"Frontispiece for 'A Catalogue of News and Useful Maps Curious and Entertaining Prints, Books of Architecture, Great Variety of Drawing Books in all the Branches of Penmanship And the best of each Kind'; title on scroll, surrounded by prints and maps."--British Museum online catalogue
Description:
Title from item., Date of publication from the British Museum online catalogue, registration no.: D,3.524., Sheet trimmed to plate mark., and For further information, consult library staff.
A satirical broadside, with two vignettes of the "Weaver". On the left the weaver is at his loom his back to his wife who is seated at the hearth warming her hands over the fire. On the right he is shown in the disguise of a Friar receiving his wife for confession as she kneels before him. Two columns of verse below: "A weaver jealous of his wife like many, Still dream't of horns before the Knave had any ... Twas you were the young man the old man & [the] Fryer. Finis."
Alternative Title:
Weaver jealous of his wife like many, Still dream't of horns before the Knave had any ...
Description:
Title from engraved text above image., All engraved., Date from British Book Trade Index., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With "Pro Patria" watermark.
Publisher:
Printed and sold by Samuel Lyne, map and printseller at the Globe in Newgate Street
Subject (Topic):
Adultery, Weavers, Looms, Fireplaces, Confessions, Costumes, and Monks
Caption title., "Extracted from the Exeter News, of Saturday, June 17, 1826."--Lower edge., An apology for the attitude of many Protestants determined to deny Roman Catholics an equal place in political, social and religious life., Printed in two columns; signed at the end by approximately 70 Catholics, headed by the Duke of Norfolk., and Scraps of paper mounted on verso and with ms. note: Mr. Thomas Hardick. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England. and England
Subject (Topic):
Religious tolerance, Anti-Catholicism, Political rights, and Religion
"Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen's arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship's boat, Cut III. Her Return--Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul's. A similar carriage scene with St. Paul's in the background. Cut VII. The Highlanders' Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship's boat. Cut XI. The Queen's Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline's Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, 'A Dirge' and 'An Elegy . . .' (28 11.): 11. 7-10: 'A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded--driven from her home, An unprotected Wanderer to roam!' The verses below Cut XII end: 'For the King shall be Judg'd with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline's wrongs, Meantime, may, "Repentance" her foes o'ertake; O grant it kind POWER, to whom alone it belongs' AMEN. Here an end of this Hist'ry we make."--British Museum online catalogue
Description:
Caption title., "Quod Jas. C-tn--h, Dec. 10th, 1821."--Bottom of sheet., Woodcuts with accompanying letterpress text, mostly in verse., "Entered at Stationer's Hall."--Below imprint in square brackets., "Price 2d."--Upper right., and For the first edition, see No. 14255 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Printed and sold wholesale and retail by J. Catnatch, 2, Monmouth Court, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817,, Great Britain. Parliament. House of Lords,, and St. Paul's Cathedral (London, England),
Subject (Topic):
Death and burial, Arrivals & departures, Carriages & coaches, Parades & processions, Deathbeds, Funeral processions, and Tombs & sepulchral monuments
Illustrated memorial published after the death of Charlotte Augusta, Princess of Wales, who died after giving birth to a stillborn child in 1817. One of many similar memorials using the same illustration (an urn beneath a weeping willow) but with different verses
Description:
Title from item., Letterpress text with engraved illustration above; within a mourning border., First line of verse beneath title: Trembling I touch the plaintive chord, to speak our England’s grief ..., and "Maria" written in a contemporary hand in lower right corner. For further information, consult library staff.
Publisher:
Published by the authoress, and sold by T. Gardiner and Son, 20, Princes-street, Cavendish-square; and at No. 209, Piccadilly
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
"Trade card of Archibald Robertson, drawing master, at Savill Row Passage, adjoining Squib's Auction Room; a street with Robertson's shop to the right, figures on the pavement, an arched passageway at the end of the street; in oval with figures at the bottom corners; text below."--British Museum online catalogue
Alternative Title:
Archibald Robertson, print-seller and drawing-master ...
Description:
Title from engraved text below image., Paul Sandby, who lived above Robertson's shop and collaborated with him, was possibly involved in the production of the image., Date from British Museum online catalogue, registration no.: Banks,56.23., Sheet trimmed within plate mark., Text continues: ... colour boxes, the best black lead and hair pencils, indian ink, port-folios with or without leaves, ladies black tracing paper, and very fine transparent do. for etching, with copper plates prepared for do. etching needles &c. &c. &c. Visiting cards, engraved in the most elegant manner; great choice of paper hangings in the newest taste. NB: Sandby's works in aqua tinta, to be had complete, prints framed & glazed, and drawings neatly fitted up, all sorts of stationary wares., and Mounted on sheet with with notes from a previous owner about the card. For further information, consult library staff.
Publisher:
Archibald Robertson
Subject (Geographic):
England and London.
Subject (Name):
Robertson, Archibald, 1765-1835. and Sandby, Paul, 1731-1809.
Subject (Topic):
Artists' materials industry, Graphic arts equipment industry, Stationery trade, Artists' studios, and Stores & shops
A trade card illustrated with craftsmen engaged in the activities of their trade as carpenters and architects as well as furnishing funerals
Alternative Title:
Benjamin and John Osgood carpenters, at the Rising Sun ...
Description:
Title from item., Date suggested by dealer., Sheet trimmed within plate mark., and Mounted on secondary sheet. For further information, consult library staff.
Publisher:
Benjamin & John Osgood
Subject (Geographic):
England and London.
Subject (Topic):
Architects, Carpenters, Undertakers and undertaking, Carpentry, Equipment, Saws, and Tools
Title from item., Date inferred from printmaker's street address; Garnett Terry occupied various numbers on Paternoster Row from 1770 to 1796. See British Museum online catalogue., Sheet trimmed within plate mark at top and bottom., Text within banners surrounding central image, clockwise from upper right: Toupees; Wholesale & Retail; Cushion's; Braids; Perfumery; Wigs., and For further information, consult library staff.