"Pitt as Death on the pale Horse rides naked on the White Horse of Hanover, galloping over the prostrate bodies of pigs; other pigs, a multitude extending to the horizon, flee before him. On the horse's fringed saddle-cloth is a crown. Pitt is very emaciated, his flaming hair streams behind him encircled by a fillet inscribed 'Destruction'. In his right hand is a large flaming sword; in his left he holds the thread-like body of a scaly monster with gaping jaws, webbed wings, and serpent's tail. Behind him on the horse's hind quarters sits a naked imp wearing the feathered coronet of the Prince of Wales, with the motto 'Ich di[en]'. He grasps Pitt, and kisses his posterior; in his left hand he holds out a paper: 'Provision for the Millenium £125,000 pr An'. The horse's tail streams out, expanding into clouds, and merging with the flames of Hell which rise from the extreme right. In the tail and flames imps are flying, headed by Dundas holding a pitchfork; he wears a wig and plaid with horns and webbed wings. Behind are three imps: Loughborough, indicated as usual by an elongated judge's wig in back view (cf. BMSat 6796); Burke with webbed wings and serpent's tail; Pepper Arden [Identified by Wright and Evans as Lord Kenyon. The identification in the text is confirmed by Lord Holland.] wearing a large wig. In the foreground (right) Pitt's opponents are being kicked towards Hell by the horse's hind legs. Fox has just been violently struck in the face, and staggers backwards, clutching a paper inscribed 'Peace'. Sheridan lies prone, face downwards, hands raised, as if for mercy. Wilberforce sits on the ground clasping his 'Motion for a Peace' (see BMSat 8637). Behind Fox Lansdowne looks up from the ground, clenching his fists. On the extreme right the Duke of Norfolk, Lord Stanhope, and the Duke of Grafton are about to plunge into the flames: Fox in falling is pushing them over. ..."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: And e'er the last days began, I looked, & behold, a white horse, & his name who sat upon it was Death ..., and Mounted to 36 x 42 cm.
Publisher:
Pubd. June 4th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Wilberforce, William, 1759-1833, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Brothers, Richard, 1757-1824, and Halhed, Nathaniel Brassey, 1751-1830.
"The King and Queen, seated on the throne (left), receive with astonished horror a deputation from Turkey. An arrogant Turk stands proffering a large rolled document with pendent seals on which are crescents: 'Powers for a new Connexion between the Port, England & France'. Beside him (left) another Turk grovels on the ground. Fox and Sheridan, kneeling with crouching humility, hold up the long cloak of the Turkish emissary; their bonnets-rouges are decorated with crescents. Behind them Priestley bows low (right). Turks with spears and banners stand behind him. To a spear topped with a crescent is attached a tricolour flag inscribed 'Vive la Republique'. Pitt, a naked mannikin, one foot on the royal dais, clutches the King's knee in terror: a chain from his wrist is attached to a royal crown lying on the ground. Behind him, and beside the throne, stands Dundas in Highland dress, tall and impassive, holding a pike. The King and Queen are much caricatured: the King stares, biting his fingers and clutching the Queen; she puts her fan before her face but looks through its sticks (as in BMSat 9528) at the Turks. The three elder princesses (not caricatured) peep from behind the throne on the extreme left."--British Museum online catalogue
Alternative Title:
Final resource of French atheists
Description:
Title etched below image., Temporary local subject terms: Turkish ambassador -- Crowns -- Thrones -- Male costume: bonnet rouge -- Female costume: fans -- Pets: Pitt as a monkey -- Turks -- Royal princesses., and Incomplete images of two prints on verso: The Monster Broke Loose, or, A Peep into the Shakespeare Gallery and The Vulture of the Constitution.
Publisher:
Pubd. Decr. 26th, 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Priestley, Joseph, 1733-1804, and Melville, Henry Dundas, Viscount, 1742-1811
"The heads and shoulders of the King and Queen (left) and of Dundas (right) face each other; Dundas holds a letter with a broken seal postmarked Bristol; he leans forward with a satisfied and cunning smile, saying, "Seringapatam is taken! Tippo is wounded! & Millions of Pagodas secured." He wears a plaid across his shoulders and a legal wig. The King and Queen, much caricatured, have expressions of surprised delight; George III, who wears a hunting-cap, raises his hands, saying, "Tally ho! ho! ho! ho!" Queen Charlotte, beside and behind him, says, "O the dear, sweet Pagodas"."--British Museum online catalogue, description of an earlier state of the same composition
Alternative Title:
Nincumpoop in high glee
Description:
Title from text in image., Printmaker from description of an earlier state in the British Museum catalogue., Later state of a print originally published with the imprint: Pubd. May 23d, 1792, by J. Aitken, Castle Street, Leicester Fields. Cf. No. 8094 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Allusion to the fall of Seringapatam -- Allusion to Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799 -- Allusion to the 3rd Mysore War, 1790-1792 -- Windsor uniforms.
Publisher:
Pubd. May 23d, 1792, by H. Humphrey
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Melville, Henry Dundas, Viscount, 1742-1811
"In the manner of history painting rather than caricature. ... George III as St. George, in uniform, holds up his sword, about to give a final blow to a scaly dragon with the head of Napoleon. The long convolutions of the dragon are under the horse's feet: Napoleon's head, with a barbed fang and flames issuing from the mouth, looks up despairingly. A sword-cut has gashed his skull, and cut his crown in two. The dragon has large wings and the legs and talons of a beast of prey; it falls backwards: Britannia (left) will just escape being crushed."--British Museum online catalogue
Alternative Title:
Saint George and the dragon
Description:
Title etched below image., Artist identified as Lt.-Col. Thomas Richmond Gale Braddyll in the British Museum catalogue., and Mounted on modern secondary support.
Publisher:
Publish'd August 2d, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and George III, King of Great Britain, 1738-1820
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. Beneath the title is etched : '"Who wrought such wonders as might make "Egyptian sorcerers forsake "Their baffled mockeries, & own ''The palm of magick our's alone.'' Churchll'."--British Museum online catalogue
Description:
Title from item., Printmaker identifiedin British Museum catalogue as Gillray who disguised his identity by signing the work with Sayers's initials., Sheet trimmed on one side within plate mark, with loss of design., Cf. No. 7320 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Numbered '39' in upper right corner of plate., and Quotations from Charles Churchill, 1731-1764.
Publisher:
Pubd. May 16th 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Bridport, Alexander Hood, Viscount, 1726-1814
Subject (Topic):
Chimney sweeps, Fishmongers, Jugglers, and Seesaws
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Four lines of verse below title: "Who wrought such wonders as might make, Egyptian sorcerers forsake ..." Churchll., Temporary local subject terms: Literature: quotations: Charles Churchill, 1731-1764 -- Jugglers -- See-saws -- Naval logs -- Allusion to Mother Shipton -- Gate of St. James's Palace -- Fishwives -- Punch -- Coins -- Chimney sweeps -- Trials: Warren Hastings's trial -- Alexander Hood, Viscount Bridport, 1727-1814., 1 print : etching on laid paper ; plate mark 34.8 x 24.8 cm, on sheet 40.5 x 27.3 cm., and Mounted to 43 x 30 cm.
Publisher:
Pubd. May 16th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Saint James's Palace (London, England),
"The King and Queen, much caricatured, sit side by side in a latrine, above which is part of the royal arms, the lion looking down apprehensively and excreting. They look in horror towards Pitt, who rushes in, terrified, from a door (right), holding out a paper inscribed 'News from Sweden', and saying, "Another Monarch done over!" He is grotesquely thin. The King rises slightly, holding his stomach, and saying, "What ? Shot ? What ? what ? what ? Shot! shot! shot!" He wears a nightcap tied with a ribbon inscribed 'Honi Soit qui M . . . '. The Queen is a shrunken and huddled figure; both have grotesquely agitated expressions."--British Museum online catalogue
Alternative Title:
News of shooting the King of Sweden
Description:
Title from item., Printmaker from British Museum catalogue., Date of printing based on that of Bohn's suppressed plates., Sheet trimmed to and within plate mark., Reissue, probably from Bohn, ii, suppressed plates. Cf. No. 8080 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Interiors: latrine -- Male costume: royal night cap -- Emblems: burlesqued royal arms -- Allusion to assassination of Gustavus III.
Publisher:
Pubd. April 11th 1792 by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
"Pitt as Don Quixote (and Petruchio) bestrides a sorry rosinante, the white horse of Hanover, scarred and decrepit and apparently at the point of death. Behind him sits the King of Prussia. Holland, as Sancho Panza, on the animal's hind-quarters, clasps Prussia round the waist. The Sultan, on the extreme left, crouches behind the horse, kissing its tail. Pitt, who holds a whip, points a thin mail-clad hand arrogantly at Catherine of Russia (right), a stout woman who has sunk in terror to her knees, but is supported by the Emperor Leopold and by France, a grotesquely lean Frenchman of the old régime, wearing a cocked hat ornamented with fleur-de-lis. Pitt wears Mambrino's helmet (the barber's basin) surmounted by a crown and a feather. He says: ""Katharine, that cap of yours becomes you not; "Off with that bauble, 'tis my royal will." The 'cap' is a crescent in her hair, symbolizing her conquests from Turkey and, more especially, Oczakoff, the place in dispute. Pitt's horse (George III), says, weeping, "Heigho! to have myself thus rid to death, by a Boy & his playmates, merely to frighten an Old Woman - I wish I was back in Hanover to get myself a belly full". A holster on the animal's neck is inscribed 'G.R', but the 'G' has been struck out and replaced by 'P' (to indicate that Pitt has usurped the prerogative of the Crown, cf. BMSat 7479, &c). The King of Prussia, with his chin on Pitt's shoulder, glares fiercely; he holds a drawn sabre and says, "Blood & Dunder, I would give her one good Prussian stroking". Sancho Panza, a fat Dutchman, says, "I'm in a good humour to give her a dram of right Holland's". The crouching Turk cries obsequiously, "Amman! Amman! Anglois, Alia, Alia". Catherine is terrified, she turns away from Pitt exclaiming: ""I see my Lances are but straws; "My strength is weak, my weakness past compare; "And am asham'd, that Women are so simple "To offer War when they should kneel for Peace." France says, "O, by Gar! if Mirabeau was but 'live! Sacre Dieu." The Emperor, who is crowned, and wears a cloak on which is the Habsburg eagle, says, "Das is de devil, to give up all again". Beside Catherine is a sword tying across a plan of a fortress, Oczakow."--British Museum online catalogue
Alternative Title:
What you will and Modern Quixote
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Don Quixote -- Horse of Hanover -- George III as the Horse of Hanover -- Weapons: sabre -- Horse whip -- Allusion to Oczakow -- Allusion to Triple Alliance (England, Prussia and Holland)., and Watermark: J Whatman.
Publisher:
Pubd. April 20th, 1791, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Leopold II, Holy Roman Emperor, 1747-1792, Frederick William II, King of Prussia, 1744-1797, Selim III, Sultan of the Turks, 1761-1808, and Pitt, William, 1759-1806
"The King sits in an armchair in profile to the left, bending forward to eat a boiled egg, holding the egg-cup in his left hand. Opposite him, and partly concealed by the left margin, sits the Queen, avidly stuffing salad into her mouth. On the small round table are a bowl of salad and two jugs or oil and vinegar. Everything in the room denotes miserliness: the King has tucked the end of the table-cloth into his collar to protect his dress; his breeches are patched; his chair is swathed in protective coverings, his feet rest on a mat which protects the carpet. A richly chased flagon, decorated with the royal arms, which stands on the ground beside him, is inscribed 'Aqua Regis'. The handle of the bell-pull is covered by a bag. Behind the King's back, and on the extreme right, is a fire-place; in the grate is a vase containing snowdrops, holly, and mistletoe, to show that although it is winter there is no fire (cf. BMSat 7322). A grotesque figure in relief squats above the oval grate, his hands in a muff. On the chimney-piece stand a small pair of scales such as were then used for weighing guineas; see BMSat 5128, &c, resembling those held by the Queen in BMSat 8081; a candelabra formed of a woman's figure, 'Munificence', holding two empty cornucopias; one candle is intact, the other has burned low and is covered by an extinguisher surmounted by a crown. Above the chimney-piece is a picture: 'The fall of Manna', in which the Bible story is realistically depicted: round cakes (? or coins) descend from Heaven and are caught in sacks by Jews wearing contemporary dress; behind are tents and a mountain. Above the King's head hangs an empty picture frame inscribed 'The Triumph of Benevolence'. Below it hangs an oval miniature of the King in profile to the right, inscribed 'The Man of Ross' (John Kyrle (1637-1724), noted for frugality and charity, see 'D.N.B.'), and above it is the lower arc of another empty frame inscribed 'Epicurus'. In the foreground (right) behind the King is an iron-bound and padlocked chest on and beside which are three books: 'Life of Old Elwes' (the miser, a popular work by Topham), 'Dr Cheyne on the benefits of a Spare Diet', and 'Essay on the dearness of Provisions' (cf. BMSat 6993). Behind the Queen is the heavily bolted door of a strong-room; on it hangs a placard: 'Table of Interest, 5 pr Cent. 5 Million . . . 250,000' (&c, the total interest forming a colossal but scarcely legible amount). Above the door is the lower part of an empty frame: 'Parting of the Loaves & Fishes.'"--British Museum online catalogue
Description:
Title engraved below image., Companion print to: "A voluptuary under the horrors of digestion.", Sheet trimmed to plate mark., and Temporary local subject terms: Interiors: breakfast room -- Doors: door locks -- Dishes: gold service -- Cutlery -- Table settings -- Food: salad -- Food: boiled eggs -- Fireplaces -- Buddhas -- Flower arrangements -- Flagons -- Dishes: cruets -- Muffs -- Placards -- Crowned candle-snuffers -- Chests: iron-bound and padlocked chest -- Furnishings: bell pulls -- Allusion to Epicurus -- Pictures amplifying subject -- Scales -- Bible: Matthew, 15.36 - allusion to loaves and fishes -- Bible: Numbers, 11.9, 'The fall of manna' -- Glasses: crystal glasses -- Literature: George Cheyne, 1671-1743, Works -- Literature: Edward Topham, 1751-1820, Life of Old Elwes -- Allusion to John Kyrle, 1637-1724 -- Furniture: chairs -- Furnishings: bell pull -- Furnishings: slip cover -- Miserliness -- Misers -- Lighting: candelabra.
Publisher:
Pubd. July 28th, 1792, by H. Humphrey, Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
"Four monarchs divide between them a map of the territories of the Dutch Republic, all saying, "Let us support the poor Dutch!" In the background (left) the 'Stadt House' falls in ruins, and on a small rock in the sea inscribed 'Texel' a fat Dutchman in back view, looking out to sea, says, "Now, I am an Absolute Monarch"; the words ascend in the smoke of his pipe. He holds a sword and is surrounded by cackling geese. All four sovereigns hold the map, and all shed tears: George III (right) tugs at it with both hands, tearing off a piece inscribed 'Good Hope', 'Java', 'Saba', 'Eustatia', 'Curac', 'Bonaire' (?), 'Coruba', 'St Martins', 'Surinam'. Frederick William of Prussia (left), seated on the ground, wearing a fool's cap decorated with the skull and cross-bones of the Death's Head Hussars, uses a dagger to cut off a piece containing 'Friesland', 'Groningen', 'Overyisel', and 'Ceylon'. The Emperor Joseph, standing opposite Frederick William, slices the map with a large sword, securing 'Utrecht', 'Zalper' (?), 'Holland', 'Molucca Islands'. Between Joseph and George III Louis XVI, dressed as a French fop, uses a pair of shears to cut off 'Guelderland', 'Zeeland', 'Rotterda[m]', and 'Hague'."--British Museum online catalogue
Description:
Title etched below image, Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Dutch Republic.
Publisher:
Pubd. June 23d, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, and Frederick William II, King of Prussia, 1744-1797