"Courtenay (right), as the chairman of a tavern club, sits at the head of an oblong table, in profile to the left, smoking. He says to George Hanger, who faces him at the foot of the table: "I say, Georgey how do Things look now?" The words issue from his mouth in a cloud of smoke. Hanger answers: "Ax my Grandmother's Muff, pray do!" He holds a pipe, his wine-glass is overturned. His bludgeon is thrust in his top-boot. On Hanger's right sits Fox, leaning back in his chair, registering extravagant amusement and saying "O charming! - charming!" Opposite Fox sits Sheridan, clasping a decanter of 'Brandy' in one hand, a glass in the other. He says, with a sly smile, "Excellent! - damme Georgey, Excellent." Next him, and on Courtenay's right, sits M. A. Taylor, flourishing his pipe and saying, "Bravo! the best Thing I ever heard said, damme." On the table are decanters of 'Mum' and of 'Champaig[n]'. Above Courtenay's head is a picture of a simian creature in a cap of Liberty, squatting on the ground and smoking a pipe. The frame is inscribed 'Juvenal'. The floor is carpeted, the chairs are ornate."--British Museum online catalogue
Alternative Title:
Feast of reason and the flow of soul and Wits of the age setting the table in a roar
Pubd. Feby 4th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, and Courtenay, John, 1738-1816
"Pitt and Dundas, Fox and Sheridan face each other across a long narrow table, smoking long pipes and puffing clouds of smoke in each other's faces. The gallery of the House of Commons is indicated in the background. At the head of the table (left) in a raised arm-chair (in the manner of the chairman at a tavern-club) sits a man in the hat, wig, and gown of the Speaker (Addington) [Identified by Wright and Evans as Loughborough, 'cogitating' between the parties; this is inconsistent with the House of Commons setting and with Loughborough's appointment (26 Jan. 1793) as Chancellor.] holding the mace, which has been transformed into a crutch-like stick. He puffs smoke at both Treasury and Opposition benches. Pitt, on the Speaker's right, holds a frothing tankard inscribed 'G.R' and directs a cloud of smoke at Fox, who puffs back. Before Fox is a tray of pipes and a paper of tobacco, implying that he excels in abuse. On the extreme right Dundas, a plaid across his coat, puffs at the scowling Sheridan seated close to Fox; he has a punch-bowl inscribed 'G.R' in which he dips a ladle. Small puffs of smoke issue from the pipes, great clouds from the smokers' mouths, as in BMSat 8220. The House of Commons is burlesqued as a smoking-club, a plebeian gathering in which quarrelsome members were wont to puff smoke at each other, see BMSat 8220."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Originally issued with the imprint: Pubd. Feby. 13th, 1793, by J. Aitken, Castle Street, Leicester Fields., Publication date based on publisher's street address. See British Museum catalogue., and Temporary local subject terms: Reference to the House of Commons -- Pipes -- Emblems: mace -- Tankards -- Tobacco -- Dishes: punch bowl -- Emblems: crown and initials GR on tankard and punch bowl.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Sidmouth, Henry Addington, Viscount, 1757-1844
"Pitt (left) as a bank-clerk, very thin and much caricatured, a pen thrust through his wig, stands behind an L-shaped counter offering a handful of bank-notes to John Bull. In his right hand is a scoop with which he sweeps up notes from the counter. John is the yokel of BMSat 8141, but no longer bewildered; he stands stolidly, holding out his left hand for the notes, his right hand in his coat pocket. Fox (right), who wears a high cocked hat with tricolour cockade, bag-wig, and laced suit, says to him: "Dont take his damn'd Paper, John! insist upon having Gold, to make your Peace with the French, when they come". Sheridan bends towards John, saying, "Dont take his Notes! nobody takes Notes now! - they'll not even take Mine!" John answers: "I wool take it! - a' may as well let my Measter Billy hold the Gold to keep away you Frenchmen, as save it, to gee it you, when ye come over, with your domn'd invasion." Behind (right) hands of other Foxites are raised in warning, and on the extreme right is the profile of Stanhope. Behind (left), men hasten towards Pitt with large sacks of notes on their heads. The first two, in judge's robes, are Loughborough with a sack of '20 Shilling Notes', and Kenyon with one of 'Five Pound Notes'. Behind is Grenville with a sack of '10 Shilling Notes'. Other sacks whose bearers are hidden are inscribed '5 Shilling No[tes], 2 Shillin No[tes]', and 'One Shilling'. Under Pitt's counter is a row of large sacks of gold, padlocked and inscribed '£'. On the end of the counter, facing the spectator, is posted a bill headed: 'Order of Council to the Bank of England'."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Sacks of money -- Bank notes.
Publisher:
Pub. March 1st, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
Title from item., Printmaker from British Museum catalogue., Temporary local subject terms: Interiors: House of Commons -- Currency crisis, 1797 -- Bank crisis, 1797., and Watermark: Strasburg lily with initials E & P below.
Publisher:
Pub. Mar. 8, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Wilberforce, William, 1759-1833
Title from item., Printmaker from British Museum catalogue., Sheet trimmed mostly within plate mark., Temporary local subject terms: Seamstresses -- Cribs -- Washer tubs -- Crowns -- Bonnet rouge., Watermark: J Whatman., and Mounted to 31 x 42 cm.
Publisher:
Pubd. by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Tooke, John Horne, 1736-1812, Thelwall, John, 1764-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Bedford, Francis Russell, Duke of, 1765-1802, and Lauderdale, James Maitland, Earl of, 1759-1839
"French men-of-war are tossed helplessly by huge waves, which are lashed to fury by blasts from the mouths of (left to right) Pitt, Dundas, Grenville, and Windham, whose heads emerge from clouds. Fox is the (realistic) figure-head of 'Le Révolutionaire' (right) which, with broken masts, is about to founder. He receives the full strength of the blasts from Pitt and Dundas, and looks up despairingly, his head against the tricolour stripes which encircle the mast. Playing-cards float in the water by the ship. On the left 'L'Egalité' is wrecked by a blast from Grenville, which shatters a flag-staff, with a flag inscribed 'Vive . . Egalité'. Behind, a vessel disappears in a whirlpool. In the foreground (left) 'The Revolutionary Jolly Boat' is being swamped under the influence of a blast from Windham; the occupants throw up their hands despairingly: Sheridan, standing in the stern, is still unsubmerged; the others (left to right) are Hall the Foxite apothecary, [So Wright and Evans. He has perhaps more resemblance to Dr. Towers.] Erskine, in wig and gown, M. A. Taylor, and Thelwall, washed overboard, with a paper: 'Thelwall's lectures' (see BMSat 8685). [Wright and Evans put Dr. Lawrence's name between that of Sheridan and Erskine; he is not depicted.]."--British Museum online catalogue
Alternative Title:
Destruction of the French Armada
Description:
Title etched below image., Another signature etched in bottom right portion of image: Js. Gy. des. et f., Another publication line etched in lower left but mostly obscured within margin of image., Sheet trimmed within plate mark., and Temporary local subject terms: Fleets: French fleet -- Storms: gale.
Publisher:
Pubd. Jany 20th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Taylor, Michael Angelo, 1757-1834, Thelwall, John, 1764-1834, and Erskine, Thomas Erskine, Baron, 1750-1823
"Pitt, a naked spectral creature, advances menacingly towards Fox, who is scarcely caricatured, and who holds his ground, right leg raised as if about to kick, snapping his fingers in Pitt's face. Pitt (left) is very thin and tall, with large head and glaring eyeballs. Fox holds out his three-cornered hat in his left hand as if speaking in the House of Commons; his waistcoat is unbuttoned, allowing his shirt to escape."--British
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Pubd. by Willm. Holland, No. 50 Oxford St.
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
"Captain Morris (left) sits in profile to the right, singing from a broadside which he holds out in his left hand: 'A new Song to the Tune of the Plenipoy'. In his right hand is a full glass. He wears a round hat and fashionable half-boots; his coat, breeches, and stockings are tattered. From his pocket projects a pamphlet: 'Captain Morris's Songs by Subscription' (cf. BMSat 9240). Fox and Sheridan sit on opposite sides of a small round table, on which is a decanter of 'Brandy'. Sheridan, left, with Bardolph's fiery face, cf. BMSat 7528, &c, holds his glass and looks delightedly at Morris, as does Fox (as Falstaff), who says: "Come sing me a Boosey-Song, [A misquotation from 'I Henry IV', III. iii, where Falstaff says, "Come, sing me a bawdy song; make me merry."] to make me merry". Part of the face of a fourth man appears on the right."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Furniture: chairs -- Wine bottle and glasses -- Spirits: brandy -- Literature: Shakespeare's Henry IV, Part I -- Allusion to the secession of the Opposition.
Publisher:
Pubd. June 16th, 1797, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Morris, Charles, 1745-1838
"Fox (right), a hairy French ruffian, lunges fiercely forward, to aim a pistol inscribed 'La Mort' point-blank at a target symbolizing the British constitution (see BMSat 8287, &c). In his left hand he holds behind him a dagger, its blade inscribed 'Fraternite'. He is coatless and wears a French cocked hat inscribed 'Liberte', with a tricolour cockade. A miniature bonnet-rouge inscribed 'Egalite' hangs from the lapel of his waistcoat. From one pocket hangs a paper: '2 7bre Certificat de Civisme'; from another: 'Delenda . . . Carth[ago]'. His shirt-sleeves are rolled, the right sleeve in tatters, his breeches torn and unbuttoned at the knee, his stockings hang in festoons round his ankles. The target hangs by a ribbon from the gnarled branch of an old oak (left), the bull's-eye is the crown, the inner ring is inscribed 'Lords', the outer 'Commons'. There is a landscape background."--British Museum online catalogue
Description:
Title etched below image., One line of text following title: This print, copied from the French original, is dedicated to the London Corresponding Society., Sheet trimmed to plate mark., and Temporary local subject terms: Jacobins -- Constitutions: British Constitution -- French liberty -- Societies: London Corresponding Society -- Bonet rouge -- Shooting targets.
Publisher:
Pubd. Novr. 24th, 1797, by H. Humphrey, 27 St. James's Street, London