"The crowded cabin tilts to the right, to the dismay of a family party dining at a table in the foreground. There is a second table in the background with a meal in progress. The cabin is bordered on left and right by two tiers of berths, apparently for two persons, set in panelling, and with curtains festooned along the upper edge. These are filled by suffering travellers. A bench runs along the front of the berths; other passengers sit on camp-stools. Phases of misery, discomfort, resignation, and (by exception) complacency are realistically illustrated. A sailor pushes a mop-stick through an open hatch in the roof."--British Museum online catalogue
Description:
Title etched below image., Possibly after a design by Captain Frederick Marryat. See British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman. Watermark '1828' on mounting sheet., and Laid on album paper.
Publisher:
Published by G. Humphrey, 27 St. James's Str., London
Subject (Geographic):
England, Margate (England), England., and Margate.
Subject (Topic):
Packets, Motion sickness, Ocean travel, Description and travel, Travel, and Vomiting
A satire of a Gretna Green marriage, taking place in front of smithy's shop. Erskine, disguised in woman's dress with a huge feathered bonnet over a barrister's wig, holds the right hand of a demure-looking woman, modishly dressed and apparently pregnant. He holds a paper: 'Breach of Promise'. With them are three young children. The smith wears Highland dress; he holds a red-hot bar on the anvil and raises his hammer, saying, "I shall make a good thing of this Piece at last." Erskine says: "I have bother'd the Courts in London many times, I'll now try my hand at the Scotch Bar--as to Miss C-- she may do her worst since I have got my Letters back." The woman says: "Now who dare say, Blacks the White of my Eye." In the background (right) a young woman rushes down a slope towards the smithy, shouting, "Oh Stop Stop Stop, false Man, I will yet seek redress tho you have got back your letters--" Beside her is a sign-post pointing 'To Gretna Green'. A little boy with Erskine's features, wearing tartan trousers, stands on tip-toe to watch the smith; on the ground beside him is a toy (or emblem), a cock on a pair of breeches. A little girl stands by her mother nursing a doll fashionably dressed as a woman, but with Erskine's profile. Another boy with a toy horse on a string stands in back view watching 'Miss C'. Behind the smith is the furnace; on the wall hang many rings: 'Rings to fit all Hands.'
Alternative Title:
More legitimates
Description:
Title etched below image. and Printed on paper watermarked "1818".
Publisher:
Pubd. Feby. 4th, 1819, by S.W. Fores, 50 Piccadilly & 312 Oxford Street
Subject (Geographic):
Scotland, Gretna Green, Gretna Green (Scotland), and Gretna Green.
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Erskine, Sarah Buck, Baroness, -1825, and Erskine, Thomas Erskine, Baron, 1750-1823.
Subject (Topic):
Elopement, Breach of promise, Elopements, Ethnic stereotypes, Forge shops, Metalworking, Furnaces, Anvils, and Hammers
"The Duke of Grafton stands directed to the left, his head in profile, both (gloved) hands resting on the head of his stick. He wears his accustomed and characteristic dress of an earlier fashion: small tricorne and full-skirted coat buttoned at the waist, with a star, and spurred top-boots."--British Museum online catalogue
Description:
Title etched below image., Leaf 30 in an album with the spine title: Characatures by Dighton., and Figure identified as "Duke of Grafton" in pencil below plate mark.
Publisher:
Pubd. Novr. 20th, 1801, by Dighton, Charg. Cross
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
"An elderly man shambles from right to left in profile, right hand on his stick, left hand in his coat-pocket. He wears a hat with a curved brim, a curled, old-fashioned brown wig, a long coat, and an overcoat, with ill-fitting gaiters reaching to the thigh. Two seals hang from a fob. He is Councillor John Morris or Morriss."--British Museum online catalogue
Description:
Title etched below image. and Leaf 57 in an album with the spine title: Characatures by Dighton.
Twelve titled dot-and-line figure vignettes in two rows. Top row from left to right show the stick figures (or "pin men") in mulitple social situations: "Asking to dance", "Leading out", "Hands four round", "Down the middle", "Right and left" and "Setting". Second row from left to right: "Cross hands", "Pousette", "Hornpipe", "Tete à tete", "Fainting", and "Taking home royal".
Description:
Title from item., Plate published in: Ackermann's Repository of Arts for February 1, 1817, following page 90., An example of the "line and dot" caricature., Accompanied by a satirical poem from the artist's perspecive, scorning the great masters' classical training in figure drawing and sculpture., and The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b
Publisher:
Published Feb. 1, 1817 at R. Ackermanns, 101 Strand
"A half length portrait of Lord Sefton (1772-1838) seated on a high box-seat, driving; he leans slightly forward, his head in profile to the left, a bunch of reins in the left hand, a long whip in the right."--British Museum catalogue
Description:
Title etched below image., Leaf 18 in an album with the spine title: Characatures by Dighton., and Figure identified as "Ld. Sefton" in pencil below plate mark.
Publisher:
Pubd. Novr. 1801 by Dighton, Charg. Cross
Subject (Name):
Sefton, William Philip Molyneux, Earl of, 1772-1838
Paine (head and shoulders only visible) dangles on a noose from a lamp-bracket, the post of which is inscribed 'Rights of This Man'. The head of Orléans with the horns of a devil looks down at Paine from behind the post, which he clutches with his talons. From the lamp dangles an escutcheon, on which are pairs of stays and a chevron, with the motto 'Common Sense'.
Description:
Title from letterpress text below image., Date of publication from British Museum catalogue., With eighteen lines of letterpress text attacking Paine, beginning: Setting forth as how Tom was born at Thetford ..., and Dated '1794' in a contemporary hand. Beneath the date is a later pencil inscription: ‘This is said to contain a strong likeness of Paine and is not a print to be bought.’
Publisher:
publisher not identified
Subject (Name):
Paine, Thomas, 1737-1809, Paine, Thomas, 1737-1809., and Orléans, Louis Philippe Joseph, duc d', 1747-1793
"Orléans (Égalité), looking to the right, stands on the scaffold dressed as a grenadier of the National Guard. He holds out by the hair the decollated head of Louis XVI, while he waves his cap in his right hand. Behind (left) is the guillotine, with the King's body; streams of blood pour from head and trunk. Below the scaffold (right) are heads and bayonets of the National Guard, and, behind, two large buildings, the windows and roofs filled with spectators; those on the roof wave their hats."--British Museum online catalogue
Description:
Title etched below image. and Text below title: Behold the progress of our system.
Publisher:
Pub. Feb. 12, 1793, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
France and France.
Subject (Name):
Orléans, Louis Philippe Joseph, duc d', 1747-1793, Louis XVI, King of France, 1754-1793, Louis XVI, King of France, 1754-1793., and Orléans, Louis Philippe Joseph, duc d', 1747-1793.
Subject (Topic):
History, Guillotines (Punishment), and Decapitations
Five rows with titled dot-and-line figure vignettes engaged in various activities including fencing, duelling, interpersonal actions. Top row from left to right show the stick figures (or "pin men"): "Asking to dance", "Leading out", "Hands round", "Down the middle", "Right & left" and "Setting". Second row from left to right: "Cross hands", "Pousette", "Hornpipe", "Tete à tete", "Fainting", and "Taking home royal". Third row: "Battledore", Tight rope", "Single stick". Fourth row: "Believe me", "O' how lovely", "Don't [illegible] me", "Feeling queer". Fifth row: "Feeling querrer", "Attack", and "Friends arriving too late"
Description:
Title from related published print., Formerly mounted on blue paper with residue on the back of the sheet., The first two lines are identical (with the exception for a slight change in the title of the third figure, top row) to a plate entitled "Dottator et lineator loquitur" and published in: Ackermann's Repository of Arts for February 1, 1817, following page 90., An example of the "line and dot" caricature., The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b, and The published print was accompanied by a satirical poem from the artist's perspecive, scorning the great masters' classical training in figure drawing and sculpture.