publish'd according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 74. Queen Charlotte's collection of Hogarth works. Leaf 51. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"A flourishing urban scene with well fed citizens; in the foreground, butchers, fish wives and a City of London porter hold large tankards of beer; a butcher lifts a skinny Frenchman into the air with one hand; in the background, paviours repair the street, chairmen carry a stout lady, tailors sew in a well lit attic, builders work on the roof of a house clad with scaffolding, and a warehouseman hauls a barrel to an upper storey - all are drinking beer; poverty appears only in the ragged coat of the artist painting the tavern sign and, more particularly, in the collapsing house of "N Pinch Pawn Broker"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Companion print: Gin Lane., "Price 1s"-- Lower right corner of plate., Four lines of verse iin each of three columns etched below image, beginning: "Beer, happy Produce of our Isle, Can sinewy Strength impart ...", 1 print : etching and engraving on laid paper ; plate mark 38.8 x 32.4 cm, on sheet 56 x 45 cm., and Leaf 51 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Beer, Bricklayers, Butchers, Carriages & coaches, City & town life, Eating & drinking, Fishmongers, Occupations, Painters (Tradespeople), Street vendors, Tailors, Taverns (Inns), and Usury
Page 138. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"View of the church of St Mary-le-Bow in Cheapside, London; figures and carriages on street in foreground; shops adjoining church to the left."--British Museum online catalogue
Description:
Title etched at top of image., Plate from: Stow, J. A survey of the cities of London and Westminster. London : Printed for A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, [and 5 others in London], 1720, v. 1, book 3, opposite page 25., Imperfect; sheet trimmed within plate mark with loss of printmaker's signature from lower right. Missing text supplied from impression in the British Museum, registration no.: 1978,U.3633., "V 1: B 3: p. 25."--Upper right corner., Folded to 31.8 x 20.7 cm; mounted to 32 x 26 cm., and Mounted on page 138 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
"Satire on the English: a party of tourists climb into a diligence, with the ship behind from which they have just disembarked."--British Museum online catalogue
Alternative Title:
Debarquement d'anglais a calais pour paris
Description:
Title etched above and below image., This print was listed in the 'Bibliographie de France' for la 12 November 1814. See British Museum online catalogue., "Déposé à la Direction Gal. de l'imp. et de la lib.", and Paper with some foxing.
Publisher:
Chez Mme Ve. Chereau rue St Jacques no.10
Subject (Topic):
Carriages & coaches, Families, Ethnic stereotypes, and Tourists
Leaf 14. Poems, explaining the seven cartons painted by Raphael Urbin.
Image Count:
1
Resource Type:
still image
Abstract:
"Mrs. Gilpin (left) holds out a coin to the driver (right) of her chaise who stands bowing deferentially beside his horse. Her sister and two children stand behind her. In the background is the inn and the chaise."--British Museum catalogue
Alternative Title:
And thus unto the youth she said that drove them to the Bell ...
Description:
Title etched above image., Four lines of verse below image: And thus unto the youth she said that drove them to the Bell, 'This shall be yours, when you bring back 'my husband safe and well., Fifth plate in a series of six, each with a plate number in the upper right and verses at bottom. All plates have the same publication line and date; plate 1 has the longer title "Six prints, from the renowned History of John Gilpin" as well as "Book 110" etched in upper left corner. See British Museum catalgoue., Plate numbered "5" in upper right corner., and Bound in as leaf 14 in an extra-illustrated copy of: Fowler, J. Poems, explaining the seven cartons painted by Raphael Urbin. [London?], [1707?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Cowper, William, 1731-1800.
Subject (Topic):
Carriages & coaches, Coach drivers, Bowing, Coins, Taverns (Inns), and Family members
"A half length portrait of Lord Sefton (1772-1838) seated on a high box-seat, driving; he leans slightly forward, his head in profile to the left, a bunch of reins in the left hand, a long whip in the right."--British Museum catalogue
Description:
Title etched below image., Leaf 18 in an album with the spine title: Characatures by Dighton., and Figure identified as "Ld. Sefton" in pencil below plate mark.
Publisher:
Pubd. Novr. 1801 by Dighton, Charg. Cross
Subject (Name):
Sefton, William Philip Molyneux, Earl of, 1772-1838
A copy of the fourth print in William Hogarth's series "Four Times of the Day", set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 149., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published February the 1.st 1798 by G.G. & J. Robinson Pater-noster Row London
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 49 x 40.3 cm, on sheet 59 x 46 cm., and Plate 25 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.7 x 40.4 cm, on sheet 56 x 45 cm., and Leaf 25 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
"Two pretty women leave a shop (left) to enter a coach whose back is towards the spectator. The foremost (? Duchess of Rutland), raising her petticoats high, puts a foot on the step. She is followed by (?) Lady Jersey, who crosses a step laid across a barred area or cellar, also raising her petticoats. A little girl (left) stands in the doorway. The legs of the ladies are eagerly inspected by male loungers. One man crouches at the back of the coach to peep through a quizzing-glass. The roadway on the right of the coach is crowded. Men with telescopes are indicated in the windows of the houses (right). Other spectators stand in the cellar or area looking upwards through the bars. The cover of a coal-hole in the pavement is pushed aside to show a profile. ..."--British Museum online catalogue
Alternative Title:
Cause of the lounge!!
Description:
Title etched below image., Printmaker Isaac Cruikshank's initials are incorporated into the design, etched within the escutcheon on the back of the coach., Date in imprint transcribed as "April 1st, 1793" in the British Museum catalogue; etched lines resembling a "7" are found beneath the superscript "st" but may not actually represent a digit., and Imprint continues: ... who has just fitted up his Exhibition in an entire novel stile, admitance [sic] 1 shg. N. folios of caracatures lent out.
Publisher:
Pub. April 17st [sic], 1793, by S.W. Fores, No. 3 Piccadilly ...
Subject (Name):
Rutland, Mary Isabella Manners, Duchess of, 1756-1831 and Jersey, Frances Villiers, Countess of, 1753-1821
Subject (Topic):
Stores & shops, Carriages & coaches, Streets, Hand lenses, Telescopes, and Voyeurism
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 77. Queen Charlotte's collection of Hogarth works. Leaf 53. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats to death a sheep. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second plate in a series of four: The four stages of cruelty., "Price 1d"--Below design, lower right edge., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 31.9 cm, on sheet 59 x 46 cm., and Plate 77 in the album: Queen Charlotte's collection of Hogarth works.