Title from caption below image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Watermark: Strasburg Lily., and Modern ms. annotations on mount identify several figures in the print; mounted to 29 x 39 cm.
Publisher:
Pubd. June 26th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Erskine, James Francis, 1743-1806, Windham, William, 1750-1810, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Fox, Charles James, 1749-1806
"Ministers and others strike at a shuttlecock above their heads inscribed 'Speakers Warrant'; among the feathers sits a little man holding a crowned staff; he says: "Curse this game I dont Like it I never experienced Such boning about in my life, I wonder when you will have done"; he is Colman the Serjeant-at-Arms. Eldon, in his Chancellor's wig and gown and holding the Purse of the Great Seal, is the centre of a close group; he says: "Dont knock it here we have not power to Strike it". Perceval, in back view, wears his Chancellor of the Exchequer's gown and holds a document inscribed 'Majority'; he says: "Curse the thing I wish I had never Seen it away with it". A second judge whose head is partly visible behind Eldon is probably Ellenborough. On the right is Gibbs, holding a paper inscribed 'Attorn[ey Gen]eral'. He says: "D-n it Ill hit it as Hard as I can tho I'm almost afraid to meddle with it". There are two others in the group, one is silent, the other resembles Canning (not in the Ministry); he says: "Sure honey Right or wrong I always stick to the Strongest Side so do let me have a Slap at it". The sturdiest striker stands in back view on the left, with a paper inscribed 'Read Bow Street' projecting from his pocket; he says: "I cant Read it Die Veneris! why its Spanish to me we dont understand Them there warrants". On the extreme left stands the Speaker, Abbot, with a bat inscribed 'Double'; he says: "Dont Strike it to me again Ill have nothing more to do with it I've sent it to Bow Street". The bats used are not the usual long-handled battledores as (e.g.) in British Museum Satires No. 9716, but short-handled wooden bats. Above the design: 'NB The Feathers of the Shuttle Cock were pluked [sic] from a Sumersetshire Goose' [Lethbridge, see British Museum satires no. 11538]."--British Museum online catalogue
Alternative Title:
New game of shuttlecock as played by his Majesty's servants for the amusement of John Bull
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., and Watermark.
Publisher:
Pub. 22 Apl. 1810 by Fores, Picadilli [sic]
Subject (Name):
Colman, Francis John, Eldon, John Scott, Earl of, 1751-1838, Perceval, Spencer, 1762-1812, Ellenborough, Edward Law, Baron, 1750-1818, Gibbs, Vicary, Sir, 1751-1820, Canning, George, 1770-1827, Abbot, Charles, Baron Colchester, 1757-1829, and Lethbridge, Thomas Buckler, 1778-1849.
Subject (Topic):
John Bull (Symbolic character), Badminton, and Games
"A pugilistic encounter between two old market-women who are Eldon (left) and Wellington (right). Eldon is much the stouter and more purposeful, facing his enemy grimly and aggressively. He has a basket of oranges (emblem of the Orange Lodges) beside him, and wears a flat wide-brimmed hat. Wellington wears a soldier's coat over his skirt and apron (as beggar-women or basket-women often did, cf. (e.g.) BM Satires No. 15763). His profile is apprehensive, his hands loosely closed and on the defensive. Each has a bottle-holder; that of Eldon is John Bull, a stout yokel who puts his hand on his principal's bulging posterior, saying, 'Welldone--old Mother Baggs--you have got the best bottom after all. see what it is to have a good Constitution--give it her--she has'ent got the Mounshears to deal with now.' Wellington's supporter is a bare-legged Irish ragamuffin with a pipe thrust in his little hat. He capers excitedly, putting a hand on Wellington's back to push him forward, saying, 'Murder ye ould cat kape your fists Tight--or you'I let the Ould Orange-Woman bate ye clane.' In the background is a freely sketched crowd of spectators, women of St. Giles or Billingsgate. Two only are characterized: a fat woman with parson's wig and bands, with a basket of 'Oxford Sauce' on her head, looks over her shoulder at a handsome young virago (Peel), who is shouting at her, to say: 'Come give us none of your Jaw--Mother peel'."--British Museum online catalogue
Alternative Title:
Sketch of the row in Parliament Street
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are dail [sic] publishing., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Market-women -- Fruit -- Emblems -- Orange Lodges -- Male costume: Soldier's coat -- Peasants -- Irish ragamuffin -- Pipes -- Markets., and Numbered in ms. at top of sheet: 185.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Alecto, a fantastic hag, stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel, a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. She says: "Come on my brave Lad, take this bounty-money, & enter into my Company of Gentlemen Volunteers enlisted in the cause of Liberty - I'll find you present pay and free quarters, & I'll lead you where you shall fill your knapsack with Plunder; - nay Man, never talk about your old Master the Farmer, I'll find you Hundreds of Masters as good as he; Zounds I'll make you one of the Masters of England yourself: - come on, I say, keres riches for you, - come on; the glorious 14th of July is approaching, when Monarchs are to be crush'd like maggots, & brave men like yourself are to be put in their places - here hold your hand, enter boldly in the cause of Freedom, & cry Huzza - Vive la Nation! Huzza". John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. He answers: "Wounds, Measter Sarjeant, an I should enter into your sarvice, what'll Varmer-George say to I, for leaving of 'en without warning? - and yet I is half in love with the sound of your drum; & wishes to leave off Ploughing & dunging, & wear one of your vine cockades, & be a French Gentleman; - & yet, dangs it, it goes against ones heart to leave the Varmer; - ah Varmer George has been a rare good Measter to I! - but, am I to have all them fine paper Moneys - but to leave my old Measter! Ah me! I dozes'nt know what to do, not I!" -- British Museum catalogue
Alternative Title:
Recruiting sarjeant enlisting John Bull into the Revolution's Service, Alecto and her train at the gate of pandaemonium, and Alecto and her train at the gate of pandaemonuim, or, The recruiting sarjeant enlisting John Bull into the Revolution Service
Description:
Title inscribed in brown ink below image., 'Imprint statement' inscribed in brown ink above title: Pub. July 4th, 1791 by S.W. Fores, N. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7889., Wright, T. Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times, p. 130., Wright, T. Description of published Gillray print in Historical and descriptive account of the caricatures by James Gillray, no. 56., and A 'counterprint' or transfer in brown ink from another print on verso of mount: The hopes of the party prior to July 14th.
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816, George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Revolution Society (London, England)
Subject (Topic):
John Bull (Symbolic character), Drums (Musical instruments), Demons, Witches, and Fire
"John Bull, a much overburdened soldier, looks up in angry dismay at a helmet inscribed 'Glory' which Pitt (left) is about to place on his head. He says, "O D----n the Glory I shall never be able to bear it all!" Pitt stands in profile to the right; the large plumed helmet which he holds up in both hands is irradiated. From his pocket hangs a long paper headed 'List of Ships £5000000'. John Bull, short and stout, stands full face wearing a gorget, with two pistols in his belt, a long sabre suspended horizontally from his waist, its blade inscribed 'Twenty more Kill em!' He holds a blunderbuss in his right hand, which fires 'Pop Pop' into the air; a large pike in his left hand, a broadsword held in his left arm; a musket and a huge knapsack are slung on his back. In the foreground are ordnance stores: a barrel (left) inscribed 'Right Richmond double Proof' with cannon-balls, and (right) a cannon, cannon-balls, drum, and flag. In the background a fleet of ships sails from the shore on which stands a cheering crowd."--British Museum online catalogue
Alternative Title:
Arming John Bull to fight the bugaboos!!!
Description:
Title etched below image., Attributed to Samuel Collings in dealer's description; attributed to James Hook in the British Museum catalogue., Date of publication precedes publisher's statement., Sheet trimmed within plate mark., and Formerly mounted on blue paper with residue on back.
Publisher:
Pub. by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Arms & armament, and Ships
Congratulations for Johon Bull and Congratulations for John Bull
Description:
Title etched below image., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1798, v. 3., Numbered 'No. III' in upper right corner., Temporary local subject terms: Finance: 1798 -- Voluntary contributions., and Watermark: Grapes (partially trimmed).
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Money, and Obesity
"The corner of a tailor's fitting-room. A hideous and plebeian Englishman, fat and short-legged, and wearing a curled Brutus wig, looks at his reflection in an elaborately framed wall-mirror crowned with a bonnet-rouge (left). The tailor, a simian monstrosity standing behind him (right), adjusts the sleeve of the coat. The coat (so styled after de Bry, see BMSat 9389) has a high collar, is heavily padded, with full sleeves gathered at the shoulders, and is cut back into narrow tails. The boots have long pointed toes, the tops, with high tasselled peaks, projecting in front of the leg far above the knee. He stands on a large volume: 'Nouveaux Costumes'. The tailor is foppish, though wearing a bonnet-rouge with a long peak, long queue, ungartered stockings, and slippers. A tricolour measuring-tape is draped about him. He says: "A ha! - dere my Friend, I fit you to de Life! - dere is Libertè - no tight Aristocrat Sleeve, to keep from you do, vat you like! - aha! begar, dere be only want von leetel National Cockade to make look quite a la mode de Paris!!" John Bull answers: "Liberty! - quoth'a! - why sound I can't move my Arms at all! for all it looks woundy big! - ah! damn your French Alamodes, they give a man the same Liberty as if he was in the Stocks! - give me my Old Coat again, say I, if it is a little out at the Elbows." On the wall (right) is visible the left portion of a framed plate of the official costumes of the Directory (see BMSat 9196, &c): in six compartments are tiny simian creatures inscribed respectively: 'Membre du Directo[ire], Cornell des Anciens, Ministre, Conseil des 5 Cents, Juge------, Administrat ...'. Beneath is a framed oval containing 'Les Regles pour les Modes'; these end: 'Vive la Libertè'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
French tailor fitting John Bull with a Jean de Bry
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Trades: tailors -- French tailors -- Male dress: Jean de Bry coat -- Tasseled boots -- Wigs: Brutus wig -- Queue wig -- Furnishings: mirrors -- Bonnet rouge -- Pictures amplifying subject: French costumes -- Pictures amplifying subject: rules for fashion -- Carpet., and Watermark, partially trimmed : Turkey Mill J Whatman.
Publisher:
Publish'd Novr. 18th, 1799, by H. Humphrey, 27 St. James's Street, London
"Ministerial rats with human heads scamper about a barn, searching for food. John Bull, a yokel in a smock and holding a pitchfork, holds open one leaf of the door facing the spectator, to watch their antics with amusement. George III, in profile to the right., puts a hand his shoulder, and says: "What! What! looking for Grain, eh! looking for grain; it's all gone, all gone all gone, quite Empty." John answers: "Why, these Hungry Rats thought to have had some fine pickings, I warrant, but egad they'll he woundedly mistaken, tho'f they seem to want it nationly; but that dom'd Scotchman [Melville] carried off a rare lot of it & as to poor Billy the Butler [Pitt] why he was so fond of a drop of Black Snap, [Perjorative for thick, sweet port. Partridge, 'Slang Dict.', 1938.] that when he and his friends, not at it, d'ye see, the rest of the Servants did as they pleased, poor Rogues I'se afraid they'll Undermine the Barn they're so main Hungry." The rats are on a smaller scale. On the extreme left., Lord Derby peeps from a bin inscribed 'Treasury', saying, "Why I suppose the Old Rat Died because there was nothing to feed upon." Moira climbs down a tilted sieve, Grenville sniffs at an upturned '[T]reasury' tub on which Lord Ellenborough sulkily reposes. Grey scampers towards an empty lantern but Windham has dragged out its candle and is nibbling at it. Sheridan races towards the candle from the r. Behind him is Erskine, looking sly. A bulky animal wearing a garter ribbon, probably the Marquis of Buckingham, lies with its head inside an empty '[T]reasury' sack. Fox and Bedford nibble at a pile of tattered and folded sacks on which is Lord Spencer, looking down at them. In the background are three other rightats, whose heads are less characterized: those on the left may be Sidmouth and Lauderdale; one nibbling a bundle of straw (r.) resembles Burdett."--British Museum online catalogue
Description:
Printseller's announcement following imprint: Folios of caricatures lent out for the evening., Printmaker from British Museum catalogue., Watermark: Strasburg Lily., and Mounted to 31 x 42 cm..
Publisher:
Pubd. March, 1806 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Smith-Stanley, Edward, 1752-1834, Lansdowne, William Petty, Marquis of, 1737-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, Thomas Erskine, Baron, 1750-1823, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Bedford, John Russell, Duke of, 1766-1839
"John Bull, a plebeian, stout and dishevelled, lies on his back on a tangle of large roses with vicious thorns. These are on a heap of stones and under the stump of a decayed oak tree (left). He exclaims: "Oh Lord! Oh Lord! if this be the Bed of Roses they make such a noise about I'd sooner lye with the Old Sow and her Farrow in the Dog Days! - My Dame will roar woundidly when she comes to bed! Ecod it's as bad as lying on a Harrow upside down." The stones (left to right) are 'Expedition to Holland' [1799, see British Museum Satires No. 9412, &c], 'Expedition to Ferrol', 'Jobs and Contracts', 'Pension List', 'Indemnity for the past & Security for the Future', 'No Peace possible with the child and Champion of Jacobinism', 'Places', 'Subsidies'. The roses are: 'Candle Tax', 'Hair Powder Tax', 'Hat Tax', 'Paper Tax', 'Snuff Tax', 'Game Tax', 'Wine Tax', 'Property Tax', 'Salt Tax', 'Land Tax', 'Stamp Tax', 'Assessed Taxes', 'Income Tax', 'Table Beer Tax', 'House Tax', 'Window Tax', 'Excise Duty', 'Horse Tax', 'Tobacco Tax', 'Soap Tax', 'Servant Tax', 'Malt Tax', 'Hop Tax', 'Sugar Tax', 'Legacy Tax', 'Tea Tax', 'Cyder Tax'. On the two extremities of the 'bed' are clusters of thorny buds; these are inscribed '1807', '1808', and [once] '1809', those on the left being labelled 'National Debt'. In the distance St. Paul's is indicated. Bushes on the right are wind-swept."--British Museum online catalogue
Alternative Title:
John Bull on a bed of roses
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Watermark: 181[0?].
Publisher:
Pubd. July 1806 by Wm. Holland, Cockspur Street
Subject (Geographic):
Great Britain
Subject (Topic):
Taxation, John Bull (Symbolic character), Roses, Thorns, and Taxes
John Bull's first visit to his old friend the new secretary
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following imprint: Folios of caricatures lent out for the evening., Temporary local subject terms: Dogs -- Politics., Mounted to 29 x 40 cm., and Watermark: Strasburg Lily.