"A foppish parson, directed to the left, wearing a voluminous surplice over a high 'dandy' (cf. British Museum Satires No. 13029) collar, with bands, and displaying elegant be-ringed hands, preaches from a pulpit, the upper part only of which is depicted. In his eye is stuck a monocle with short handle and cord. A large book is on his pulpit-cushion, which is elaborately trimmed with gold fringe, and he reads with a complacent smile: "And behold in these times the Dan-dees were" / "arrayed in Garments of divers fashions--and in" / "fine Linens curiously wrought--and moreover--" / "they were gazed upon by the bretheren of the Land," / "in which they dwelt--and the people marvelled." / "Lib. 2-- ver 6. 7. 8"."--British Museum online catalogue
Description:
Title etched below image., Possibly a later state, with imprint removed, of a print published 6 February 1818 by S.W. Fores. Cf. No. 13016 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Date of publication based on description of possible earlier state in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Topic):
Dandies, British, Clergy, Preaching, Pulpits, and Rings
Well known characters no. 1, Well known characters number 1, and Well known characters number one
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark [trimmed].
An unexecuted design for the palace of Richard Trevor (1707-1771), Bishop of Durham from 1752. Horace Walpole commented about the construction project on 19 October 1760, "St. Durham told my Lord Manchester, who is just come from Auckland, that he had laid out sixteen hundred pounds there, and has now a hundred men at work a day." The gateway that was finally built for the Bishop was designed by Sir Thomas Robinson. See J. Harris
Description:
Title inscribed by artist at bottom of sheet., Watermark in center of sheet., and Formerly mounted on leaf 21 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [circa 1760].
Elevation of flank of seven bays of pointed arches divided by thin buttresses, and elevation of end. This is probably the design for the cloister linking Bateman's house to this Gothic Octagon designed by Muntz. In a letter written to George Montagu on 24 September 1762, Horace Walpole refers to Bentley's design for Bateman's cloister; also associated with Walpole's Strawberry Hill. See Harris
Alternative Title:
Gothic cloister designed by Mr. Bentley
Description:
Title from Horace Walpole's ms. note in ink on verso., Signed by the artist in the lower right corner below design., Date based on correspondence between Montague and Walpole in which this design is discussed., and Watermark: [...] C. Blauw.
Subject (Name):
Bateman, Richard, approximately 1705-1773, and Strawberry Hill (Twickenham, London, England)
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1790?]
Call Number:
Drawings W87 no. 1 Box D170
Image Count:
1
Resource Type:
still image
Abstract:
A richly dressed man stirkes a very dramatic theatical pose with one arm raised to full extension and his second arm crossed diagonally across his torso. Observers include a nearby onlooker with sword in hand and a full complement of lightly-armored soldiers carrying shields, polearms, and banners in the background
Description:
Title from caption inscribed in ink below image in the artist's hand., Date supplied by cataloger., Attributed to Woodward., and For further information, consult library staff.
An ink drawing contrasting the bust of a balding man with a long curly beard and a stag head with three-point antlers
Description:
Title from caption inscribed below image in the same ink and hand as the artist., Attributed to Rowlandson by curator., Date based upon watermark., Trimmed watermark: 18[..]., and For further information, consult library staff.
On the far left, a full-length portrait of Mrs. Anne Damer walking outdoors with a basket over her right arm. A dog stands on his hind legs at her feet; she looks to her left at another dog on the landing as he runs towards her. In the center are the doorway to the house and a landing; on the far right a lightly sketched view of the interior of the library
Description:
Title from contemporary ms. inscription on verso, in ink., Formerly attributed to Richard Cosway., On laid paper with horizontal chainlines and watermark in the center of the sheet., and Date based on the year that Damer bought York House.
Subject (Geographic):
England.
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828, and York House (Twickenham, England)
Watercolor of the southeast view of Horace Walpole's home, Strawberry Hill in Twickenham, with two workmen in the foreground rolling the lawn and clearing leaves
Alternative Title:
East front of Strawberry Hill
Description:
Title taken from a note in Horace Walpole's hand on verso of the drawing, now obscured by added mount. Companion drawing to his: South front of Strawberry Hill. Cf. Lewis Walpole call no.: 49 3485 (12) no. 2., Drawing that was later used as the basis of an engraving entitled "East front of Strawberry Hill"., Paul Sandby (bap. 1731-1809), English artist and architect., and For further information, consult library staff.
Title from note "Strawberry Hill house" on verso, possibly in William Waldegrave's hand., Title assigned by curator: Strawberry Hill, east front., On verso, attributed to Paul Sandby(?) and "No. 1.A.", Unfinished watercolor drawing., Watermark: IHS Ivilledary., Formerly shelved as part of the SH Views collection., and For further information, consult library staff.