Leaf 4. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
The new ministry is depicted on a large carousel, erected in front of the "Crown and Royal Bob" Inn. The structure is supported by a center pole held in place by pegs labelled "Treasury," "Navy" and "Army" terminating at the top with the head of the King in the form of a wig block. Fox, with a fox's head and tail, leads the procession, holding a bag of money. Behind him, Lord North on a horse with its legs cut short, loses his wig; Burke in Jesuit's habit and on a similarly lame horse, has partially turned into a skeleton due to his economical reform; Admiral Keppel behind him is desperate to remain seated on his donkey. Lastly a Scotsman labelled "President" signifies Scottish influence over the Crown. Watching from a seat before the Inn, a complacent John Bull mouths slogans of liberty, unaware that his house is being plundered behind him
Alternative Title:
New state whirligig
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 6227 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 48., and On leaf 4 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 5th, 1783, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, and Keppel, Augustus Keppel, Viscount, 1725-1786
Subject (Topic):
John Bull (Symbolic character), Politics and government, Taverns (Inns), Merry-go-rounds, Wigs, Flags, British, Robberies, and Clothing & dress
The new ministry is depicted on a large carousel, erected in front of the "Crown and Royal Bob" Inn. The structure is supported by a center pole held in place by pegs labelled "Treasury," "Navy" and "Army" terminating at the top with the head of the King in the form of a wig block. Fox, with a fox's head and tail, leads the procession, holding a bag of money. Behind him, Lord North on a horse with its legs cut short, loses his wig; Burke in Jesuit's habit and on a similarly lame horse, has partially turned into a skeleton due to his economical reform; Admiral Keppel behind him is desperate to remain seated on his donkey. Lastly a Scotsman labelled "President" signifies Scottish influence over the Crown. Watching from a seat before the Inn, a complacent John Bull mouths slogans of liberty, unaware that his house is being plundered behind him
Alternative Title:
New state whirligig
Description:
Title from item., Printmaker from British Museum catalogue., Text above image in upper left: Poor John Bull's house plunder'd at noon day., Sheet trimmed within plate mark., and Mounted to 30 x 41 cm.
Publisher:
Pubd. May 5th, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, and Keppel, Augustus Keppel, Viscount, 1725-1786
Subject (Topic):
John Bull (Symbolic character), Politics and government, Taverns (Inns), Merry-go-rounds, Wigs, Flags, British, Robberies, and Clothing & dress
"Whitefield preaching to a group of country-people by the roadside. A sign, a lion rampant on a post with the chequers which denote an alehouse, shows that the scene is outside an inn. Whitefield, his squint very pronounced, stands in gown and bands, both arms raised, in the attitude familiar from the mezzotints in print-shop windows, see British Museum satire 5220. Some of his hearers, men and women, clasp their hands in prayer, some kneeling; others grin slyly or scowl. Immediately in front of him an elderly man seated on a mounting-block, is asleep, his head resting on the head of his stick. A woman with three infants is seated in the foreground (left). A pot-man (left), his sleeves rolled up, holds out a foaming tankard, either to the preacher or to one of the audience. Behind, in front of the signboard (left) is a countryman on horseback. Behind Whitefield is the trunk of a large tree, under which the group is collected."--British Museum online catalogue
Description:
Title, printmaker, and publication information from British Museum catalogue., Sheet trimmed within plate mark resulting in loss of title, imprint, and statement of responsibility., and Window mounted to 33 x 26 cm.
Publisher:
Publish'd April 15, 1774, by W. Humphry, St. Martin's Lane
Subject (Name):
Whitefield, George, 1714-1770
Subject (Topic):
Breast feeding, Clergy, Crowds, Drinking vessels, Outdoor religious services, Prayer, Signs (Notices), Sleeping, Taverns (Inns), and Waiters
published as the act directs, [approximately 1773]
Call Number:
773.01.19.02+
Image Count:
1
Resource Type:
still image
Abstract:
A Macaroni in a tricorne hat, a sword with a hilt in the shape of a cockatoo's head at his waist and a walking stick dangling from gold rope around his wrist, peers through his quizzing glass at two stylishly-dressed women -- one young and pretty, the other old and ugly -- whom he passes on the street in front of a tavern, a wrought-iron fence behind him. The sign above the entrance reads "Wines, &c"; the sign on the building reads "Kind and Tender Usage." The young woman holds her hands in her fur muff; a watch dangling from the edge
Description:
Title from text below image., Date erased, as in British Museum catalogue., Plate numbered '278' in lower left corner., imperfect; publication date erased from this impression., and Plate number crossed out and corrected in contemporary hand to '280.'
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Paul's Church Yard, London
Subject (Topic):
Dandies, Pickpockets, Prostitutes, Signs (Notices), and Taverns (Inns)
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Put -- Male dress, 1799 -- Yokels., 1 print on wove paper : etching, hand-colored ; sheet 27 x 34 cm., and Printmaker's name erased from this impression.
Publisher:
Pubd. Augt. 10, 1799, by R. Akerman, No. 101 Strand
A copy in reverse of William Hogarth's Plate 1 of A harlot's progress: A scene outside the Bell Inn: a country girl, Moll Hackabout, having just arrived on the York Wagon (seen on the right), meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower left the girl's initials "H.M." (M[ary?] Hackabout, initials reversed on this copy) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony. A clergyman on horseback fails to notice the encounter as his horse feeds on hay next to the wagon. In the back of the wagon, four other country girls sit holding onto a rail
Alternative Title:
Innocence betrayed, or The journey to London and Innocence trahie, ou, Le voyage de Londres
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.3 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Overprinted with left and right border pieces., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2031., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 121.
Publisher:
publisher not identified
Subject (Name):
Needham, Elizabeth, -1731. and Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Rake's progress, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.7 x 39.2 cm, on sheet 45 x 56 cm., and Leaf 2 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., and On page 58 in volume 1. With pencilled ms. notes in Steevens hand above print: Harlot's Progress 1st Impression. Plate trimmed to: 31 x 38.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
An illustration from London Magazine. Several men including one with a wooden leg sit or stand atop pilings at quayside. A tavern or inn with a glass and bottle on signboard is to the left of the image. In the foreground men fall off a gangplank attempting to get into boats, while a crowd of onlookers fills the background
