"Copy of a man with shaven head (James Figg) in casual dress, holding quarter-staff in his right hand and round-brimmed hat in the left, standing whole length to front in a landscape, with head tilted to right, glancing towards the viewer, smiling with lips parted; after a painting by Hogarth in a private collection."--British Museum online catalogue
Description:
Title from text below image., "Elizabeth Einberg (personal communication, March 2011) suggests that the subject is likely to be James Figg rather than John Broughton. She also suggests that although the head in the painting was certainly the work of Hogarth, the landscape background was painted by George Lambert, and the body of the sitter perhaps by a third artist. Tony Gee (July 2016) also has some doubts as to whether the subject is actually Broughton."--Curator's comments, British Museum online catalogue., Imperfect; sheet damaged with loss of most of the printmaker's name; also sheet trimmed with loss of publisher and printer statements from bottom edge. Missing text supplied from impression in the British Museum, registration no.: 1868,0822.1651., and Laid on card. Publication line added in pencil at bottom of sheet.
Publisher:
Published for the proprietor March 25th, 1842, by W. & G. Smith, 24 Lisle Street, Leicester Square and C. Graf, lith. to Her Majesty
Subject (Name):
Broughton, John, 1705-1789,, Figg, James, -1734,, and Willett, H. R. 1786-1857. (Henry Ralph),
"Portrait of Napoléon Bonaparte as First Consul, bust-length, looking to the right; wearing a buttoned double-breasted coat with high collar, and dark neckerchief, with part of a white garment showing underneath; in an octagon."--British Museum online catalogue
Description:
Title from text below image., Date range for publication from the British Museum online catalogue, registration no.: 1902,1011.5735., Bound in opposite page 626 (leaf numbered '64' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and With contemporary signature in ink at bottom of plate: John William Stearne[?].
Publisher:
Published Feb. 23 by Mr. Turner, 50 Warren Street, Fitzroy Square, London
Ten hand-colored engravings, depicting scenes from the Battle of Seringapatnam, form the border of a writing sheet, one each along the upper and lower edges and four on either side. Illustrations include, at the top, a battle scene; portraits of the British generals, Harris and Stuart; Tippoo Saib discovered among the slain, Tippoo's sons surrender; A sepoy upon a charge, An Indian soldier; Tippoo Sultan, Tippoo Sultan's wife; a design with flags, drums, cannons, swords and bugles. The battle scene and the image with the two sons include images of elephants
Alternative Title:
Conquest of Seringapatnam
Description:
Title from head of sheet., Numbered '65.' in lower right corner., With blank center of sheet filled in manuscript in black ink with an adage and a poem and signed: John Halton June 12th, Prescot School, 1801., and With watermark and countermark.
Publisher:
Published 18th Novr. 1799 by Laurie & Whittle, 53, Fleet Street
Subject (Geographic):
India, India., Śrīraṅgapaṭṭaṇa., and Indian
Subject (Name):
Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799, and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799
Hayter, George, Sir, 1792-1871, printmaker, artist
Published / Created:
[approximately 1823]
Call Number:
Drawer 823.00.00.28+
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of the House of Lords, crowded with nobles in the benches and galleries on either side, attending the trial of Queen Caroline for adultery with Pergami, her Italian secretary; George IV stands, hands on hips, in the left gallery, the editors of the Times and Courier lean over the front bench below it, Robert Gifford, attorney general, stands in front of them holding a finger to his chin thoughtfully while Spinetti interprets for a witness, Majocchi, at the bar, behind which Tyrwhitt, Long and Castlereagh, sit sifting papers to the left of the Queen's solicitor and Denman, who takes a paper from Henry Brougham, the Queen sits to the right in front of the bar, Earl Grey stands in the right aisle, pointing with his right arm towards the witness, and the artist is shown standing with a folio under his arm on the far right."--British Museum online catalogue
Description:
Title etched at top of image., Initial letters of printmaker's name form a monogram., Sheets trimmed within plate marks., Five of the six prints comprising this image were issued as illustrations in: Descriptive catalogue of the great historical picture painted by Mr. George Hayter ... London : Gold and Walton, 1823. Cf. British Museum online catalogue, registration no.: 2010,7081.7373.1-5., and Annotated in black ink by an unidentified hand with numbers by each image matching those used for the printed key to the later published state.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, Bergami, Bartolomeo Bergami, Baron., George IV, King of Great Britain, 1762-1830,, Gifford, Robert Gifford, Baron, 1779-1826,, Majocchi, Theodore, active 1820,, Tyrwhitt, Thomas, 1762 or 1763-1833,, Long, Charles, 1760-1838,, Castlereagh, Robert Stewart, Viscount, 1769-1822,, Denman, Thomas Denman, Baron, 1779-1854,, Brougham and Vaux, Henry Brougham, Baron, 1778-1868,, Lushington, Stephen, 1782-1873,, Grey, Charles Grey, Earl, 1764-1845,, Hayter, George, Sir, 1792-1871,, and Great Britain. Parliament. House of Lords
Subject (Topic):
Scandals, Trials (Adultery), Government officials, Judicial proceedings, Queens, and British
"Portrait of Robert Clive, 1st Baron Clive of Plassey, three-quarter length, standing to right on a hill beside a tree, looking towards the viewer, leaning on a stick held in his left hand, holding a tricorn hat in the right; wearing uniform, sash over waistcoat, sword and queue wig; river below."--British Museum online catalogue, description of another print of similar composition
Description:
Title from manuscript note in ink on mounting sheet., Engraved after a painting by Nathanial Dance; see description of another print of similar composition in the British Museum online catalogue, registration no.: 1920,1211.410. For a discussion of various versions of the painting produced by the workshop of Nathanial Dance, see description for NPG 39 in the online catalogue of the National Portrait Gallery, London., Proof before letters?, Approximate date of publication supplied by cataloger., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 1, page 451., Window mounted to 51 x 36 cm., and Mounted opposite page 382 (leaf numbered '197' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Clive, Robert Clive, Baron, 1725-1774,
Subject (Topic):
Government officials, British, and Military uniforms
Nugent, Thomas, active 18th century, printmaker, publisher
Published / Created:
[1800]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Esther Jane Sheridan with her son Charles on her back, as a rustic figure carrying a jug towards a stream at right, donkeys in surrounding landscape."--British Museum online catalogue, description of a later state
Alternative Title:
Mrs. Sheridan and son
Description:
Title from lettered state., Artist and printmaker from statement of responsibility on lettered state: Painted by J. Hoppner R.A. ; engraved by T. Nugent., State before any lettering. For a later state with the imprint "London, Published April 2, 1800, by T. Nugent, No. 21 Charles Street, Middlesex Hospital," see British Museum online catalogue, registration no.: 1871,1209.321., Sheet trimmed within plate mark., Bound in as frontispiece (opposite title page) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and With title "Hester Jane, Second Wife of R.B. Sheridan" and artist statement "John Hoppner pinxt." added in pencil in lower margin, in a later hand. Printmaker's name "Nugent" written beneath image in lower right, in a contemporary hand.
Publisher:
T. Nugent
Subject (Name):
Sheridan, Hester Jane, 1776-1817, and Sheridan, Charles Brinsley, 1796-1843,
Subject (Topic):
Country life, Donkeys, Pitchers, Mothers, and Children
"Portrait of G.F. Handel, from a painting by Hogarth, then in the etcher's collection; bust directed to the right, looking towards the viewer, in fur-trimmed cap and coat."--British Museum online catalogue
Description:
Title supplied by cataloger., Artist, printmaker, and date from statement of responsibility present on later state: Etch'd by D.C. Read from a picture painted by Hogarth in his possession, 1830., First (proof?) state before letters. For a later state with sitter's name "G.F. Handel" etched beneath statement of responsibility in lower margin, see British Museum online catalogue, registration no.: 1875,0508.1664., Probably printed by Read himself at his residence in Salisbury, using a press he obtained shortly after beginning to publish his etched plates in 1828. See Oxford Dictionary of national biography, entry for David Charles Read., and Mounted to 42 x 29 cm. At bottom of mounting sheet is a manuscript presentation note by David Charles Read's son, Raphael W. Read: This portrait of the immortal Handel etched by his [i.e. Raphael Read’s] father from the original picture of Handels bosom[?] friend Hogarth, in the possession of C.D. Read, is presented to Charles Morine[?] as a token of friendship by Raphael W. Read.
"Portrait of Samuel Johnson, half length, to the right, reading a book, holding it close to his face; after Northcote."--British Museum online catalogue
Description:
Title from later state., Artist from statement of responsiblity on later state., Proof with scratched engraver's name only. For a later state with title "Samuel Johnson L.L.D." and statements of responsibility "J. Northcote R.A. pin." and "J.J. De Claussin sculp." added, see British Museum online catalogue, registration no.: K,61.51., Window mounted to 51 x 36 cm., Mounted opposite page 110 (leaf numbered '162' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., With contemporary pencil annotations; printmaker's name "Claussins" written beneath lower right corner of image, and "Proof 32 A.W. 1813" written on verso., and Later annotations in ink, written below print on mounting page, identify the sitter as "Samuel Johnson" and give the production details "Published by Baldwyn, Catherine Street".