Volume of etchings, engravings, and four drawings by amateur artists, collected and heavily annotated by Horace Walpole and assembled and bound by him around 1774. Artists included are: C.W. Bampfylde, Lady Beaumont, Miss C.S. Blake, the Earl of Buchan, the Countess of Burlington, Hon. Richard Byron, Emma Crewe, Lady Cunynghame, the Countess of Drogheda, Lord Grantham, Eliza Gulston, E. Haistwell, Sir William Hamilton, Mary Hartley, Georgina Keate, Ellis Cornelia Knight, Lady Elizabeth Montagu, the Duchess of Newcastle, Viscountess of Polwarth, Sir Thomas Reeve, Catherine St. Aubyn, the Earl of Sunderland, J. Tobin, Caroline Yorke (engravings from drawings by her mother Mrs. Agneta Yorke), and others; some of the engravings are after the work of Lavinia Countess Spencer and Lady Diana Beauclerk
Description:
Title from item., Bound in red morocco, gilt, with Horace Walpole's coat of arms on sides. Bookplate of John Waldie, Hendersyde., and With three additional title pages, formerly thought to have been printed at Strawberry Hill Press: Etchings by Isabella Byron, daughter of William Lord Byron, and second wife of Henry Harcourt, fourth Earl of Carlisle; Etchings by Lady Louisa Augusta Greville, eldest daughter of Francis Earl of Brooke and Warwick; Etchings by George Simon Harcourt Viscount Nuneham, eldest son of Simon Earl of Harcourt.
Volume of etchings, engravings, and four drawings by amateur artists, collected and heavily annotated by Horace Walpole and assembled and bound by him around 1774. Artists included are: C.W. Bampfylde, Lady Beaumont, Miss C.S. Blake, the Earl of Buchan, the Countess of Burlington, Hon. Richard Byron, Emma Crewe, Lady Cunynghame, the Countess of Drogheda, Lord Grantham, Eliza Gulston, E. Haistwell, Sir William Hamilton, Mary Hartley, Georgina Keate, Ellis Cornelia Knight, Lady Elizabeth Montagu, the Duchess of Newcastle, Viscountess of Polwarth, Sir Thomas Reeve, Catherine St. Aubyn, the Earl of Sunderland, J. Tobin, Caroline Yorke (engravings from drawings by her mother Mrs. Agneta Yorke), and others; some of the engravings are after the work of Lavinia Countess Spencer and Lady Diana Beauclerk
Description:
Title from item., Bound in red morocco, gilt, with Horace Walpole's coat of arms on sides. Bookplate of John Waldie, Hendersyde., and With three additional title pages, formerly thought to have been printed at Strawberry Hill Press: Etchings by Isabella Byron, daughter of William Lord Byron, and second wife of Henry Harcourt, fourth Earl of Carlisle; Etchings by Lady Louisa Augusta Greville, eldest daughter of Francis Earl of Brooke and Warwick; Etchings by George Simon Harcourt Viscount Nuneham, eldest son of Simon Earl of Harcourt.
An illustrated manuscript leaf in an 18th-century hand. In the upper portion of the recto side is a large vignette of a man in traditional Jewish garb, seated at a table, weighing coins as they spill from two cornucopias, one to each side and held by a cherub whose faces are turned away; the table is covered with coins. The prose text below is captioned "Covetousness" and consists of seven lines beginning: "Every step that a man makes beyond a moderate & reasonable Provision, is taking so much from the worthiness of his own spirit. ..." This quote is taken from an popular 18th-century British courtesy book that appeared in many editions but was first published in 1715.: The Gentleman's Library, containing rules for conduct in all parts of life. The scribe writes using Gothic lettering in pen and brown ink and decorates the perimeter of the text and image with billowing flourishes. Printed above in a ribbon banner is a saying from Horace, "certum voto pete finem"--"set a definite limit to your desire." On the verso written in pencil by a contemporary hand : Mind the noblest, he the law of Kings The noble mind distinguishes perfection It aids & strengthens virtue where it meets her 'Tis not to be sported with
Description:
In English., Title from item., and For further information, consult library staff.
Subject (Topic):
Avarice in literature, Antisemitism, Avarice, and Ethnic stereotypes
Elevation of a Cottage for the Honorable Horace Walpole, near Strawberry Hill
Description:
Title at top of sheet, scale drawn in below image., Artist's name inscribed by Horace Walpole, recto lower left corner: Robt Adam Architect 1766., Formerly shelved as part of the SH Views collection., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: (London Sale, Lot 1248): Ditto [drawings] Views of Strawberry Hill and of the Villa of Lady Diana Beauclerc at Twickenham, by J. Barrow, 1789, and 4 designs for a Cottage, etc. at Strawberry Hill, by Robert Adams, architect, 1767, etc."
SH Contents W218 no. 2 Framed, shelved in LFS Bin 52
Image Count:
1
Abstract:
Horace Walpole's watercolor after Antoine Watteau's Fête Champêtre depicts two amorous couples being serenaded by a musician. Another young man lounges on a blanket, his back to the viewer, as he gazes at the one dancing couple. Another figure of a man peeps out from behind a tree. They sit in a grove of trees, a small pool at the edge, as sheep graze in the distance; the towers from a town can be seen on the horizon
Alternative Title:
Fête champêtre
Description:
Title devised by curator., Label verso: A Fete Champetre after Watteau by Horace Walpole From Earl Waldegrave's Collection Signed and dated 1738. Also manuscript notes in unknown hand regarding provenance of watercolor., Dated and signed "H. Walpole 1737" in lower left of image., and Date assigned by curator after the watercolor by Watteau of which this work is based.
Subject (Name):
Strawberry Hill (Twickenham, London, England) and Watteau, Antoine, 1684-1721
A group of amateur watercolor drawings that illustrate various scenes from Clara Reeve's Gothic novel The old English baron. The drawings are inserted throughout the printed text of the fourth edition, bound in near the scenes that are depicted. Although untitled, the drawings have been assigned titles that derive from the text
Description:
Collection title devised by cataloger., Each drawing is signed 'C. Boyle' and most are dated with the month, day, and year of production. The artist is probably Charlotte Boyle-Walsingham (1769-1831), who married Lord Henry Fitzgerald in 1791; she legally changed her name to Charlotte FitzGerald-de Ros in 1806, after successfully petitioning to end the abeyance to the Barony of de Ros and becoming 20th Baroness de Ros of Helmsley., Bound in a copy of: Reeve, C. The old English baron: a Gothic story. London : Printed for Charles Dilly, in the Poultry, MDCCLXXXIX [1789]., Lacking the two published plates., Bound in vellum with gilt edges and tooling and with pink silk endpapers., Extra-illustrated with eight watercolor drawings on vellum, produced by Charlotte Boye in 1789 (these drawings are cataloged separately)., Autograph (Fitz-Gerald?) scratched out on page iii., and In red case.
In the center, two laughing bacchanalian boys stand draped in grape vines, one holding an overflowing goblet. Two small designs on the top and right sides depict boat scenes. The design on the bottom shows two men walking behind a horse; the design on the left, a single horse and rider
Description:
Title devised by cataloger., After a design by Lady Diana Beauclerk., William Payne, English watercolour painter and drawing master., and Lady Diana Beauclerk, English artist, provided designs for Josiah Wedgwood between 1785-1789.
A group of drawings by George Vertue of items in the Earl of Oxford's collection, many presumably sold in the sale of 1741-2. Among the items depicted are urns, busts and statues, various fragments with Greek inscriptions, a medal, an ossuary, and a sarcophagus. The group of drawings ends with a copy the portrait by Van Dyck of Sir Kenelm Digby and his family, and it begins with Vertue's orginal drawing for the engraved frontispiece to: A catalogue of Greek, Roman and English coins, medallions and medals, of the Right Honourable Edward Earl of Oxford, deceased
Description:
Title devised by cataloger., Bound by George Vertue in a volume with Harleian catalogues and plates., and Original mottled calf, rebacked. Wilmarth Sheldon Lewis's notes on back endpaper.
Subject (Geographic):
England, London., and England.
Subject (Name):
Oxford, Edward Harley, Earl of, 1689-1741, Digby, Kenelm, 1603-1665,, and Digby, Venetia Stanley, Lady, 1600-1633,
Subject (Topic):
Art collections, Art, Private collections, Sculpture, Portraits, Urns, Medals, and Sarcophagi
Drawings showing the floor plan and views of the walls on which were hung paintings and against which statues and other artwork were placed. The second drawing is titled "Plan of rooms that contains [sic] the statues & the pictures" in ink above, and the fourth drawing is titled "View of one end of the great room design'd by Inigo Jones" in ink below. The first drawing depicts a large painting by Van Dyck on the wall at a different end the great room, described in the printed text as "a landskip [sic] with dogs, and in the clouds are three angels ...".
Description:
Title devised by cataloger., One of the four drawings with horizontal orientation., Bound by Horace Walpole in his copy of: Gambarini, C. Description of the Earl of Pembroke's pictures. Westminster : A. Campbell, 1731., and Bound in old mottled calf. With slipcase.
Subject (Geographic):
England, Wiltshire., and England.
Subject (Name):
Pembroke, Thomas Herbert, Earl of, 1656-1733 and Wilton House (England)
Subject (Topic):
Art collections, Art, Private collections, Sculpture, and Interiors