"A fashionable crowd, with two card-tables, a round table in the foreground (left) at which four persons play Pope-Joan; the most conspicuous is a pretty young woman directed to the left, her loose semi-transparent draperies revealing her person and leaving her breasts almost uncovered. A leering man stands behind her chair, negligently holding candle-snuffers to a candle on the table, in order to peer down her décolletage. A stout lady in back view, sitting on a stool (identified as Lady Buckinghamshire, but (?) Duchess of Gordon), a little girl, and an elderly man (identified as Dr. Sneyd) complete the table. On the right is another card-table at which three persons are playing. Standing figures freely sketched form a background, the whole design being dominated by the erect feathers of the ladies, usually springing from a turban."--British Museum online catalogue
Alternative Title:
Peeping-Tom spying out Pope-Joan
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 12th, 1796, by H. Humphrey, New Bond Street
"Didelot dances on the stage between two women, both very lightly clad in quasi-classical costume, and wearing 'cothurnes'. He wears a feathered hat, tunic, and cloak, and looks towards Mme Parisot (right); she strikes an attitude with right leg raised and arms extended, and looks alluringly towards him, her right breast bare. Mme Rose (left), his wife, dances with more restraint, her sharp-featured profile turned austerely towards her husband. All wave their arms above their heads, and their attitudes are in fact graceful (though caricatured). Two plump 'danseuses' (left and right) whirl on one toe in the background. Behind Didelot is an irradiated sun, with features looking down disapprovingly at the dancer."--British Museum online catalogue
Alternative Title:
Operatical finale to the ballet of Alonzo e Caro
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pubd. May 5th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Didelot, Charles Louis, 1767-1837 and Didelot, Marie Rose Paul, -1803
"Pitt (right) stands stiffly in profile to the left, holding open a large sack-like wallet inscribed 'Requisition Budget'. He addresses John Bull, the central figure, a stout yokel, who holds out his breeches in his left hand to Pitt, while he touches his hat. The budget and the breeches pockets are full of guineas. Pitt says: "More Money, John! - more Money! to defend you from the Bloody, the Cannibal French - They're a coming! - why they'll Strip you to the very Skin - more Money. John! - They're a coming - They're a coming." Dundas, Grenville, and Burke kneel on the right, bending towards the 'Budget', each with his left hand in an opening in a vertical seam, eagerly grabbing guineas. Behind them is the stone archway of the 'Treasury', with its high spiked gate. Dundas, the most prominent, wears Highland dress and holds a Scots cap full of coins. Grenville wears a peer's robe; Burke is behind. They echo Pitt: Dundas says "Ay! Ay! They're a coming! They're a coming!" Grenville: "Yes! Yes, They're a coming." Burke: "Ay They're a coming." John says: " - a coming? - are they? - nay then, take all I've got, at once, Measter Billy! - vor its much better for I to ge ye all I have in the World to save my Bacon, - than to stay & be Strip'd stark naked by Charley, & the plundering French Invasioners, as you say". His coat and waistcoat are sound, but the pockets hang inside out, empty. His lank hair, knotted kerchief, and wrinkled gaiters denote the small farmer. Behind (left), on the shore, stands Fox looking across the water towards the fortress of 'Brest' flying a tricolour flag. He hails it with upraised arms, shouting: "What! more Money ? - O the Aristocrat Plunderer! - Vite Citoyens! - vite! - vite! depechez vous! - or we shall be too late to come inn for any Snacks of the I'argant! - vite Citoyens! vite! vite!""--British Museum online catalogue
Alternative Title:
John Bull giving his breeches to save his bacon
Description:
Title etched below image., Sheet trimmed to plate mark on left and bottom edges., and Temporary local subject terms: Yokels -- Money: guineas -- Treasury -- Male dress: Highland dress -- Budgets: Pitt's speech, Dec. 7, 1796
Publisher:
Pubd. Novr. 7th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Burke, Edmund, 1729-1797
"Time stands behind an oval table covered with a cloth on which is an hour-glass, its sands nearly run out, standing on a large flat book inscribed 'Traitè de Paix', from which five seals hang evenly. Behind him is a doorway in a stone wall, covered with a curtain, one side of which he holds. With his left forefinger he points upwards at the inscription above the door: 'L'avenir', which is decorated with seven (drooping) ears of corn. The seals are inscribed (left to right): 'F.W.' [Frederick William of Prussia]; 'G Rx', with its ribbon inscribed 'God save the King'; France; a crowned 'C' [Catherine II]; 'Fr. Imp.' [Francis Imperator] (prophetic of the powers that decided the fate of Holland in 1815). 'Le génie du Terns garde la porte de l'avenir;... Qui est le mortel assez hardi, pour oser le penetrer? . . .' Text, 'Proverbs', x. 28. To this is added, in English only, 'St. Matthew', v. 9, 'Blessed are the peacemakers!'"--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "20" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Emblems: hour-glass -- Personifications: Time -- Seven ears of wheat-corn as United Provinces., and Letterpress explanation lacking.
"French troops march with fixed bayonets up St. James's Street, the houses receding in perspective to the gate of the Palace, which is blazing. In the foreground on the left and right are 'White's' and 'Brookes's'. The former is being raided by French troops; the Opposition is in triumphant possession of the latter. In the centre foreground a 'tree of Liberty' (see BMSat 9214, &c.) has been planted: a pole garlanded with flowers and surmounted by a large cap of 'Libertas'. To this pole Pitt, stripped to the waist, is tied, while Fox (left) flogs him ferociously, a birch-rod in each hand. Between Fox's feet lies a headsman's axe, bloodstained; on it stands a perky little chicken with the head of M. A. Taylor (see BMSat 6777). On the right is an ox, his collar, from which a broken cord dangles, inscribed 'Great Bedfordshire Ox' (the duke of Bedford); it is tossing Burke, goaded on by Thelwall, who holds its tail, and flourishes a document inscribed 'Thelwals Lectures' (see BMSat 8685). Burke flies in the air, losing his spectacles, and dropping two pamphlets: 'Letter to the Duke of Bedford', see BMSat 8788, &c, and 'Reflections upon a Regicide Peace', see BMSat 8825. Behind the ox, Lord Stanhope holds up a pole to which is tied, by a ribbon inscribed 'Vive l'Egalite', the beam of a pair of scales; this is balanced by the body of Grenville, suspended by his breeches, and by his head, suspended by the hair; both drip blood. Stanhope, in profile to the left, looks up with a pleased smile; Lauderdale stands facing him, raising his arm to applaud. Behind is an advancing band of British Jacobins waving bonnets-rouges. Sheridan, with furtively triumphant smile, enters the door of Brooks's; a large porter's knot on his head and shoulders supports a sack: 'Remains of the Treasury £'; under his arm is another: 'Requisition from the Bank of England'. Beside the door (right) stands a pestle and mortar inscribed 'J. Hall Apothecary to the New Constitution Long Acre'; the mortar is filled with coronets. On the balcony above the door, Lansdowne, with his enigmatic smile, is working a guillotine; his left hand is on the windlass, in his right he holds up (towards Erskine) Loughborough's elongated wig; the purse of the Great Seal is attached to a post of the guillotine. On the left corner of the balcony rests a dish containing the heads of (left to right) Lord Sydney, Windham, and Pepper Arden, 'Killed off for the Public Good'. Behind stands Erskine, leaning forward and holding up in triumph a firebrand composed of 'Magna Charta', and a 'New Code of Laws'. On the right corner of the balcony four men stand watching the guillotine with quiet satisfaction: Grafton, in profile to the left; Norfolk, clasping his hands, and Derby. Only the hat and eyes of the fourth are visible. In the club windows behind, staring faces are indicated. The lamp beside the door is crowned with a bonnet-rouge. On the door-post a broadside, 'Marsoiles[e] [sic] Hymn', is placed above 'Rule Brit[annia]' (torn). In the street outside and in the foreground (right) is a basket containing the head of Dundas and a set of bagpipes; it is labelled 'To the care of Citizen Horne Tooke'. Beside it lies a bundle of documents labelled 'Waste Paper 2d pr £6'; they are 'Acts of Parliament, Bill of Rights, Statutes.' The left (east) side of the street is filled with goose-stepping republican soldiers, headed by a grotesque and ferocious officer, a drawn sword in his hand, who strides past the decollated head of Richmond, beside which lies a paper: 'Treatise upon Fortifying the Coast' (see BMSat 6921, &c). A grotesque and dwarfish drummer marches in front (left); on his drum is the cap of Liberty and the motto 'Vive la Liberté'. He is immediately outside the door of White's, up the steps of which French officers with fixed bayonets are pressing; one tramples on a prostrate and bleeding body, another transfixes the throat of a member; behind are the hands of members held up to beg for mercy. Other soldiers have reached the balcony and are using daggers; they push over the bleeding body of the Duke of York, indicated by his ribbon and the dice-box and dice which fall from him. The Prince of Wales falls head first, the Duke of Clarence is about to be stabbed. From a projecting lamp-bracket beside the door hang the bodies of Canning and Hawkesbury, tied back to back. Their identity is shown by a placard: 'New March to Paris by Betty Canning (an allusion to Elizabeth Canning, convicted of perjury, cf. BMSat 7982) & Jenny Jenkison'. The (broken) lamp is surmounted by a broken crown. On the club steps and in the street lie a broken 'EO' (roulette) board and playing-cards. The street is filled with close ranks of French soldiers, except for the small body of British Jacobins on the right."--British Museum online catalogue
Alternative Title:
Promised horrors of the French invasion, or, Forcible reasons for negociating a regicide peace, Forcible reasons for negociating a regicide peace, and Forcible reasons for negotiating a regicide peace
Description:
Title etched below image. and 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 32.2 x 43.3 cm, on sheet 42 x 54.4 cm.
Publisher:
Pubd. Octr. 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and France
Subject (Name):
Fox, Charles James, 1749-1806, Taylor, Michael Angelo, 1757-1834, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Thelwall, John, 1764-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Sydney, Thomas Townshend, Viscount, 1733-1800, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dundas, Henry, 1742-1811, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Canning, George, 1770-1827, and Jenkinson, Charles, 1727-1808
Subject (Topic):
Napoleonic Wars, 1800-1815--Proposed invasion of England, 1793-1805, Foreign public opinion, France, and Foreign public opinion, Great Britain
"French troops march with fixed bayonets up St. James's Street, the houses receding in perspective to the gate of the Palace, which is blazing. In the foreground on the left and right are 'White's' and 'Brookes's'. The former is being raided by French troops; the Opposition is in triumphant possession of the latter. In the centre foreground a 'tree of Liberty' (see BMSat 9214, &c.) has been planted: a pole garlanded with flowers and surmounted by a large cap of 'Libertas'. To this pole Pitt, stripped to the waist, is tied, while Fox (left) flogs him ferociously, a birch-rod in each hand. Between Fox's feet lies a headsman's axe, bloodstained; on it stands a perky little chicken with the head of M. A. Taylor (see BMSat 6777). On the right is an ox, his collar, from which a broken cord dangles, inscribed 'Great Bedfordshire Ox' (the duke of Bedford); it is tossing Burke, goaded on by Thelwall, who holds its tail, and flourishes a document inscribed 'Thelwals Lectures' (see BMSat 8685). Burke flies in the air, losing his spectacles, and dropping two pamphlets: 'Letter to the Duke of Bedford', see BMSat 8788, &c, and 'Reflections upon a Regicide Peace', see BMSat 8825. Behind the ox, Lord Stanhope holds up a pole to which is tied, by a ribbon inscribed 'Vive l'Egalite', the beam of a pair of scales; this is balanced by the body of Grenville, suspended by his breeches, and by his head, suspended by the hair; both drip blood. Stanhope, in profile to the left, looks up with a pleased smile; Lauderdale stands facing him, raising his arm to applaud. Behind is an advancing band of British Jacobins waving bonnets-rouges. Sheridan, with furtively triumphant smile, enters the door of Brooks's; a large porter's knot on his head and shoulders supports a sack: 'Remains of the Treasury £'; under his arm is another: 'Requisition from the Bank of England'. Beside the door (right) stands a pestle and mortar inscribed 'J. Hall Apothecary to the New Constitution Long Acre'; the mortar is filled with coronets. On the balcony above the door, Lansdowne, with his enigmatic smile, is working a guillotine; his left hand is on the windlass, in his right he holds up (towards Erskine) Loughborough's elongated wig; the purse of the Great Seal is attached to a post of the guillotine. On the left corner of the balcony rests a dish containing the heads of (left to right) Lord Sydney, Windham, and Pepper Arden, 'Killed off for the Public Good'. Behind stands Erskine, leaning forward and holding up in triumph a firebrand composed of 'Magna Charta', and a 'New Code of Laws'. On the right corner of the balcony four men stand watching the guillotine with quiet satisfaction: Grafton, in profile to the left; Norfolk, clasping his hands, and Derby. Only the hat and eyes of the fourth are visible. In the club windows behind, staring faces are indicated. The lamp beside the door is crowned with a bonnet-rouge. On the door-post a broadside, 'Marsoiles[e] [sic] Hymn', is placed above 'Rule Brit[annia]' (torn). In the street outside and in the foreground (right) is a basket containing the head of Dundas and a set of bagpipes; it is labelled 'To the care of Citizen Horne Tooke'. Beside it lies a bundle of documents labelled 'Waste Paper 2d pr £6'; they are 'Acts of Parliament, Bill of Rights, Statutes.' The left (east) side of the street is filled with goose-stepping republican soldiers, headed by a grotesque and ferocious officer, a drawn sword in his hand, who strides past the decollated head of Richmond, beside which lies a paper: 'Treatise upon Fortifying the Coast' (see BMSat 6921, &c). A grotesque and dwarfish drummer marches in front (left); on his drum is the cap of Liberty and the motto 'Vive la Liberté'. He is immediately outside the door of White's, up the steps of which French officers with fixed bayonets are pressing; one tramples on a prostrate and bleeding body, another transfixes the throat of a member; behind are the hands of members held up to beg for mercy. Other soldiers have reached the balcony and are using daggers; they push over the bleeding body of the Duke of York, indicated by his ribbon and the dice-box and dice which fall from him. The Prince of Wales falls head first, the Duke of Clarence is about to be stabbed. From a projecting lamp-bracket beside the door hang the bodies of Canning and Hawkesbury, tied back to back. Their identity is shown by a placard: 'New March to Paris by Betty Canning (an allusion to Elizabeth Canning, convicted of perjury, cf. BMSat 7982) & Jenny Jenkison'. The (broken) lamp is surmounted by a broken crown. On the club steps and in the street lie a broken 'EO' (roulette) board and playing-cards. The street is filled with close ranks of French soldiers, except for the small body of British Jacobins on the right."--British Museum online catalogue
Alternative Title:
Promised horrors of the French invasion, or, Forcible reasons for negociating a regicide peace, Forcible reasons for negociating a regicide peace, and Forcible reasons for negotiating a regicide peace
Description:
Title etched below image. and Identifications in contemporary hand written below and to the right of plate mark.
Publisher:
Pubd. Octr. 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and France
Subject (Name):
Fox, Charles James, 1749-1806, Taylor, Michael Angelo, 1757-1834, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Thelwall, John, 1764-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Sydney, Thomas Townshend, Viscount, 1733-1800, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dundas, Henry, 1742-1811, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Canning, George, 1770-1827, and Jenkinson, Charles, 1727-1808
Subject (Topic):
Napoleonic Wars, 1800-1815--Proposed invasion of England, 1793-1805, Foreign public opinion, France, and Foreign public opinion, Great Britain
"A buxom girl pushes (left to right) her barrow of carrots along the pavement of Bond Street, looking over her right shoulder at Lord Sandwich ('Jemmy Twitcher'), who overtakes her and twitches her apron. He is in profile to the right, leering at her. Her elegant shoes and clocked stockings are inconsistent with her occupation. The background is a bookseller's shop at the corner of 'Little Maddox Street' (left) and 'New-Bond Street' (right), displaying the royal arms. Over the door, in Bond Street, is 'Faulder' and above the two windows, 'Bookseller & Book Binder'. Pamphlets or open books fill the panes of the windows: 'Rules of the Order of Sr Francis' [an allusion to Sir Francis Dashwood and the profligate order of Medmenham Abbey]; 'List of Servant Maids'; 'A Chip of the old Block'; 'Doe Hunting an Ode by an old Buck Hound'; 'The Beauties of Bond Street' (cf. BMSat 8377); 'A Journey through Life - from Maddox Street unto Conduit Street & back again'. The side of a third shop-window in Maddox Street appears on the extreme left. Cf. BMSat 7080."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Young women -- Wheelbarrows -- Carrots -- Booksellers' shops: Robert Faulder's shop, 42 New Bond Street -- Allusion to Sir Francis Dashwood and Order of Medmenham Abbey.
Publisher:
Pubd. Decr. 3d, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Sandwich, John Montagu, Earl of, 1718-1792 and Faulder, Robert, 1747 or 1748-1815.
"George Hanger bestrides a pile of calves with which his pony is laden, high above his mount's head. He sits in profile to the left, carrying a bludgeon; his right leg thrust forward over the calves. The fore-feet and hind-feet of the calves are tied and lie across the pony and each other. Eleven heads are visible. Hanger says: "Here they are my Lord, here's the slunk Calves, by Gxx - no allusion, dxm'me! - almost forgot you was a North-Countrey-Man! - Runt carries weight well! - no less than Thirteen damme! - come push about the Bottle, & I'll tell you the Story; - In Scotland they eat no Veal, by Gxx! nothing but Staggering-Bobs, - by Gxx! - on my Honor & Soul I mean no insult! - but Tattersal he swore, d------n me, if he didn't, - that on a small Scotch Runt, he saw, Gxx dxxn my blood, - how many d'ye think he saw? - ( - "Saw what, Georgey? - ) - why Calves! - Staggering-Bobs to-be-sure! - why d'ye think he saw Seventeen? - no! - but dxxme, by Gxx, he saw Thirteen!!! - & all just upon such another little Cock-Horse as my own!!!' ..."--British Museum online catalogue
Alternative Title:
Munchausen driving his calves to market
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of text below title: This print is dedicated to Lord Exxxl [i.e., Errol], his party, & the frequenters of Steevens's in general., and Temporary local subject terms: Calves -- Reference to Steevens's Coffee House -- Reference to Baron Munchausen -- Dedication to George Hay, 16th Earl of Errol.
Publisher:
Pub. Decr. 1st, 1796, by H. Humphrey, New Bond Street
"A grotesque body of tradesmen, &c, march in close formation, with fixed bayonets. They wear military coats and crossed bandoliers with very unsoldierly foot-gear and appurtenances. Their leader (right) marches in profile to the right, a very short and fat butcher in over-sleeves wearing a feathered cocked hat above his butcher's cap, a military sash (from which hangs his steel) over an apron. He carries a banner on which St. George is killing the dragon. The front rank consists of (left to right): a cobbler wearing an apron, with the twisted shins known as cheese-cutters, and tattered stockings; a bricklayer, with thick gouty legs, a trowel thrust through his apron-string; an artist, his palette inscribed 'R.A', very thin and with a grotesquely thin neck; his toes project through a tattered boot of fashionable shape; a tailor with shears and tape-measure, a hairdresser with scissors and combs wearing a fashionable stock. On the left of this front rank a dwarfish drummer, an old campaigner with two wooden legs and one eye, beats his drum. Behind, the men recede in perspective, densely packed together."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text following title: "The French invade us, hay? Damme, who'se afraid?", Temporary local subject terms: Militias -- Trades: cobblers -- Butchers -- Tailors -- Hairdressers -- Brick-layers -- Artists -- Drummers -- Wooden legs -- Eye patches -- Banners: St. George and the dragon -- Reference to Pitt's proposal (Oct. 1796) for supplementary militia., and Mounted to 32 x 48 cm.
Publisher:
Pubd. Novr. 25, 1796, by H. Humphrey, New Bond Street
"The Prince of Wales, very fat and pompous, in night-cap, dressing-gown, and slippers, walks in profile along a corridor leading from his own door (right), above which are his coronet and feathers, towards that of Lady Jersey, which is wide open and reveals its occupant holding apart the bed-curtains with a gap-toothed grin. Lord Jersey, dwarfish, shambling, and elderly, dressed in nightcap and night-shirt (on which is a 'J' with a coronet), stands by the door, holding a candle and pointing to the bed; he raises his night-cap deferentially to the Prince, who says, with contemptuous arrogance, 'va-t-en' (see BMSat 8809). The Prince walks on a fringed strip of carpet. On the open door behind Lord Jersey is 'A [torn] Map of the Road into the Harbour of Jer[sey]'; the islands of 'Guernsey, Alderney, Sark and [Je]rsey' are depicted, with a route leading to Jersey (cf. BMSat 8810)."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Adultery -- Emblems: Prince of Wales's feathers -- Pictures amplifying subject: torn map of the road into the harbour of Jersey -- Coronets -- Lighting: candlesticks -- Male dress: nightshirt -- Nightcaps.
Publisher:
Pubd. May 25th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821