"The crowded cabin tilts to the right, to the dismay of a family party dining at a table in the foreground. There is a second table in the background with a meal in progress. The cabin is bordered on left and right by two tiers of berths, apparently for two persons, set in panelling, and with curtains festooned along the upper edge. These are filled by suffering travellers. A bench runs along the front of the berths; other passengers sit on camp-stools. Phases of misery, discomfort, resignation, and (by exception) complacency are realistically illustrated. A sailor pushes a mop-stick through an open hatch in the roof."--British Museum online catalogue
Description:
Title etched below image., Possibly after a design by Captain Frederick Marryat. See British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman. Watermark '1828' on mounting sheet., and Laid on album paper.
Publisher:
Published by G. Humphrey, 27 St. James's Str., London
Subject (Geographic):
England, Margate (England), England., and Margate.
Subject (Topic):
Packets, Motion sickness, Ocean travel, Description and travel, Travel, and Vomiting
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[10 April 1777]
Call Number:
777.04.10.01+
Image Count:
1
Resource Type:
still image
Abstract:
Seven members of the City Militia march out of step towards the right, 2 birds flying overhead. A short fat drummer begins the procession, followed by an officer with sword in left hand, 2 pairs of soldiers carrying bayoneted muskets, and in the rear, a hunchback carrying a spear
Description:
Title from item., Soiled at top and trimmed into image with partial loss of artist's name., Artist from British Museum catalogue., Signed (by engraver?) in plate MD (i.e. Matthias Darly), and MD of publisher's name form a monogram.
Publisher:
Pubd. April 10, 1777 by MDarly ...
Subject (Geographic):
England., England, and London.
Subject (Name):
Great Britain
Subject (Topic):
Militia, Militias, Military uniforms, British, Drums, and Musketeers
A satire of a Gretna Green marriage, taking place in front of smithy's shop. Erskine, disguised in woman's dress with a huge feathered bonnet over a barrister's wig, holds the right hand of a demure-looking woman, modishly dressed and apparently pregnant. He holds a paper: 'Breach of Promise'. With them are three young children. The smith wears Highland dress; he holds a red-hot bar on the anvil and raises his hammer, saying, "I shall make a good thing of this Piece at last." Erskine says: "I have bother'd the Courts in London many times, I'll now try my hand at the Scotch Bar--as to Miss C-- she may do her worst since I have got my Letters back." The woman says: "Now who dare say, Blacks the White of my Eye." In the background (right) a young woman rushes down a slope towards the smithy, shouting, "Oh Stop Stop Stop, false Man, I will yet seek redress tho you have got back your letters--" Beside her is a sign-post pointing 'To Gretna Green'. A little boy with Erskine's features, wearing tartan trousers, stands on tip-toe to watch the smith; on the ground beside him is a toy (or emblem), a cock on a pair of breeches. A little girl stands by her mother nursing a doll fashionably dressed as a woman, but with Erskine's profile. Another boy with a toy horse on a string stands in back view watching 'Miss C'. Behind the smith is the furnace; on the wall hang many rings: 'Rings to fit all Hands.'
Alternative Title:
More legitimates
Description:
Title etched below image. and Printed on paper watermarked "1818".
Publisher:
Pubd. Feby. 4th, 1819, by S.W. Fores, 50 Piccadilly & 312 Oxford Street
Subject (Geographic):
Scotland, Gretna Green, Gretna Green (Scotland), and Gretna Green.
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Erskine, Sarah Buck, Baroness, -1825, and Erskine, Thomas Erskine, Baron, 1750-1823.
Subject (Topic):
Elopement, Breach of promise, Elopements, Ethnic stereotypes, Forge shops, Metalworking, Furnaces, Anvils, and Hammers
"The Duke of Grafton stands directed to the left, his head in profile, both (gloved) hands resting on the head of his stick. He wears his accustomed and characteristic dress of an earlier fashion: small tricorne and full-skirted coat buttoned at the waist, with a star, and spurred top-boots."--British Museum online catalogue
Description:
Title etched below image., Leaf 30 in an album with the spine title: Characatures by Dighton., and Figure identified as "Duke of Grafton" in pencil below plate mark.
Publisher:
Pubd. Novr. 20th, 1801, by Dighton, Charg. Cross
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
"An elderly man shambles from right to left in profile, right hand on his stick, left hand in his coat-pocket. He wears a hat with a curved brim, a curled, old-fashioned brown wig, a long coat, and an overcoat, with ill-fitting gaiters reaching to the thigh. Two seals hang from a fob. He is Councillor John Morris or Morriss."--British Museum online catalogue
Description:
Title etched below image. and Leaf 57 in an album with the spine title: Characatures by Dighton.
Print shows an ugly and leering elderly man, identified as the London banker Thomas Coutts, embracing the actress Harriet Mellon (later Mrs. Coutts, and subsequently Duchess of St. Albans).
Description:
Title from item.
Publisher:
Pub. 15 May, 1815, by T. Palser, Surry Side Westr. Bridge
Subject (Name):
Coutts, Thomas, 1735-1822 and St. Albans, Harriot Mellon, Duchess of, 1777?-1837
Print shows Priestley walking right to left, diagonally away from the spectator; his face, turned in profile to the left, has a sinister smile. He holds out, as firebrands, two burning papers: 'Political Sermon' and 'Essay on Government'. From his pockets other papers project inscribed: 'Revolution Toasts, Essays on Matlin [sic] Spirit' and 'Gunpowder'. He tramples on books and papers, including an open book: 'Bible explained away.' Cf. British Museum catalogue
Description:
Title engraved below image., Possibly executed by Samuel Collings, who is believed to have employed the pseudonym Annibal Scratch for some of his prints., Questionable attribution to John Nixon from unverified data in local catalog record., Text above image: Attic miscellany. Political portraiture no. 4., and Plate issued as an illustration in: Attic miscellany. London : Printed for Bentley and Co., v. 2, no. 22 (1791), page 369.
Publisher:
Published as the act directs by W. Locke
Subject (Name):
Priestley, Joseph, 1733-1804 and Priestley, Joseph, 1733-1804.
Twelve titled dot-and-line figure vignettes in two rows. Top row from left to right show the stick figures (or "pin men") in mulitple social situations: "Asking to dance", "Leading out", "Hands four round", "Down the middle", "Right and left" and "Setting". Second row from left to right: "Cross hands", "Pousette", "Hornpipe", "Tete à tete", "Fainting", and "Taking home royal".
Description:
Title from item., Plate published in: Ackermann's Repository of Arts for February 1, 1817, following page 90., An example of the "line and dot" caricature., Accompanied by a satirical poem from the artist's perspecive, scorning the great masters' classical training in figure drawing and sculpture., and The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b
Publisher:
Published Feb. 1, 1817 at R. Ackermanns, 101 Strand
Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
"A half length portrait of Lord Sefton (1772-1838) seated on a high box-seat, driving; he leans slightly forward, his head in profile to the left, a bunch of reins in the left hand, a long whip in the right."--British Museum catalogue
Description:
Title etched below image., Leaf 18 in an album with the spine title: Characatures by Dighton., and Figure identified as "Ld. Sefton" in pencil below plate mark.
Publisher:
Pubd. Novr. 1801 by Dighton, Charg. Cross
Subject (Name):
Sefton, William Philip Molyneux, Earl of, 1772-1838