Manuscript on paper of 1) Note on the reign of the first Doge of Venice, Pauluccio Anafesto (697-717). 2) History of Venice from its legendary foundation to 695. 3) Alphabetical list of Venetian noble families, with their coats of arms and notes on their history. 4) History of the Doges of Venice up to Francesco Venier, elected 1554, d. 1556, with their coats of arms.
Description:
Binding: Date? Pasteboard., In Italian., Painted coats of arms, those in art. 3 in decorative cartouches. Large decorative painted initials for each family name., Script: Copied by two hands. A (ff.IIr and 1r-84v): Gothica Cursiva Libraria/Currens; B (ff. 85r-170r): Humanistica Cursiva Currens., and The top and the lower corners of the final leaves badly damaged by moist, with loss of some text.
Subject (Geographic):
Venice (Italy)--History
Subject (Topic):
Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Nobility--Italy
Manuscript on paper of 1) Sonnet by the Franciscan Alessandro de Ritiis, or by his compatriot from L'Aquila, Buccio di Ranallo, lamenting the loss of a loaned book. 2) Polistorio, attributed to the Dominican Bartolomeo da Ferrara (1308-1444).
Description:
Binding: Fifteenth century, Italy. Parchment stays are adhered inside the quires. Rear pastedown (now lifted): parchment leaf from a lectionary, Italy (North?), 1050-1100; a parchment leaf, perhaps from the same manuscript, is concealed under front paper pastedown. Each leaf, with a stub, is folded around the front and back flyleaves, sewn, and glued down under the pastedowns. Original sewing on five tawed skin, slit straps laid in channels on the outside of beech boards and nailed. Yellow edges. Plain wound, natural color endbands are sewn on leather cores. Covered in brown calf with narrow corner tongues. There is a large, eight-petalled fitting in the central blind-tooled panel and four corner fittings have flower and agnus dei designs on them. The concentric outer frames are filled with rope interlace or small roses. The Marcello arms were stamped on each board on an inlaid leather shield which is wanting on the upper board. Spine: bands outlined with triple fillets, an X of three fillets in the panels. Four fastenings, the catches on the lower board, the upper one cut in for red fabric straps, attached with star-headed nails., Collection of Sir Thomas Phillipps (no. 3008). Purchased from H. P. Kraus in 1956 by Thomas E. Marston., Fully illuminated title page, f. 6r. Floral border in inner and upper margin, black inkspray with blossoms, green, blue and purple with white highlights and gold balls. Bar border between text columns, gold and red, extends from buds (mauve, green and blue with white highlights) with stylized foliage, purple, blue and green and gold with white highlights; surmounted in upper margin by half-length figure of Virgin with Child. In outer margin, elaborate partial border of stylized foliage and flowers, green, blue and purple with white and yellow highlights and gold balls, framing central wreathed medallion with triton blowing a curved horn, on gold ground with penwork filigree. In center of lower border, arms of the Marcello family of Venice (azure, a bend wavy or) on deep red ground within wreathed medallion, both with yellow highlights. Arms symmetrically flanked by 2 putti plucking fruit from wreathed medallion and holding rods, green, blue, and purple with scrolls bearing the mottoes "sola virtus" and "dulcia poma" in red, and two triton-putti, one playing a flute, the other a stringed musical instrument. One historiated initial, 6-line, of stylized foliage in green, purple, and blue with white filigree on gold ground, with a half-length figure of a crowned and bearded man, perhaps the Emperor Augustus. The design of the upper and inner border and of the historiated initial is conservative in style and close to the work of Leonardo Bellini., Script: Written in fere-humanistic script by a single scribe, above top line., and Watermarks: Briquet Arbalete 746.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Anselm, Saint, Archbishop of Canterbury, 1033-1109
Published / Created:
[ca. 1500]
Call Number:
Marston MS 256
Image Count:
2
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of 1) Life and miracles of the Virgin Mary. 2) Litanies of the Virgin, of Christ on Ascension Day, of St. Jerome on his feast day. 3) An account of the visions of St. Magnus, and the story of St. Magnus's burial and subsequent translation to the church of San Geremia in Venice. 4) Legend of the three monks in Paradise. 5) Exhortation to suffer illness patiently citing three exempla from St. Gregory's Dialogues. 6) Lists of the 7 works of spiritual mercy, the 7 works of corporal mercy, the 7 sacraments, the 7 virtues, the 7 mortal sins, the 5 senses, the 7 gifts of the Holy Spirit. 7) Unidentified sermon. 8) Anselm of Canterbury, Commendatio animae. 9) Short unidentified text attributed to Gregory I.
Alternative Title:
Life and miracles of the Virgin Mary, etc.
Description:
Binding: Sixteenth century, Italy. Original sewing on three tawed skin, kermes pink, slit straps laced through tunnels in the edge to channels on the outside of beech boards and pegged twice. Yellow edges. Plain wound endbands are sewn on tawed skin cores laid in grooves on the outside of the boards. Spine is lined with leather between supports. Covered in brown goatskin, blind-tooled with a triple cross in a central rectangle in concentric frames. Two fastenings; holes from pins on the lower board, the upper one cut in for straps which are fastened with star-headed nails. Spine: supports defined with double fillets; an X of triple fillets in the panels which are bordered with double fillets on the sides., Crudely executed initials red with blue and/or red penwork designs and vice versa; initials on ff. 7v-8v have green added. Blue headings accompany red initials and red accompany blue. Initial letters stroked with red throughout. Line filler in red, blue and yellow on f. 6r., and Script: Written in small round gothic bookhand, below top line.
Subject (Name):
Gregory--I,--Pope,--ca. 540-604, Magnus,--of Anagni, Saint,--d. 254, and Mary,--Blessed Virgin, Saint
Subject (Topic):
Christian legends, Christian literature, Italian, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library