'Abaie de Westminster
Description:
Titles etched below image, in English and French., Titled 'The Inside of Westminster Abbey, by Bowles, 1753' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829., Imperfect; sheet trimmed within plate mark and mutilated on bottom edge, resulting in slight loss of imprint statement., Title in English and French, with remaining text in English., Folded to 28.3 x 23.7 cm; mounted to 32 x 26 cm., and Mounted on page 173 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for Tho. Bowles in St. Paul's Church Yard, John Bowles & Son in Cornhill, Rob. Sayer in Fleetstreet & H. Overton without Newgate
Subject (Geographic):
England, London, London (England), and London.
Subject (Name):
Westminster Abbey, and Westminster Abbey.
Subject (Topic):
Church buildings, Abbeys, Interiors, and Tombs & sepulchral monuments
Leaf 13. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Alternative Title:
Cuisine de la poste
Description:
Titles in English and French etched below image., Initial letters of publisher's name in imprint form a monogram., Imprint continues: ... where may be had Mr. Bunburys other works, &c. &c., A reduced and reversed version of no. 4764 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. This version is briefly described on page 42 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: French kitchen -- French poodle -- Paper sheet pictures -- Snuff box., On leaf 13., 1 print : etching and engraving on laid paper ; plate mark 24.7 x 35 cm, on sheet 7.5 x 44.4 cm., and Censored impression; the three images of Jesus Christ in the background of the design have been cut out and removed from sheet.
Publisher:
Publish'd Feb. 1st, 1771, by MDarly, 39 Strand ...
Subject (Geographic):
France
Subject (Topic):
Clothing & dress, Interiors, Kitchens, Fireplaces, Poodles, Furniture, and Snuff