Manuscript on parchment. Copied in the Charterhouse Val de Benediction (Vallis Benedictionis) at Villeneuve-les-Avignon
Description:
In Latin., Script: Copied by one hand in small Northern Gothica Textualis Libraria., All important illuminated leaves missing. Headings in red. Yellow heightening of the majuscules. 1-line flourished initials alternately red and blue. Numerous 2-line flourished initials in the same colours. 3-line dentelle initials with partial floral borders in gold (on f. 56r with bar-shaped extensions, on f. 57v no border)., The manuscript is heavily mutilated, some leaves are out of order and many (presumably all illuminated) leaves are cut out., and Binding: Nineteenth century. Light-brown leather over pasteboard; the covers gold-tooled with floral border and centre-piece. Gold-tooled spine with four raised bands. One large modern silver clasp attached to rear cover. Edges gilt and gauffered.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carthusians. and Catholic Church
Subject (Topic):
Liturgy, Breviaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript fragments on parchment (2 bifolia) of Decretals and letters, primarily of Pope John XXII, with a register of letters (1299) of Pope Boniface VIII
Description:
In Latin., Script: several scripts evident, from formal gothic bookhand to cursive., and Illuminated initials in red, blue, and violet. Paragraph marks in red and blue.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boniface VIII, Pope, -1303. and John XXII, Pope, -1334.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Letters, Papal, Manuscripts, Medieval, Papacy, and History
Manuscript fragment on parchment of the Penitential Psalms (incomplete), probably written as part of a Book of Hours
Description:
In Latin., Script: Written by a single scribe in liturgical gothic script., Carefully executed initials, 3-line, on blue or pink rectangles outlined in black, mark the beginning of each psalm; partial cusped borders, also in blue and pink, attached to each. Initials infilled with intertwining vines, often on gold ground, sometimes with small animals; modest use of gold dots inside rectangular grounds and borders. 1-line initials of blue with red penwork with blue dots and of gold with blue penwork and red dots. Line-fillers in combinations of red, blue and gold (various linear and flower designs)., and Binding: Nineteenth century. Bound in a piece of blind-tooled brown calf, once part of a 17th-18th century binding. Front pastedown and flyleaf from a Bible concordance, version 3 (France, ca. 1300). Back pastedown from 15th-century antiphonal, with musical notation, containing a portion of the office for Nicolas (6 Dec.).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Antiphonaries, Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of a book of hours, decorated with elaborate illuminated miniatures
Description:
In Latin., Script: probably copied by two hands, both writing Northern Gothica Textualis Formata: A copied the Calendar, B all the rest in a more formal script in two sizes, except ff. 102r-103r, which are in a different hand. Rich decoration. Rubrics in gold. Calendar written in blue and gold. Majuscules stroked in yellow. Line fillers in gold and colour. Numerous 1-line versals (dentelle initials). 2-line foliate initials with marginal extensions, or with a one-margin gold and colour foliate bar border, extending into the upper and lower margins; some of them contain a human face, a flower or a geometrical design. 6-or 7-line historiated initials, always accompanied by a full gold and colour foliate bar border. Several marginal portraits of a woman (ff. 21r and 83r) are probably of the original owner., Elaborate illuminated miniatures, decorating a calendar, Short Hours of the Cross, Hours of the Virgin, Penitential Psalms, and the Office of the Dead. The manuscript also includes the beginning of the Gospel according to John, a litany, and petitions., and Binding: 20th century binding by Douglas Cockerell (1926): dark red morocco over pasteboard. Spine with five raised bands, with gold-tooled title “HORAE BEATAE / MARIAE VIRGINIS // MS. SAEC. XIV”. Green silk endbands. Two leather straps with silver clasps and catches engraved with the Hornby crest.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment, composed of four parts. Written at the end of the 14th century (Parts I, III) and in 1578 (Parts II, IV); the prominence of St. Maclovius (Macutus) suggests that Parts II and IV were produced in Brittany or Normandy
Description:
In Latin., Script: Parts I and III (ff. 1r-40v, 48r-72v): Written in liturgical gothic of two sizes, by one scribe. Parts II and IV (ff. 41r-47v, 73r-102v) were intended to be integrated into the earlier portion: Written in liturgical gothic of the late 16th century, in two sizes by a single scribe; the letters slant slightly toward the left., On f. 48r, a 5-line historiated initial (65 x 58 mm.), white-decorated red and blue on a gold ground, enclosing a priest serving Communion; from the corners sprout blue vines with white, gold, and red trilobe leaves, extending around 3 sides of the page. On f. 1r, an 8-line illuminated initial of white-decorated blue and red (63 x 65 mm.), filled with blue and red trilobe leaves, on a gold ground; the base of the letter is extended around the inner and lower margins as a gold, blue, red, and white bounding line; from the lower two corners of this line and the upper left corner of the initial sprout vines, as for the historiated initial. 3- and 2-line initials in orange-tinted red or blue; rubrics throughout. Square notes in brown on 4-line orange-tinted red staves (the red ink has bled so that the whole written space has an orange glow). Parts II and IV: 4- to 1-line initials in red and blue. Rubrics are sometimes set off on the right side of the page by a narrow vertical border in brown. Musical notation: square notes on 4-line staves, all in brown., and Binding: 1981. Quarter cloth case, retaining brown mottled paper covered boards, 19th century. Traces of earlier bindings.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment (greatly trimmed) of a fragment of a Book of Hours. The twenty-six folios are the only fragment known to remain of the Book of Hours of Blanche of Burgundy (d. 1348), Countess of Savoy and granddaughter of Saint Louis of France, which was executed in Paris in the atelier of Jean Pucelle. The manuscript received additional texts and miniatures in the third quarter of the fourteenth century, when it was owned by Charles V, King of France, 1364-80.
Description:
In Latin., Script: Written in gothic bookhand; ff. 1r, 1v, 4r, and 4v added in the third quarter of the fourteenth century by Jean L'Avenant., Contains fifty of the original two hundred and fifty-five miniatures, the majority executed between Pucelle's death in 1334 and Blanche's death in 1348, the remainder between ca. 1370 and 1378, the terminus ante quem being the death of Charles's wife, Jeanne de Bourbon, represented on one of the destroyed leaves. All of the miniatures are in tricolor quatrefoils, the first, earlier set against pink or blue grounds with white filigree, gold frames and gold leaves on hair-line stems, the later miniatures with the grounds in pink or blue imitation relief., Each folio with a 3/4 bar border, detached from initial, pink, blue and gold with ivy terminals, or a single bar with ivy attached to initial, in inner margin; some with grotesque terminals, and birds and hunters in the margins and bas-de-page. 2-line initials, with heads, ivy, the arms of Savoy (ff. 2r, 14r, 18v, etc.) or the arms of Burgundy (f. 3v); blue or pink with white highlights on gold grounds. 1-line initials, blue or gold with red or black penwork. Line endings, red, blue and gold, on ff. 1 and 4 only. Rubrics throughout., and Binding: Eighteenth century. Red-brown sheepskin heavily gold-tooled with floral borders and corner fans, the center filled in with a circle made up of fan tools.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pucelle, Jean, fl. 1320. and Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of two sections of Jacques de Longuyon's Voeux du paon
Description:
In French., Script: copied by a single hand writing Northern Gothica Textualis Libraria. 2-line half inset flourished initials alternately in red and blue, respectively with purple and red penwork extending into the margin. At the opening of the second section, a 6-line littera duplex with penwork. At the opening of the first section, a half-page miniature in three compartments in a decorative frame: at left a tent in which two knights in armour are seated; in the center a tent with two ladies standing; at right Alexander and Cassamus. Under the miniature 14 lines of text, opening with a 5-line foliate initial ending in a bar in the left margin, continued with a foliate bar border in the lower and the right margins; the horizontal section ends at left in the head, forelegs and wings of a monster; at right a bird is sitting., Two sections of the poem "Voeux du paon" by Jacques de Longuyon, composed 1312-1313., and Binding: 18th century. French dark olive green morocco gilt, lined with pink silk. Bound by Bisiaux (his ticket); arms of Edward Vernon Utterson on covers. Folio 8 is bound between ff. 1 and 2.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacques, de Longuyon, active 1290-1312.
Subject (Topic):
French poetry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval