V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Elba is represented by a flat-topped rock emerging from the sea only a little above the waves. Napoleon, much burlesqued, sits on a huge chamber-pot inscribed 'Imperial Throne'. He is ragged and bare-legged but wears a large (damaged) feathered bicorne; under his arm is a clyster-pipe. He turns his head in profile towards a demon rising from the sea (left) who holds out a large pistol, saying, "If! you have one Spark of Courage left! take this." Napoleon answers: "Perhaps I may if you'll take the flint out." The demon is nude and emaciated, with a spiky backbone; flame issues from his mouth. Behind Napoleon is the trunk of a decayed tree; on a branch hang (right) a (torn) pair of breeches and two tattered stockings. On the trunk, above Napoleon's head, a crow is spreadeagled to represent the imperial eagle; from its splayed legs hangs a gorget inscribed 'Imperiel Crow'. On the ground by Napoleon's throne are a large jar of 'Brimstone', an open book: 'A Triti [sic]--on the Itch! by Doctor Scratch', a small-tooth comb, a pipkin, and three medicine-bottles. On the right is a cannon made out of a jack-boot as in British Museum Satires No. 12255, and mounted on a gun-carriage. A pole topped by a turnip and two carrots has a little wooden sword tied to it, in imitation of a trophy. At its base lies a syringe."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "331" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 32 in volume 5.
Publisher:
Pubd. May 12th, 1814, by Thos. Tegg, No. 111 Cheapside
"The Duke of Clarence dances with a tall thin girl (right), holding both her hands; they face each other in profile. He is unrecognizable, a plainly dressed short and obese John Bull. She wears a cross suspended from a long necklace. The room, with boarded floor and small musicians' gallery, suggests an English provincial assembly-room rather than a Russian palace. Two couples stand against the wall (left), a lady and her partner sit on a bergère (right); a man stands near them. Two of the men have moustaches, as an indication that they are foreigners. All are much amused at the ill-matched partners."--British Museum online catalogue
Alternative Title:
Longitude and latitude of St. Petersburgh
Description:
Title from caption below image. and Temporary local subject terms: Dancing -- Sconces -- Russia.
Publisher:
Pub. May 18th 1813 by H Humphrey St James's Street
"Three men sit at a table absorbed in an oyster feast, while Richard Martin ..., sensing cruelty to oysters, enters, followed by a constable with his staff (left). Papers hang from his pocket: M . . . . s Bill to prevent Cruelty to Animals, and a book projects: Gullivers Travels--A Voyage to . . . Ho[uyhnhnms]. Martin points imperiously to the table, the constable makes a wry face. A lean elderly man ... sits with his back to the door on a piano-stool on which are sheets of music. At his feet is a paper: The Oyster crossed in Love as sung by Messs Sinclair & Gamon at Covent Garden O gentle Swain yr Knife [refrain] Nor Wound a Heart so soft as mine. Dr E----y, wearing tartan, stands over a tub of Natives, opening oysters. The third man's face is concealed. On the table, besides oyster-shells, &c, are a candle burnt low and a large jug of Hot Milk. The walls are covered with shelves. On one set (left), inscribed Larder of Death, are druggist's jars, &c. These include Opium, Oxalic Acid, Calomel, with a box of Gamboge. The other, inscribed Good Living, are laden with food: a pie, a chain of sausages, a sirloin, jar of Cherry Bounce, round of beef, a Scots Haggis, a hare, a bird. There is also (left) a high shelf of books."--British Museum online catalogue, description of a different state or version
Description:
Title etched below image., Different state or version, with variations in the text below image, of a plate to No. VI of The family oracle of health, economy, medicine, and goodliving (London : Walker [etc.], 1824-1829). Cf. No. 14696 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Three of the figures are identified with etched text beneath lower border of image: [left to right] Martin; Dr. Kitchener; Dr. E-y., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 301., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1265, 5259., and Temporary local Medical Library subject terms: Dr. Eady.
Publisher:
Published by J. Walker
Subject (Name):
Martin, Richard, 1754-1834 and Kitchiner, William, 1775?-1827
"Three men sit at a table absorbed in an oyster feast, while Richard Martin (M----n), sensing cruelty to oysters, enters, followed by a constable with his staff (left). Papers hang from his pocket: M . . . . s Bill to prevent Cruelty to Animals, and a book projects: Gullivers Travels--A Voyage to . . . Ho[uyhnhnms]. Martin points imperiously to the table, the constable makes a wry face. A lean elderly man (Dr K----r) sits with his back to the door on a piano-stool on which are sheets of music. At his feet is a paper: The Oyster crossed in Love as sung by Messs Sinclair & Gamon at Covent Garden O gentle Swain yr Knife [refrain] Nor Wound a Heart so soft as mine. Dr E----y, wearing tartan, stands over a tub of Natives, opening oysters. The third man's face is concealed. On the table, besides oyster-shells, &c, are a candle burnt low and a large jug of Hot Milk. The walls are covered with shelves. On one set (left), inscribed Larder of Death, are druggist's jars, &c. These include Opium, Oxalic Acid, Calomel, with a box of Gamboge. The other, inscribed Good Living, are laden with food: a pie, a chain of sausages, a sirloin, jar of Cherry Bounce, round of beef, a Scots Haggis, a hare, a bird. There is also (left) a high shelf of books."--British Museum online catalogue
Description:
Title etched below image., Plate to No. VI of: The family oracle of health, economy, medicine, and goodliving. London : Walker [etc.], 1824-1829., Three of the figures are identified with etched text beneath lower border of image: [left to right] M-n; Dr. K-n; Dr. E-y., Temporary local Medical Library subject terms: Dr. Eady., and 1 print : etching and aquatint ; image and inscription 12.5 x 19.2 cm.
Publisher:
Published by J. Walker
Subject (Name):
Martin, Richard, 1754-1834 and Kitchiner, William, 1775?-1827
"Three men sit at a table absorbed in an oyster feast, while Richard Martin (M----n), sensing cruelty to oysters, enters, followed by a constable with his staff (left). Papers hang from his pocket: M . . . . s Bill to prevent Cruelty to Animals, and a book projects: Gullivers Travels--A Voyage to . . . Ho[uyhnhnms]. Martin points imperiously to the table, the constable makes a wry face. A lean elderly man (Dr K----r) sits with his back to the door on a piano-stool on which are sheets of music. At his feet is a paper: The Oyster crossed in Love as sung by Messs Sinclair & Gamon at Covent Garden O gentle Swain yr Knife [refrain] Nor Wound a Heart so soft as mine. Dr E----y, wearing tartan, stands over a tub of Natives, opening oysters. The third man's face is concealed. On the table, besides oyster-shells, &c, are a candle burnt low and a large jug of Hot Milk. The walls are covered with shelves. On one set (left), inscribed Larder of Death, are druggist's jars, &c. These include Opium, Oxalic Acid, Calomel, with a box of Gamboge. The other, inscribed Good Living, are laden with food: a pie, a chain of sausages, a sirloin, jar of Cherry Bounce, round of beef, a Scots Haggis, a hare, a bird. There is also (left) a high shelf of books."--British Museum online catalogue
Description:
Title etched below image., Plate to No. VI of: The family oracle of health, economy, medicine, and goodliving. London : Walker [etc.], 1824-1829., Three of the figures are identified with etched text beneath lower border of image: [left to right] M-n; Dr. K-n; Dr. E-y., and Temporary local Medical Library subject terms: Dr. Eady.
Publisher:
Published by J. Walker
Subject (Name):
Martin, Richard, 1754-1834 and Kitchiner, William, 1775?-1827
Dick and Jenkins enjoying "life" in the Elysian fields
Description:
Title from caption below image., Sheet trimmed within plate mark., Plate from: Carey, D. Life in Paris. London : Printed for John Fairburn ..., 1822., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Crowds -- Fighting -- French soldiers.
Publisher:
Published Sept. 1, 1822 by John Fairburn, Broadway, Ludgate Hill
The mast slants across the deisgn backed by a sail bellying in the wind. W.B. [i.e. William Blockhead] sits miserably with closed eyes astride a spar, to which he has tied his right thigh. His right arm encircles the mast, and to his wrist is tied an open book: Wilt thou upon [the] high & giddy mast scale the ship[?] bays. O yes & rock his brain. Below is a dialogue between the Lleutenant and Blockhead
Alternative Title:
Enjoying the fresh air for the 304th time
Description:
Title from text above image., Print singed using Frederick Marryat's device: an anchor slanted diagonally., Artist identified in British Museum catalogue., Two columns of dialogue below image: Dialogue - Lieut. - Pray Mr. B. Did you call the master? B. no sir I thought ..., Plate numbered in upper right corner: P. 4., and For reissue by Thomas McClean in 1835, see no. 14093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Great Britain
Subject (Topic):
Navy, Sea life, Reading, Sailors, British, and Ships
"Imp-like creatures of the railway company, gathered around the seated figure of John Bull, stripping him of his clothes and possessions, an auctioneer selling elements of his wardrobe, trains pulling boxes of money and silver plate"--British Museum online catalogue
Alternative Title:
Anticipated effects of the railway calls
Description:
Title from caption below image., Date of publication and publisher from British Museum catalogue., Illustration to: George Cruikshank's Table book. Published by George Bell in London., Illustration accompanying a brief article on railroad speculation by the periodical's editor, Gilbert Abbott a Beckett., Sheet trimmed within plate mark., and Window mounted to 30 x 23 cm.
Publisher:
George Bell
Subject (Geographic):
England.
Subject (Topic):
John Bull (Symbolic character), Auctions, Fictitious characters, Money, and Railroads
"Below the title: Dedicated without permission, to the Church Commissioners--Nash, much caricatured, is spiked by the seat of his trousers on the spire of All Souls Church, Langham Place, the upper part of the ring of pillars below the spire forming the base of the design. He is suspended like a scarecrow, large in proportion to the building, his arms extended horizontally from the shoulders and hanging limply from the elbow, his head is turned to the left. Carrion birds fly round him. There is a background of clouds. Below the dedication: Providence sends meat, Parliament sends Funds-- The Devil sends cooks-- But, who sends the Architects?--!!!"--British Museum online catalogue
Alternative Title:
National taste!!!
Description:
Title from caption below image., Print signed using George Cruikshank's device: Q in the corner., Sheet trimmed to plate mark., Four lines of text below title: Providence sends meat, the devil sends cooks ..., Temporary local subject terms: Churches: All Souls Church, Langham Place., and Manuscript "97" in upper center of plate.
"Two designs. [1] Scene outside the Queen's house (left) in Portman Street. Four men in court-dress hurry across the street from the door assailed by the mob. In front is Wilberforce (right) holding a 'Petition to the Queen'; he exclaims "Oh! Dear! Saints never were so served before." From the other three (Stuart-Wortley, Bankes, and Sir T. Acland) ascend the words "These are aw-full times as the Scot's man said" [ ? the 'Scotsman', a conspicuously Queenite paper]. In the foreground (left) a man, saying "There he goes Dr Cantwell," and a boy spit copiously at them. The crowd: "Hiss! hiss"; "No Cantwell"; "out out"; "Spit on 'em." Brougham stands in the doorway; Denman behind him; he says "What quantities of rabbid saline!!" The Queen stands on a balcony, the base of which is 'a Good Foundation--(ie) Innocence--'. She says "No Tricks, you faithful representitaves [sic] of the people." [2] A corner of the House of Commons with the Speaker (Manners-Sutton) in the Chair (right), calling "Order! Order!" Beside the table and on the Speaker's right a member stands shouting "Privilege! Privilege." Behind is a group of members, freely sketched. One man looks down from the gallery."--British Museum catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 30 of: George Humphrey shop album.
Publisher:
Pubd. July 3d, 1820, by W. Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wilberforce, William, 1759-1833, Wharncliffe, James Archibald Stuart-Wortley, Baron, 1776-1845, Bankes, Henry, 1757-1834, Acland, Thomas Dyke, Sir, 1787-1871, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Canterbury, Charles Manners-Sutton, Viscount, 1780-1845.
Subject (Topic):
Politicians, Crowds, Balconies, and Legislative bodies