George III, on the right, embraces his old antagonist John Wilkes (on the left) who holds a staff of liberty upside down with the cap of liberty on the ground. Beneath the image is engraved the text from Isaiah, "The wolf shall dwell with the Lamb ..."
Alternative Title:
King & John Wilkes
Description:
Title from item. and Date of publication from British Museum catalogue.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
George III, King of Great Britain, 1738-1820. and Wilkes, John, 1725-1797
Date of publication supplied by cataloger., Verse begins: "One morning early in the spring,"., In one column with the title and woodcut centered at head., Lewis Walpole Library copy: Sheet trimmed with loss of title and text., Mounted on leaf 40. Copy trimmed., Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2., and Ms. inscriptions provide text loss from trimming.
"The Treasury tub" on a stand in the middle of the image, is fitted with a siphon signed "Premier," from which other pipes extend toward Charles Fox, with a fox's head, on the left, and Lord North on the right. Fox, with a sealed cask by his side and holding a jug, complains that the tub appears to be empty from frequent use by the two of them and their friends. North, pouring from a jug into the cask by his side, expresses his contentment with its fullness. The "National tub" under the stand remains empty and "Fox and North, as two cellarmen, are filling casks from "The Treasury Tub" which lies on a wooden stand in the centre of the design. A siphon inscribed "Premier" is inserted in the top of the cask, from which branch a number of curving pipes, or cocks; through these the cellarmen divert its contents to receptacles for their own use. The "National Tub" which stands under the tap of The "Treasury Tub" (or cask) is empty. Fox sits on the left in profile to the right, with a fox's head, curled wig, and long bushy queue, holding a jug on his knee and leaning forward; he says, "The cask sounds empty & well it might be my Lord for we & our Friends have long been drawing from it". The cocks which extend towards him from the siphon are inscribed, "C Fox's Cock, Cock Royal", and "This Cock for Private Services". A cask at his side, in allusion to his gambling habits, is inscribed, "For C. Fox to be left at the Rattle Box Hazard Row till called for". North (right), very stout, in profile to the left, leans backwards pouring liquor from a jug through a funnel into the mouth of his cask, which is inscribed, "For Mr Deputy Secretary to be left at the Vicar of Bray'[s] Head - Bushy Park", indicating that he is a turn-coat and a mere deputy to Fox. The pipes which extend towards him from the siphon are described "Lord No . . .h's Cock; Election Bribe & Pension Cock" and "Admiralty". His lips are pouted towards his own cock and he is saying (in the metre of the Vicar of Bray): "A Plenum in my Cask I shew, with Plus & Plus behind Sir; and now that Cask runs minus low A Vacuum some will find Sir.""--British Museum catalogue
Alternative Title:
Tale of a tub
Description:
Title from item., Thos. Snoozel is perhaps Thomas Cornell. See British Museum catalogue., Sheet trimmed to plate mark.., and Mounted to 30 x 35 cm.
Publisher:
Pub May 24 1783 by Thos. Snoozel, at the Cock & Bottle Maiden Head Thicket
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Title from item., Imperfect; sheet trimmed to plate mark., Publication date from British Museum catalogue., and Publication statement etched as part of design.
Publisher:
Publishd by some body in [the] caracter of no body one of [the] minority
Subject (Name):
North, Frederick, Lord, 1732-1792., Fox, Charles James, 1749-1806., and Wilkes, John, 1725-1797
Portrait drawing of Thomas Hamilton, 1st Earl of Haddington; half length, with short hair and Van Dyke beard; wearing a ruff collar
Alternative Title:
Thomas First Earl of Haddington
Description:
Title inscribed on mount below image, in ink in a contemporary hand., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly page 65 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Portrait drawing of Thomas Hamilton, 6th Earl of Haddington; half length, turned slightly left; wearing long curled wig
Alternative Title:
Thomas 6th Earl of Haddington and Thomas Sixth Earl of Haddington
Description:
Title inscribed on mount below image, in ink in a contemporary hand., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly page 69 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Pen and ink drawing depicting Thomas Carve, (1590-1672?), chaplain to the British forces in Germany, historian and apostolic at Vienna. Carve is shown seated, half-length facing slightly left with a heavy beard and wearing cleric robes; behind him a curtain held with a cord with a tassel on the right. His right hand crosses over his lap and holds a closed volume
Description:
Title from caption inscribed by artist below image. and Possibly by John Brand. Cf. Pen and ink copy attributed to John Brand after an original engraving by M. Vliemayr first published in 1651 and republished in 1795 by Willliam Richardson.
A man wearing sandals, a full-length poncho, and sombrero stands holding a lasso in both hands
Description:
Title from caption inscribed above image in brown ink., Date and place of publication from unverified data from local card catalog record., and For further information, consult library staff.
"A section of the deck of a small sailing vessel, seen from outside; cockneyfied passengers, depicted with a sailor's contempt, hang over the rail in misery or walk on deck. The helmsman (left) stands impassively in profile to the right."--British Museum online catalogue
Description:
Title from text below image., Date of publication supplied by cataloger., Reproduction of an etching by George Cruikshank, after a drawing by Frederick Marryat; Cruikshank's "etched by G.C." signature and Marryat's artist's device (an anchor tilted diagonally) are reproduced and legible beneath the design, as is the original imprint "London, Pubd. June 5th, 1824, by G. Humphrey, 24 St. James's Street.", Orignal etching was presumably an early state of a plate more widely published with the title "To Calais." For the state following the title change, which has the same G. Humphrey imprint and lists the same publication date, see no. 14719 in the Catalogue of prints and drawings in the British Museum, v. 10. The plate retained this latter title when it was reissued in: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., A companion print entitled "From the West Indies" has the same signatures and imprint statement as the original etching; see no. 14718 in the Catalogue of prints and drawings in the British Museum, v. 10., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 2036., and Cf. Reid, G.W. Descriptive catalogue of the works of George Cruikshank, 1249.
Publisher:
publisher not identified
Subject (Topic):
Passengers, Decks (Ships), Motion sickness, Hats, and Smoking
Caption title., Broadside, with three paragraphs of text within thick mourning border and initialed ‘J.W.L.’ at the end. ‘From the Morning Post of Nov. 11th’ printed in lower left. Beneath the title are three lines quoted from Lord Lyttleton's 'To the memory of the same lady, a monody. A.D. 1747.', First line: Even thus in the flower of youth - in the bloom of loveliness - ..., and Laid on to a slightly larger modern sheet. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817