"A broadside on Matthew Skeggs, a publican who became famous for miming music-making with a broomstick while making matching vocal sounds; with a round mezzotint after a painting by Thomas King, showing Skeggs facing towards the right, next to the portrait an etched broomstick surmounted by a dancing hog, and a suspended horn; with engraved title and verses of one poem and of one song text by Henry Howard in two columns."--British Museum online catalogue
Alternative Title:
Introduction. Each buck & jolly fellow has heard of Skegginello
Description:
Engraved broadside, in verse in two columns., Printmaker identified as Richard Houston in the British Museum catalogue., Date from British Museum., At head of title: Introduction. Each buck & jolly fellow has heard of Skegginello. The famous Skegginallo that grunts so pretty upon his broomsticado. Such music he has made, O. Twill spoil the fiddling trade, O. And that's a pity. ..., and Mezzotint portrait at head signed, with fictitious signature: "G Pigganinne Fecit". After a portrait by Thomas King.
Publisher:
Printed for John Ryall, at Hogarth's Head, in Fleet Street
"Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen's arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship's boat, Cut III. Her Return--Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul's. A similar carriage scene with St. Paul's in the background. Cut VII. The Highlanders' Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship's boat. Cut XI. The Queen's Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline's Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, 'A Dirge' and 'An Elegy . . .' (28 11.): 11. 7-10: 'A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded--driven from her home, An unprotected Wanderer to roam!' The verses below Cut XII end: 'For the King shall be Judg'd with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline's wrongs, Meantime, may, "Repentance" her foes o'ertake; O grant it kind POWER, to whom alone it belongs' AMEN. Here an end of this Hist'ry we make."--British Museum online catalogue
Description:
Caption title., "Quod Jas. C-tn--h, Dec. 10th, 1821."--Bottom of sheet., Woodcuts with accompanying letterpress text, mostly in verse., "Entered at Stationer's Hall."--Below imprint in square brackets., "Price 2d."--Upper right., and For the first edition, see No. 14255 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Printed and sold wholesale and retail by J. Catnatch, 2, Monmouth Court, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817,, Great Britain. Parliament. House of Lords,, and St. Paul's Cathedral (London, England),
Subject (Topic):
Death and burial, Arrivals & departures, Carriages & coaches, Parades & processions, Deathbeds, Funeral processions, and Tombs & sepulchral monuments
Illustrated memorial published after the death of Charlotte Augusta, Princess of Wales, who died after giving birth to a stillborn child in 1817. One of many similar memorials using the same illustration (an urn beneath a weeping willow) but with different verses
Description:
Title from item., Letterpress text with engraved illustration above; within a mourning border., First line of verse beneath title: Trembling I touch the plaintive chord, to speak our England’s grief ..., and "Maria" written in a contemporary hand in lower right corner. For further information, consult library staff.
Publisher:
Published by the authoress, and sold by T. Gardiner and Son, 20, Princes-street, Cavendish-square; and at No. 209, Piccadilly
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
All-engraved card printed with a black mourning board, with an image of her home Claremont below the title and below, nine lines that provide biographical details and an anecdote a snuff box that she had commissioned before her death, a gift for her husband Prince Leopold. A poem of nine lines, intended to be inscribed on the lid of the snuff box, is engraved below
Alternative Title:
Late residence of our much beloved and truly lamented Lady, the Princess Charlotte of Wales ...
Description:
Title from texted engraved above image., First line of verse: To Claremonts terrac'd heights, and Esher's Groves ..., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865., and Claremont House (Surrey, England),
Crabb, T. (Thomas), active 1811-1815, author, publisher
Published / Created:
[1817?]
Call Number:
File 56 C47 817Cr
Image Count:
1
Resource Type:
text and still image
Abstract:
Engraved card printed within black mourning border, illustrated above title with an image of a mourning Britannia with Claremont, Charlotte’s home, and her funeral cortege, in the background. Twenty lines of verse are engraved at the bottom, signed "Crabb".
Description:
Title from item., All engraved., First line of verse beneath title: Hark, the herald's solemn sound ..., and For further information, consult library staff.
Publisher:
Published by T. Crabb, 1 Ivy Lane, Paternoster Row
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Caption title., A poem, printed within black mourning border, illustrated above title with an image of an urn mounted on a plinth, her life dates engraved on the plinth; behind a weeping willow. Five stanzas of verse in letterpress at the bottom., Illlustration signed: Snowdon, Wigmore Street., First lines of verse: O! look, my sister, yonder our princess lay; How fragrant is her tomb, her very clay! ..., and 'Maria' written in black ink above imprint statement. For further information, consult library staff.
Publisher:
Published for the Authoress, and sold by T. Gardiner and Son, 20, Princes-Street, Cavendish-Square; N. Hailes, London Museum, Piccadilly; and T. Sizuer, Juvenile Library, 259, Oxford-Street, and 209, Piccadilly
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Title from caption above poem., Engraved card printed within black mourning border, illustrated above title with an image of a mourning Britannia and British Lion in front of Princess Charlotte's tomb, which is located under a weeping willow and is adorned with her portrait and topped with an urn. Sixteen lines of verse are engraved at the bottom, signed "J. Thompson"., All engraved., First line of verse beneath title: Cease, ye minstrels! all be mute ..., Possibly Samuel Rothwell, but this address not listed in British Book Trade Index?, and For further information, consult library staff.
Publisher:
Published by S. Rothwell, 3 Hatfield St., Blackfriars Road
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Subject (Topic):
Britannia (Symbolic character), Tombs & sepulchral monuments, and Grief
Engraved broadside poem published shortly after the death of Prince Edward, Duke of Kent, father of the future Queen Victoria. The verses also commemorate Princess Charlotte, three years after her untimely death in 1817. With six vignette illustrations: at the top are images of the Duke of Kent, Kensington Palace, and the Duchess of Kent; and at the foot are images of Prince Leopold, Claremont House, and Princess Charlotte
Alternative Title:
Tear of respect to the memory of a generous & patriotic prince
Description:
Title from item., All engraved., The text, in two columns, begins: Hark, hark! what deep knell is now striking my ear ..., and For further information, consult library staff.
Publisher:
Engraved & published 23rd March 1820 by Jas. Debaufer, 11 Creed Lane, Ludgate Street
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Edward Augustus, Prince, Duke of Kent, 1767-1820, Victoria Mary Louisa, Duchess of Kent, 1786-1861,, Léopold I, King of the Belgians, 1790-1865,, Claremont House (Surrey, England),, and Kensington Palace (London, England),
Title from first line of text, left column of engraved text., All engraved., A memorial to Princess Charlotte of Wales, the overall design being an image of her tomb, including a portrait of the princess and a depiction of her funeral procession directly below. Engraved text within the columns of the tomb provide the details of the procession along with Charlotte's biography. The central body of the tomb includes verse in memory of the tragically deceased princess: Thy hand, mysterious providence! Hath snatched the hope of millions hence. She, she is gone, whom joy and truth, And all the loveliness of youth ..., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Subject (Topic):
Death and burial, Tombs & sepulchral monuments, and Funeral processions