"Portrait of the dramatist Sir William Killigrew; three-quarter length, standing, to the right, right hand under robe; with shoulder length hair, moustache, and short pointed beard; a column and tree in background."--British Museum online catalogue, description of a later state
Alternative Title:
Sir William Killigrew
Description:
Title from later state., Proof before title; for a later state with title and additional lettering below image, see British Museum online catalogue, registration no.: 1908,0810.6., Publication information from imprint on later state: Published Decr. 1, 1796, by E. & S. Harding, Pall Mall., Proof state of a plate for: The biographical mirrour. London : Published by S. and E. Harding, Pall-Mall, 1795-[1814?]., Engraved after a copy of the painting by Anthony van Dyck in the Little Library of the Cottage at Strawberry Hill, which Horace Walpole believed to be a portrait of John Milton., Sheet trimmed within plate mark with possible loss of text from bottom edge., Mounted on page 201 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., and Annotated in pencil with the title "John Milton" below image and with the name "Mr. Bawtree" in lower right corner.
"Triple three-quarter length portrait of the three Waldegrave sisters, seated beside one another at a small work-table; Lady Anna Horatia at right embroidering, with Lady Charlotte Maria at left, her head turned towards front, winding silk from skein which Lady Elizabeth Laura, centre, is holding; a curtain, pillars and trees behind them; after Reynolds (Mannings 1810); proof before letters, but with scratched production and publication detail."--British Museum online catalogue
Alternative Title:
Ladies Waldegrave
Description:
Title from later state; see: Smith, J.C. British mezzotinto portraits., State from: Smith, J.C. British mezzotinto portraits., Sheet trimmed to plate mark leaving thread margins., Engraved after the painting, now in the National Gallery of Scotland (NG 2171), that was kept by Horace Walpole in the Great Parlour (Refectory) at Strawberry Hill., With Horace Walpole's manuscript annotations in brown ink in lower margin identifying the sitters and their relationships and a note: "The original picture at Strawberry Hill.", and Sheet trimmed within plate mark: sheet 50.5 x 58.4 cm.
Publisher:
Published Decr. 1st, 1781, by V. Green, No. 29, Newman Street, Oxford Street, London
Subject (Name):
Waldegrave, Elizabeth Laura Waldegrave, Countess, 1760-1816,, Euston, Charlotte Maria Waldegrave, Lady, 1761-1808,, Seymour, Anne Horatia Waldegrave, Lady, 1762-1801,, and Strawberry Hill (Twickenham, London, England)
"Triple three-quarter length portrait of the three Waldegrave sisters, seated beside one another at a small work-table; Lady Anna Horatia at right embroidering, with Lady Charlotte Maria at left, her head turned towards front, winding silk from skein which Lady Elizabeth Laura, centre, is holding; a curtain, pillars and trees behind them; after Reynolds (Mannings 1810); proof before letters, but with scratched production and publication detail."--British Museum online catalogue
Alternative Title:
Ladies Waldegrave
Description:
Title from later state; see: Smith, J.C. British mezzotinto portraits., State from: Smith, J.C. British mezzotinto portraits., Sheet trimmed to plate mark leaving thread margins., Engraved after the painting, now in the National Gallery of Scotland (NG 2171), that was kept by Horace Walpole in the Great Parlour (Refectory) at Strawberry Hill., Formerly laid in Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and A note in pencil on verso, possibly in Frank T. Sabin's hand, mentions "Fritz Reiss Sale, 2900 guineas at Christies", in reference to the sale of another impression of the print in 1923. A second note below, in the same hand but likely written at a different time, asserts that this is the "finest impression of the 1st state known, specially selected by Horace Walpole, for whom the original picture was painted, & inserted by him in his own enlarged & illustrated catalogue of the pictures at Strawberry Hill".
Publisher:
Published Decr. 1st, 1781, by V. Green, No. 29, Newman Street, Oxford Street, London
Subject (Name):
Waldegrave, Elizabeth Laura Waldegrave, Countess, 1760-1816,, Euston, Charlotte Maria Waldegrave, Lady, 1761-1808,, Seymour, Anne Horatia Waldegrave, Lady, 1762-1801,, and Strawberry Hill (Twickenham, London, England)
"Portrait of Lady Venetia Digby; half length looking to left; wearing lace-trimmed dress with ribbon tied to a rosette around waist; after miniature by I. Oliver."--British Museum online catalogue, description of a later state of similar composition
Description:
Title from lettered state; see British Museum online catalogue, registration no: 1920,1211.509., Artist and printmaker from statements of responsibility on lettered state: S. Harding del. ; A. Birrell sculp., Proof before letters., Publication information from imprint on lettered state: Pub. by S. Harding, 127 Pall Mall, Jan. 1, 1802., Lettering on later state indicates that the print was made "from a miniature by Isacc Oliver at Strawberry-Hill.", Sheet trimmed within plate mark., Mounted on page 50 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., and Contemporary annotation in pencil below image: Venitia [sic] La. Digby.
Publisher:
S. Harding
Subject (Name):
Digby, Venetia Stanley, Lady, 1600-1633, and Strawberry Hill (Twickenham, London, England)
"Portrait of a lady seated in a landscape holding a wreath of flowers; a proof before title but with producer names."--British Museum online catalogue
Description:
Title and date of publication from the British Museum online catalogue, registration no.: 1935,0413.112., "Cum Privilegio Regis"--Printed between printmaker and publication statement., Mounted on leaf numbered 43 in an album of 50 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Publisher:
Sold by E. Cooper at [the] 3 Pidgeons in Bedford Street
McArdell, James, approximately 1729-1765, printmaker
Published / Created:
[1762]
Call Number:
Folio 33 30 Copy 11
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait after Reynolds (Mannings 1896); half-length to right, head almost in profile, wearing a flowered dress and a turban, a plait of hair over her left shoulder; proof before title and publication line."--British Museum online catalogue
Description:
Title from later state; see: Smith, J.C. British mezzotinto portraits., State from: Russell, C.E. English Mezzotint portraits and their states., Early (proof?) state with artist and printmaker names present but before title and publication line added; this state, undescribed by Smith, represents the third state according to Russell., Date of publication based on later state with the imprint statement "Publish'd as the act directs, Jany. 1st, 1762." See: Smith, J.C. British mezzotinto portraits., Sheet trimmed within plate mark., Engraved after the painting kept by Horace Walpole in the Gallery at Strawberry Hill., Mounted on page 139 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Maria, Duchess of Gloucester, 1736-1807, and Strawberry Hill (Twickenham, London, England)
"Whole-length figures, standing by a tree outdoors, King, on the right, turned to Mrs. Baddeley, with his hands outstretched at his sides and face expressive; she, holding a kerchief in her right hand, left hand raised in surprise, figure in the background walking to the front."--British Museum online catalogue
Description:
Title from the British Museum online catalogue, registration no.: 1902,1011.891., Sheet trimmed within plate mark., and Characters from the play "The Clandestine Marriage".
Publisher:
Publish'd November 1st, 1772 by R. Sayer, No. 53, Fleet Street
Subject (Name):
King, Thomas, 1730-1805, and Baddeley, Sophia, 1745?-1786,
"Portrait of Samuel Johnson, half length, to the right, reading a book, holding it close to his face; after Northcote."--British Museum online catalogue
Description:
Title from later state., Artist from statement of responsiblity on later state., Proof with scratched engraver's name only. For a later state with title "Samuel Johnson L.L.D." and statements of responsibility "J. Northcote R.A. pin." and "J.J. De Claussin sculp." added, see British Museum online catalogue, registration no.: K,61.51., Window mounted to 51 x 36 cm., Mounted opposite page 110 (leaf numbered '162' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., With contemporary pencil annotations; printmaker's name "Claussins" written beneath lower right corner of image, and "Proof 32 A.W. 1813" written on verso., and Later annotations in ink, written below print on mounting page, identify the sitter as "Samuel Johnson" and give the production details "Published by Baldwyn, Catherine Street".
"Portrait of William Pitt three-quarter length seated, his head slightly turned to left, his right hand resting on documents on a table; curtain and pillar in the background."--British Museum online catalogue
Description:
Title from the British Museum online catalogue, registration no.: 1851,0901.1338., Sheet trimmed to plate mark., and Matted.
Portrait of Thomas Pellett; half length, to the left, looking to front; wearing cloak with tassles decorating bands across sleeves, wig, and neck scarf; in oval; after Dahl
Description:
Title from later, lettered states., Sheet trimmed to plate mark., On page 208 in volume 3., and Ms. note in pencil in Steevens's hand above print: Proof. In pencil in Steeven's hand above row of three impressions of this portrait: Dr. Pellet. See Nichols's Book, 3d. edit., p. 407.
Publisher:
Pubd. June 1st. 1781 by I. Thane, Rupert Street, Hay Market