Depiction of seven Roman weights(?), numbered in Roman numerals from I to VII. The sides of the circular objects bear pictures of various heads, beasts, objects and symbols. Three of the objects have their obverse and reverse depicted side by side, the two faces connected with a horizontal double line. All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched in lower center, below object numbered "VI"., "Tab. XVIII"--Upper right corner., and Mounted on page 94 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Depiction of seven Roman weights(?), numbered in Roman numerals from I to VII. The sides of the circular objects bear pictures of various heads, beasts, objects and symbols. Three of the objects have their obverse and reverse depicted side by side, the two faces connected with a horizontal double line. All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched in lower center, below object numbered "VI"., "Tab. XVIII"--Upper right corner., Mounted on page 116 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 22.4 x 18.5 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Depiction of eleven antiquarian coins, numbered in Roman numerals from I to XI. The eight at the top of the plate have the obverse shown above and the reverse below (the two sides connected by a double line), and the three at the bottom of the plate have the obverse shown on the left and the reverse shown on the right (similarly connected by lines). All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched in lower center, to the right of object numbered "X"., "Tab. XIX"--Upper right corner., and Mounted on page 94 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Depiction of eleven antiquarian coins, numbered in Roman numerals from I to XI. The eight at the top of the plate have the obverse shown above and the reverse below (the two sides connected by a double line), and the three at the bottom of the plate have the obverse shown on the left and the reverse shown on the right (similarly connected by lines). All were part of the collection which Conyers Middleton acquired in Rome in 1723-4 and sold to Horace Walpole in 1744
Description:
Title from index on signature A of volume., Publication information from that of the volume in which the plate appears., Plate from: Middleton, C. Germana quaedam antiquitatis eruditae monumenta ... Londini : Apud R. Manby et H.S. Cox ..., 1745., Sheet trimmed to plate mark., "Ex aere" etched in lower center, to the right of object numbered "X"., "Tab. XIX"--Upper right corner., Mounted on page 193 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on laid paper ; sheet 22.8 x 17.9 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
Manuscript on paper containing 1) Ps.-Augustinus Hipponensis (Pseudo-Augustine), Manuale (preface and chapters 1-24). 2) Pseudo-Augustine, Soliloquia animae ad Deum, large final part of chapter 2. 3) Arnulphus de Boeriis (ca. 1200 (?), Ps.-Bernardus Claraevallensis), Speculum monachorum. 4) Ps.-Bernardus Claraevallensis, Sermo de vita et passione Domini. 5) Vita S. Iohannis Calybitae or Vita S. Iohannis monachi. 6) Flores ex operibus S. Bernardi de dignitate et excellentia beatae virginis Mariae. 7) Bernardus Claraevallensis (Bernard of Clairvaux, 1090-1153), Epistola 111, written in the name of the monk Elias to the latter's parents. 8) Ps.-Bernardus Claraevallensis, Contemplationes de passione Domini secundum septem horas canonicas. 9) Ps.-Bernardus Claraevallensis, Formula honestae vitae. 10) Ps.-Bernardus Claraevallensis, Octo puncta perfectionis assequendae. 11) Ps.-Bernardus Claraevallensis, Varia et brevia documenta pie seu religiose vivendi. 12) Bonaventura OFM (1221-1274), Regula novitiorum, 3. 13) Bonaventura, Regula novitiorum, 4.1-3. 14) Matthaeus de Cracovia (c. 1335-1410; Ps.-Thomas de Aquino, Ps.-Bonaventura; here ascribed to Iohannes de Capistrano OFM, 1386-1456), De modo confitendi et de puritate conscientiae (Speculum munditiae). 15) F. Carboni, Incipitario della lirica italiana dei secoli XIII e XIV, v. 1, Studi e Testi, v. 277 (Vatican City, 1977), 863. 16) Carboni 212. 17) Carboni 96. 18) Religious poems in Venetian dialect. 19) Lamentatio Virginis Mariae ad Crucem, attributed to Philippus de Grevia (Philippus Cancellarius, Philippe de Grève, d. 1236). 20) Zeno Veronensis (d. before 380), Tractatus, 1.1.7.20-21. 21) Moral sentences and quotations by or ascribed to St. Bernard of Clairvaux. 22) Ps.-Bernardus Claraevallensis, Sermo 12.
Description:
Binding: the two covers and the spine are covered with a fragment from a large Italian choirbook in Southern Gothica Textualis Formata; parts of two 4-line red staves with notation in Nota Quadrata and two lines of text are preserved., Red headings and paragraph marks. 2-line red and blue plain initials, with guide letters., Script: Copied by two similar hands: A, writing a rapid Southern Gothica Textualis Libraria, copied ff. 2r-56v and 69r-104v; B, writing a more formal version of the same script, under slight Humanistic influence, copied ff. 57r-68v. The Latin of both scribes is very defective., and Second preliminary leaf included in foliation.
Subject (Name):
Mary, Blessed Virgin, Saint--Devotion to
Subject (Topic):
Asceticism, Christian hagiography, Christian poetry, Italian, Devotional literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Manuscripts, Medieval--Italy--15th century
Manuscript on parchment (calfskin) of 1) Petrus de Alliaco (Pierre d'Ailly, 1350-1420), Meditationes super septem Psalmos paenitentiales. 2) Table of Contents. 3) Lotharius Count of Segni (1160-1216, 1198-1216 pope as Innocentius III), De miseria humanae conditionis. 4) Ps.-Bernardus Claraevallensis (Pseudo-Bernard of Clairvaux), De interiori homine (Meditationes). 5) Iacobus de Gruytrode (c. 1400-1475), Speculum aureum animae peccatricis, also attributed to Iacobus de Iuterbog (1381-1465), Dionysius Carthusianus (Dionysius de Ryckel, 1402/1403-1471) and Gerardus de Schiedam (d. 1442).
Description:
Script: Copied by one hand in small Gothica Hybrida Formata (Bastarda), with a tendency towards lengthening and making loops to the ascenders on the top line.